Cover image for The appointment : a novel
The appointment : a novel
Müller, Herta.
Personal Author:
Uniform Title:
Heute wär ich mir lieber nicht begegnet. English
First American edition.
Publication Information:
New York : Metropolitan Books, 2001.
Physical Description:
214 pages ; 22 cm
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X Adult Fiction Central Library

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From the winner of the IMPAC Award and the Nobel Prize, a fierce novel about a young Romanian woman's discovery of betrayal in the most intimate reaches of her life

"I've been summoned. Thursday, ten sharp." Thus begins one day in the life of a young clothing-factory worker during Ceaucescu's totalitarian regime. She has been questioned before; this time, she believes, will be worse. Her crime? Sewing notes into the linings of men's suits bound for Italy. "Marry me," the notes say, with her name and address. Anything to get out of the country.

As she rides the tram to her interrogation, her thoughts stray to her friend Lilli, shot trying to flee to Hungary, to her grandparents, deported after her first husband informed on them, to Major Albu, her interrogator, who begins each session with a wet kiss on her fingers, and to Paul, her lover, her one source of trust, despite his constant drunkenness. In her distraction, she misses her stop to find herself on an unfamiliar street. And what she discovers there makes her fear of the appointment pale by comparison.

Herta Müller pitilessly renders the humiliating terrors of a crushing regime. Bone-spare and intense, The Appointment confirms her standing as one of Europe's greatest writers.

Author Notes

Born in Romania in 1953, Herta Müller lost her job as a teacher and suffered repeated threats after refusing to cooperate with Ceausescu's Secret Police. She succeeded in emigrating in 1987 and now lives in Berlin. The recipient of the European Literature Prize, she has also won the International IMPAC Dublin Literary Award for her previous novel, The Land of Green Plums.

Müller was awarded the Nobel Prize in Literature in 2009.

(Publisher Provided) Herta Müller was born in Nitzkydorf, Romania on August 17, 1953 to German parents. She studied German studies and Romanian literature at Timisoara University. While there, she became part of the Aktionsgruppe Banat, a group of idealistic Romanian-German writers seeking freedom of expression under the Ceaucescu dictatorship. After graduation, she worked as a translator in a machine factory, but was fired for refusing to cooperate with the secret police. Her first short story collection, Niederungen, was published in 1982 in a censored form. She immigrated to West Germany in 1987.

She is a novelist, poet and essayist whose works depict the harsh conditions of life in Communist Romania under the repressive Nicolae Ceausescu regime. Her works include Herztier or The Land of Green Plums; The Appointment; Der Fuchs War Damals Schon der Jäger or The Passport; and Atemschaukel or Everything I Possess I Carry with Me. She has won numerous awards including the Marieluise-Fleißer Prize in 1990, the Kranichsteiner Literary Prize in 1991, the Kleist Prize in 1994, and the 2009 Nobel Prize in Literature.

(Bowker Author Biography)

Reviews 3

Booklist Review

A young, unnamed woman from an unnamed country is summoned by the government for questioning regarding notes being sewn into men's suits bound for Italy. The notes say, "Marry me," and Major Albu, a smug and suspicious man, has once again called in the woman responsible for writing them.In her first-person narrative, the young woman flashes back and forth in time, describing her experiences at previous appointments, her life in a country under a terrorizing government, and the trip to her latest summons. The flashbacks, which have no sense of time or order, reveal glimpses of her past, including a beloved father whom she catches having an affair, an alcoholic husband who is scorned by fellow workers, her friend who died trying to escape the country, and Major Albu's humiliating interrogations. Muller's writing is dark and sparse, capturing the chilling reality of life in a country in turmoil. It is a gritty novel that will leave one guessing the young woman's fate long after the last page is read. --Carolyn Kubisz

Publisher's Weekly Review

The hardships and humiliations of Communist Romania are on display in this taut novel by the winner of the European Literature Prize (Muller, author of the well-received Land of Green Plums, emigrated to Berlin after being persecuted by the Romanian secret police). The narrator, an unnamed young dress-factory worker of the post-WWII generation, has been summoned for questioning by the secret police; she has been caught sewing notes into men's suits destined for Italy, with the desperate message "marry me" along with her address. Accused of prostitution in the workplace (and told she is lucky the charge is not treason), she loses her job, and her life becomes subject to the whims of Major Albu, who summons her for random interrogation sessions. Her major preoccupation is holding on to her sanity. This is a nearly impossible feat in a society where opportunity is limited, trust is a commodity as scarce as decent food or shoe leather, and even sinister Party henchmen are shown to be trapped in a ridiculous charade. As she travels to a questioning session, the woman spools out the tale of her past: her attempt to achieve independence after a first marriage, only to hastily fall into a second one with Paul, an alcoholic who fashions illegal television antennas for the black market; and her friendship with the beautiful and doomed Lilli, a fellow factory worker. The sharp generational divide following the war and the dreadful ways in which people learn to cope with the Communist regime are threaded throughout as are some lighter moments, shaky though they may be. Appropriately disorienting and tightly wound, this perfectly controlled narrative offers a chilling picture of human adaptation and survival under oppression. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

A Romanian-born resident of Berlin, Muller, whose novel The Land of Green Plums won the International IMPAC Dublin Literary Prize, here tells the grim story of a woman repeatedly summoned by Major Albu, a government flunky intent on determining whether she is a traitor to the state. Her crime? Sewing handwritten notes into the pockets of the men's slacks she makes at her factory job, listing her name and contact information and imploring the purchaser to marry her so that she can flee the repressive Ceausescu. While the protagonist's pleas are intercepted and ineffectual, Muller's message to her readers is not. Indeed, her depiction of life in Communist Romania forces readers to feel tremendous antipathy for the repressive regime. Palpably bitter, Muller crafts a world in which alcoholism, violence, corruption, and personal betrayal are routine. As the woman's grandfather declares, "Life was wet fart, not even worth the bother of putting your shoes on." This tone permeates the book, making it both bleak and overwhelming. Still, it is recommended for public and academic libraries and for those interested in understanding the effects of government oppression. [Previewed in Prepub Alert, LJ 5/1/01.] Eleanor J. Bader, Brooklyn, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



I've been summoned. Thursday, at ten sharp. Lately I'm being summoned more and more often: ten sharp on Tuesday, ten sharp on Saturday, on Wednesday, Monday. As if years were a week, I'm amazed that winter comes so close on the heels of late summer. On my way to the tram stop, I again pass the shrubs with the white berries dangling through the fences. Like buttons m a d e of mother-of-pearl and sewn from underneath, or stitched right down into the earth, or else like bread pellets. They remind me of a .ock of little white-tufted birds turning away their beaks, but they're really far too small for birds. It's enough to make you giddy. I'd rather think of snow sprinkled on the grass, but that leaves you feeling lost, and the thought of chalk makes you sleepy. The tram doesn't run on a .xed schedule. It does seem to rustle, at least to my ear, unless those are the stiff leaves of the poplars I'm hearing. Here it is, already pulling up to the stop: today it seems in a hurry to take me away. I've decided to let the old man in the straw hat get on ahead of me. He was already waiting when I arrivedâ€"who knows how long he'd been there. You couldn't exactly call him frail, but he's hunchbacked and weary, and as skinny as his own shadow. His backside is so slight it doesn't even .ll the seat of his pants, he has no hips, and the only bulges in his trousers are the bags around his knees. But if he's going to go and spit, right now, just as the door is folding open, I'll get on before he does, regardless. The car is practically empty; he gives the vacant seats a quick scan and decides to stand. It's amazing how old people like him don't get tired, that they don't save their standing for places where they can't sit. Now and then you hear old people say: There'll be plenty of time for lying down once I'm in my cof.n. But death is the last thing on their minds, and they're quite right. Death never has followed any particular pattern. Young people die too. I always sit if I have a choice. Riding in a seat is like walking while you're sitting down. The old man is looking me over; I can sense it right away inside the empty car. I'm not in the mood to talk, though, or else I'd ask him what he's gaping at. He couldn't care less that his staring annoys me. Meanwhile half the city is going by outside the window, trees alternating with buildings. They say old people like him can sense things better than young people. Old people might even sense that today I'm carrying a small towel, a toothbrush, and some toothpaste in my handbag. And no handkerchief, since I'm determined not to cry. Paul didn't realize how terri.ed I was that today Albu might take me down to the cell below his of.ce. I didn't bring it up. If that happens, he'll .nd out soon enough. The tram is moving slowly. The band on the old man's straw hat is stained, probably with sweat, or else the rain. As always, Albu will slobber a kiss on my hand by way of greeting. Major Albu l i f t s my hand by the .ngertips, squeezing my nails so hard I could scream. He presses one wet lip to my .ngers, so he can keep the other free to speak. He always kisses my hand the exact same way, but what he says is always different: Well well, your eyes look awfully red today. I think you've got a mustache coming. A little young for that, aren't you. My, but your little hand is cold as ice todayâ€"hope there's nothing wrong with your circulation. Uh-oh, your gums are receding. You're beginning to look like your own grandmother. My grandmother didn't live to grow old, I say. She never had time to lose her teeth. Albu knows all about my grandmother's teeth, which is why he's bringing them up. As a woman, I know how I look on any given day. I also know that a kiss on the hand shouldn't hurt, that it shouldn't feel wet, that it should be delivered to the back of the hand. The art of hand kissing is something men know even better than womenâ€"and Albu is hardly an exception. His entire head reeks of Avril, a French eau de toilette that my father-in-law, the Perfumed Commissar, used to wear too. Nobody else I know would buy it. A bottle on the black market costs more than a suit in a store. Maybe it's called Septembre, I'm not sure, but there's no mistaking that acrid, smoky smell of burning leaves. Once I'm sitting at the small table, Albu notices me rubbing my .ngers on my skirt, not only to get the feeling back into them but also to wipe the saliva off. He .ddles with his signet ring and smirks. Let him: it's easy enough to wipe off somebody's spit; it isn't poisonous, and it dries up all by itself. It's something everybody has. Some people spit on the pavement, then rub it in with their shoe since it's not polite to spit, not even on the pavement. Certainly Albu isn't one to spit on the pavementâ€"not in town, anyway, where no one knows who he is and where he acts the re.ned gentleman. My nails hurt, but he's never squeezed them so hard my .ngers turned blue. Eventually they'll thaw out, the way they do when it's freezing cold and you come into the warm. The worst thing is this feeling that my brain is slipping down into my face. It's humiliating, there's no other word for it, when your whole body feels like it's barefoot. But what if there aren't any words at all, what if even the best word isn't enough. Excerpted from The Appointment by Herta Müller. Copyright © 2001 by Metropolitan Books. Published in 2001 Henry Holt and Company, LLC. All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. Excerpted from The Appointment: A Novel by Herta Müller All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.