Cover image for Evan can wait : a Constable Evans mystery
Title:
Evan can wait : a Constable Evans mystery
Author:
Bowen, Rhys.
Personal Author:
Edition:
[Large print edition].
Publication Information:
Thorndike, Me. : G.K. Hall, [2001]

©2001
Physical Description:
365 pages ; 25 cm
Language:
English
Geographic Term:
ISBN:
9780783894515
Format :
Book

Available:*

Library
Call Number
Material Type
Home Location
Status
Item Holds
Searching...
X Adult Large Print - Floating collection Floating Collection - Large Print
Searching...

On Order

Summary

Summary

In this fifth adventure of Constable Evan Evans, the sole police officer in the charming Welsh village of Llanfair, he is assigned to assist an expedition to raise a World War II German bomber plane from a lake. The whole venture is being filmed for a documentary on World War II, and Evans tries to assist the film crew by finding them locals with stories to tell. Little does he realize that resurrecting the past can sometimes mean opening old wounds. Tensions build until one of the filmmakers disappears and is found dead in a nearby slate mine. And the case only grows more complex . . .


Author Notes

Rhys Bowen was born Janet Quin-Harkin in 1941 in Bath, England. She earned her bachelors degree from the University of London. Soon after graduation she worked for the British Broadcasting Corporation as a studio manager and writer. She then took a job working for a textbook company developing reading texts before writing her own books. Her first picture book - Peter Penny's Dance - was published in 1976 and changed her career to children's book author. The book earned praise and won numerous awards. In 1981 she wrote a teen novel entitled California Girl which became the first installment in Bantam's Sweet Dreams series. This series grew to include novels such as Love Match, Daydreamer, and Ten-Boy Summer. These Sweet Dreams books started a major trend in young adult publishing. they were praised as an encouragement to reading. Janet Quin-Harkin also authored non-series fiction for adolescents such as award winning novel Wanted: Date for Saturday Night and Summer Heat. She also wrote the young adult historical novels Madam Sarah and Fool's Gold. She then moved on to writng mystery novels whcih included her Constable Evans series. Her book Royal Blood made the New York Times Bestseller list.

(Bowker Author Biography)


Reviews 4

Booklist Review

Bowen's titles--this one follows Evanly Choirs, Evans Above, Evan Help Us, and Evan and Elleoffer the first hint of the impish sense of humor that characterizes this ongoing series starring Welsh police constable Evan Evans. This time Evans is assigned to keep well-wishers and gawkers away from some filmmakers shooting a documentary. The assignment leads to murder, the theft of some valuable paintings, and a decades-old conspiracy, but all this subject matter is somewhat overshadowed by the author's delightful storytelling style. Her dialogue is smart and immensely lifelike, and her portrait of a small Welsh town and its quirky inhabitants is utterly charming. Lots of people write small-town mysteries, perhaps because they seem so easy to do (all it takes is some eccentric people and a murder, right?), but few of them get it as right as Bowen does. Readers expecting hard-boiled intensity should look elsewhere, but fans of light, entertaining mysteries with an emphasis on appealing characters and intriguing plots will be thrilled. --David Pitt


Publisher's Weekly Review

When a documentary film crew arrives in the Welsh village of Llanfair to try to raise a WWII German bomber sunk in a lake, Constable Evan Evans finds he has more to do than simply keep the curious at bay in this light police procedural. The film's arrogant and conceited director, Grantley Smith, manages to offend just about everyone, including Evan. To complicate matters, Grantley's partner on the project, Edward Ferrers, turns out to be the ex-husband of Evan's sweetheart, Bronwen Price. When Grantley falls out of the local scenic railway train unharmed, it appears to be an accident. But it's clearly murder when Evan discovers his body in a pool of water in an abandoned mine, weighed down with slate. More suspenseful (and intriguing) are the recorded memoirs, interspersed with the main action, of old Trefor Thomas, who recounts how he and his greedy girlfriend schemed to steal a painting from the National Gallery collection stored in a Welsh mine during WWII. The two seemingly unrelated plot lines knit together nicely in the end. As in the four previous books in the series (Evans Above, etc.), Bowen's great strength is her endearing Welsh characters, from the modest Evan to such amusing locals as the saucy barmaid and the rival chapel preachers. This mystery is sure to appeal to those who prefer old-fashioned, heartwarming stories to tawdry tales full of graphic sex and violence. (Feb. 3) (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

When filmmakers choose the Welsh village of Llanfair as the site for a World War II documentary, Constable Evan Evans (Evan and Elle) plays host. His duties become much more complex after the producer is found murdered in a mineshaft. Evans discovers many enemies and evidence of an old plot to hide stolen art. An exciting addition to the series. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


School Library Journal Review

Adult/High School-When a film crew arrives in the small Welsh village of Llanfair, Constable Evan Evans's assignment is to protect the crew from nosy locals. When the producer is found dead in the recesses of a slate mine, however, the complex relationships of the crew members require closer scrutiny. As part of the story focuses on the murder, a second story emerges. During World War II, one of the local miners was involved in art fraud and murder when treasures from the National Gallery were stored in one of the mines. Constable Evans delves methodically into the history of the mines as well as the personal histories of the film crew and he finds increasingly more evidence that joins the two stories, resulting in a surprise ending. Constable Evans is the best-developed character; the others, including the murderer, play their parts but don't add any depth. The author creates a vivid background for the novel by weaving in descriptive details about the area, the deadly mines, and the quickly changing weather. Adding bits and pieces of information about the local culture, she includes gossipy conversations and some colorful characters from surrounding small villages to capture a delightful sense of a people and their lives. Her descriptions of the slate mines are darkly foreboding, emphasizing grimly shadowed shafts and providing plenty of spooky atmosphere for murder.-Pam Johnson, Fairfax County Public Library, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Chapter One             Do I remember anything of those days? It's as clear as if it was yesterday. I remember the first time she noticed me. It was at Johnny Morgan's going-away party. He'd just joined the Royal Welch Fusiliers and he was being sent to France. I thought he looked the cat's whisker in that uniform. All the girls did, too. They were all clustering around him, giving him their addresses and promising to write to him. Then She came into the room. I didn't recognize her at first. Then someone said, "Mwfanwy? It's never Mwfanwy Davies."     And she laughed and said, "You're right. It's not Mwfanwy Davies. The name's Ginger from now on, honey. Ginger, like Ginger Rogers." She did a pretty good American accent, too.     The girls all crowded around her. "Your mam's going to kill you," Gwynneth Morgan said.     "She's already tried, but there's not much she can do about it, is there?" She put her hand to her platinum blond hair. "I can't unbleach it. She'll have to wait until it grows out. And anyway I like it and she can't tell me what to do with my own hair." She pushed through the circle of girls and went over to the punch bowl. "Just wait until I get to Hollywood, then she'll be sorry, won't she?"     "So how are you getting to Hollywood, then?" one of the boys asked. "I don't think the train from Blenau goes there."     Some of the other kids laughed, but Ginger looked at him coldly. "I'll get there," she said. "Some way or other. I don't know how, yet, but I'll get there."     Then she looked at me. She had the clearest blue eyes and they sparkled when she smiled. "Find me a cigarette, will you, Trefor love?"     I was too young to smoke, but I ran all the way to the corner shop and bought a packer of Woodbines with all that was left of my weekly wage packet. I'd just started as an apprentice at the mine and it was only a few shillings a week. I only kept enough for the cinema and a beer or two for myself. The rest went straight to my mam.     Then I ran all the way back from the shop. By the time I got back, Mwfanwy was sitting on the sofa with Johnny Morgan, smoking one of his cigarettes, and she had forgotten all about me.     That's the way it was with Ginger. I knew I should stay well clear, but it was too late. I was already in love with her.     Trefor Thomas, memories of World War II, recorded. "Is this it?" Grantley Smith roused himself from the backseat and peered between the two occupants of the front seats as the Land Rover slowed. Rain was peppering the windscreen too fiercely for the wipers to handle, but the frantic swishing allowed brief glimpses of a steep, narrow road lined with gray stone cottages. A couple of bedraggled sheep cropped the grass beside the stream as the Land Rover went over a stone humpbacked bridge. It was early evening and the light was fading fast, yet no welcoming lights shone out from windows. In fact, the village gave the appearance of having shut down for the winter.     "This is it," the driver said without looking around. "The sign said `Llanfair.'"     "Surely you jest," scoffed Grantley Smith in a voice that had been compared to that of the young Larry Olivier. He swung around to the girl beside him in the backseat. "You must have given us wrong directions, Sandie. I thought I told you to get a printout from the Internet. This can't be right."     "I did get a printout, honestly, I did, Grantley," the girl said, gazing at him with large, pleading eyes. "This has to be the right place. We've been doing exactly what it told us to, all the time you've been asleep."     "You must have taken a wrong turn somewhere," Grantley insisted. "I mean, really, I know we have to get the feel of the place because we're going to be shooting up here, but that doesn't mean that I actually crave a bath in front of the kitchen fire with the slate miners...."     If he expected a laugh, he didn't get one. The other occupants of the vehicle had taken turns at the wheel all the way from London in driving rain while Grantley slept, sprawled in the back.     "If the site is up here, then it makes sense to stay somewhere close," the driver said in a clipped voice. In contrast to Grantley, who worked at looking sleek and mercurial like a young Lord Byron, Edward Ferrers was pink and solid, like an overgrown cherub. "The only big hotels are on the coast and you wouldn't want to commute up this pass every day, would you? I have to be on the spot to keep an eye on the salvage crew. I don't want anything touched when I'm not around."     "Edward and his precious plane," Grantley muttered. "Nobody's touching my toys!" He took out a packet of Gitanes and lit one, filling the car with pungent, herby fumes. Edward looked back in annoyance as the smoke wafted over him.     "Jesus, Grantley, so it's not exactly Beverly Hills up here," the passenger in the other front seat drawled in a voice that betrayed transatlantic origins. "I just don't think you'd have found any better accommodation even if we'd stayed in one of those hotels on the coast." He was an older man, dressed in a checked shirt, old jeans, suede waistcoat, and a faded black French beret. If the words "Movie Director" had been printed across his back, his profession could not have been more obvious. "This place is supposed to be okay."     "Howard, we all know that you are the intrepid one." Grantley rested his elbows on the two front seats so that his face was now between them. "Your definition of quite good is sleeping in a tent on the African veldt when the hyenas aren't biting your toes. Your idea of luxury is probably an outhouse with running water."     "It will be fine, Grantley. Just shut up," Edward said tersely. "I've made the reservation and if you don't like it, you can find somewhere else in the morning, okay?"     "Keep your hair on, Edward," Grantley said. "If you two have discovered this little gem, then I'm sure it is just perfect. My only question is, where the devil is it? We're almost out of the village again." He moved across to the side window and cleared a circle of condensation with his hand. "This really doesn't look like the kind of place anyone in his right mind would build a luxury hotel. Wait--there's some kind of sign on the left. In front of that big white building ..."     The sign was swinging wildly in the wind and it took them a while to make out the red dragon on it.     "It's only the local pub," Edward said.     "Thank God. It looked positively dismal." Grantley gave a long, dramatic sigh. "In fact, everything about this place looks dismal. Look at those shops over there. R. Evans. G. Evans--you obviously have to be called Evans to live in this place, and what the devil is ` Cigydd '?"     "It has a window full of meat, Grantley. I think even you can figure that one out," Howard muttered, but Grantley went on, "It's a bloody foreign country! Whose crazy idea was it to come to Wales in the middle of winter anyway?"     "You were excited when I told you about it," Edward said. "You were the one who thought it would make a great documentary."     Howard put his hand on Edward's arm. "Let's stop and ask someone."     Edward laughed. "Any suggestions? The place isn't exactly pulsing with life."     As if on cue a door opened, light shone out, and a young man in uniform appeared. He was wearing a navy raincoat and when he noticed the severity of the rain, he stood in the doorway, turning up his collar, before heading out into the street.     Grantley gave a delighted laugh. "Incredible. They even have policemen in this godforsaken place. Don't let him get away, Edward," as the policeman was clearly about to sprint for cover. "Now let's just pray he speaks English. People do speak English here, don't they, Edward?"     "It's not Kazakhstan, Grantley. It's Wales," Edward said. "I expect they'll understand you if you wave your arms a lot, like you do in France."     "My French is bloody good," Grantley said. "Go on, catch up with him."     They pulled to a halt beside the policeman, who stopped obediently, rain plastering dark hair to his face. He was a young man, broad shouldered, with a pleasant boyish smile. "Can I help you gentlemen?" he asked. His voice betrayed just a trace of a Welsh lilt.     "We're trying to find a hotel called the Everest Inn." Howard leaned across Edward. "It's supposed to be around here but I guess we must have missed it somehow."     The policeman gestured to his left. "It's just up the road past the village. You'll come to the big stone gateposts. Turn in there and you'll see it off to the right. In fact, you can't miss it."     "Is it all right? A decent sort of place?" Grantley leaned forward from the backseat.     "I haven't stayed there myself, look you, but it's very posh," the constable said. "I understand it's got five stars."     "Well, thanks a lot, Officer," Edward said. "We mustn't keep you. You're getting very wet."    "Oh, we're used to that kind of thing around here, sir," the constable said. "It rains quite often."     He gave them a friendly grin, then crossed the street behind the car.     "There you are. All that panic for nothing," Edward said as they drove on.     "Panic? Who was panicking? It was just concern born from exhaustion." Grantley sank back into his seat and took another draw on his cigarette.     "I like that. You've slept all the way here." Howard gave a dry chuckle.     "Ah, but we don't all have your stamina, Howard," Grantley said smoothly. "All that endurance built up tramping through jungles at night, avoiding E. coli and cholera and not getting hacked to death with machetes by gangs of child soldiers."     "One of these days you'll go too far, Grantley," Howard said.     "Oh, I don't think so," Grantley said. "I don't think so for a moment." He leaned forward again, grabbing their shoulders as he peered out of the windscreen. "Oh look, there it is!"     To their right the shape of a large building loomed through the rain, lights twinkling on the wet tarmac of the car park.     "Christ, Edward," Grantley exclaimed as they swung off the road up to the car park. "You see, I was right. You did take a wrong turn somewhere. You've landed us in bloody Switzerland!"     The building revealed itself as an overgrown rock and timber chalet, complete with carved wooden balconies adorned with boxes of late geraniums.     "Either Switzerland or Disneyland, I'm not sure which," he went on, giggling like an overgrown schoolboy. "It's delightfully monstrous, isn't it? You know, I think this is going to be fun after all."     Howard Bauer and Edward Ferrers exchanged a quick glance that Grantley, still gazing up at the building, didn't notice.