Cover image for Henry VIII : the king and his court
Henry VIII : the king and his court
Weir, Alison.
Personal Author:
First American edition.
Publication Information:
New York : Ballantine Books, [2001]

Physical Description:
viii, 632 pages, 16 unnumbered pages of plates : illustrations (chiefly color) ; 24 cm
Format :


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DA332 .W45 2001 Adult Non-Fiction Biography
DA332 .W45 2001 Adult Non-Fiction Non-Fiction Area
DA332 .W45 2001 Adult Non-Fiction Biography
DA332 .W45 2001 Adult Non-Fiction Biography

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Henry VIII, renowned for his command of power, celebrated for his intellect, presided over the most stylish--and dangerous--court in Renaissance Europe. Scheming cardinals vied for power with newly rich landowners and merchants, brilliant painters and architects introduced a new splendor into art and design, and each of Henry's six queens brought her own influence to bear upon the life of the court. In her new book, Alison Weir, author of the finest royal chronicles of our time, brings to vibrant life the turbulent, complex figure of Henry VIII and the glittering court he made his own. In an age when a monarch's domestic and political lives were inextricably intertwined, a king as powerful and brilliant as Henry VIII exercised enormous sway over the laws, the customs, and the culture of his kingdom. Yet as Weir shows in this swift, vivid narrative, Henry's ministers, nobles, and wives were formidable figures in their own right, whose influence both enhanced and undermined the authority of the throne. On a grand stage rich in pageantry, intrigue, passion, and luxury, Weir records the many complex human dramas that swirled around Henry, while deftly weaving in an account of the intimate rituals and desires of England's ruling class--their sexual practices, feasts and sports, tastes in books and music, houses and gardens. Stimulating and tumultuous, the court of Henry VIII attracted the finest minds and greatest beauties in Renaissance England--poets Wyatt and Surrey, the great portraitist Hans Holbein, "feasting ladies" like Elizabeth Blount and Elizabeth FitzWalter, the newly rich Boleyn family and the ancient aristocratic clans like the Howards and the Percies, along with the entourages and connections that came and went with each successive wife. The interactions between these individuals, and the terrible ends that befell so many of them, make Henry VIII: The King and His Court an absolutely spellbinding read. Meticulous in historic detail, narrated with high style and grand drama, Alison Weir brilliantly brings to life the king, the court, and the fascinating men and women who vied for its pleasures and rewards.

Author Notes

Alison Weir was born in London, England on July 8, 1951. She received training to be a teacher with a concentration in history from the North Western Polytechnic. Before becoming a full-time writer, she worked as a civil servant and ran her own school for children with learning difficulties from 1991 to 1997. Her first book, Britain's Royal Families, was published in 1989. Her other books include The Six Wives of Henry VIII; Children of England; Eleanor of Aquitaine; Henry VIII: King and Court; Mary, Queen of Scots; and Isabella.

Her first novel, Innocent Traitor, was published in 2006. Her other novels include The Lady Elizabeth, The Lady in the Tower: The Fall of Anne Boleyn, The Captive Queen, A Dangerous Inheritance, and Katherine of Aragon, the True Queen.

(Bowker Author Biography)

Reviews 3

Booklist Review

A trio of biographies revisits three diverse corners of monarchical Europe in three different centuries. The eighteenth-century reign of Philip V of Spain, the first Spanish king of the French Bourbon dynasty, which still rules in Spain today, was marked by the long conflict called the War of Spanish Succession. But Professor Kamen looks beyond those years of bloodshed and sees that Philip's long reign--of 46 years, in fact--spelled governmental, social, and cultural changes that, in effect, inaugurated Spain as a modern nation. Philip, the grandson of France's great king Louis XIV, came to Spain young and untried, but, as Kamen pictures here, in a scholarly, exacting, but certainly accessible account, he developed the acumen and agility to end his reign as a leader who made a difference. Any biographer of Kaiser Wilhelm II of Germany must deal with three important issues in his life: his egomaniacal personality; his contentious relationship with his parents, particularly his mother, who never forgot she was the Princess Royal of Britain before marrying into the Prussian royal house; and his role in the outbreak of World War I, specifically the quality and even extent of his leadership once the war began. Historian MacDonogh, in a thorough and incisive treatment, tackles these issues with both aplomb and fairness. Weir is an immensely popular writer of books about European royalty, and her latest book gives ample evidence of her talent. She brings to entertaining light the whole atmosphere of the court of England's great king Henry VIII. Henry succeeded his father on the throne at the early age of 17, and all of England loved him. His court was the most magnificent in Europe, and his personality was larger than life. But at reign's end, Henry had acquired the reputation of a tyrant with a propensity for chopping off the heads of his wives. The path from Renaissance prince to mean, old king is traced within the context of all the major players and events that influenced the court setting in which Great Harry ruled. --Brad Hooper

Publisher's Weekly Review

In a succession of books on medieval and early modern monarchs, Weir has established her credentials as one of the most evocative of popular historians. In Eleanor of Aquitaine (which will be reissued in paperback to tie in with this publication), she brushed aside a forest of scholarly debate in favor of fully rounded human portraits. She now turns to the colossal figure of Henry VIII, aspiring chivalric hero and accidental spearhead of the Reformation. In the age's luxurious ceremony, Weir is thoroughly in her element. She revels in the Field of Cloth of Gold, an elaborate showpiece where Henry met his French counterpart; in the zesty supporting cast; and even in the less appetizing duties of the Groom of the Stool. Henry's passions were many and charming: his beloved dogs Cut and Ball were evidently so prone to getting lost that he would pay some 225 to their finder. Weir's fondness for her character has its difficulties. While admitting that the king proved to be "an imperious and dangerous autocrat who became mesmerised by his own legend," she too is seduced by the myth. Given to romantic hyperbole, she concludes with the largely unsupported sentiment that Henry "excelled all who ever wore a crown"; chalk up another victory for his propagandists. Other problematic characters, like Thomas More ("calm, kind, witty and wise"), are also let off lightly. Still, Weir's nose for detail, her sharpness of eye and her sympathetic touch make this a feast for the senses. (May 1) Forecast: Weir always gets excellent reviews, and Ballantine says there are 500,000 copies of her books in print, and yet she hasn't broken out big-time. Her choice of subject here may make this the one. It is a dual main selection of BOMC, as well as a selection of the Literary Guild, the History Book Club and QPB. (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

The events surrounding Henry VIII's tumultuous life have long held public fascination. Weir (The Six Wives of Henry VIII) here examines the minutiae of his daily life and gives prominence to the background players of his court. We learn of the king's daily ablutions, hunting pursuits, "mania for property," and amorous liaisons. Numerous other aspects of the period are examined, such as kitchen hygiene, religious feasts and observances, the adornments of the royal palaces, the financial administration of the household, and, of course, the political maneuvering. As the lens shifts to the court, we are introduced, through such notables as Thomas Wolsey and Thomas Cromwell, to the dangerous jockeying for position to achieve royal favor. The paintings of the royal family by Hans Holbein are meticulously described, illuminating the culture and sensibilities of the period. At times, the weighty detail and numerous characters will make the work inaccessible; however, as a scholarly study it is a significant achievement. Recommended for larger public libraries and academic libraries. Isabel Coates, Brampton, Ont. Communications (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Chapter 1 "A Most Accomplished Prince" On 21 April 1509, the corpse of King Henry VII, ravaged by tuberculosis, was laid in state in the chapel at Richmond Palace, whence it would shortly be taken to Westminster Abbey for burial. Few mourned that King's passing, for although he had brought peace and firm government to England and established the usurping Tudor dynasty firmly on the throne, he had been regarded as a miser and an extortionist. The contrast between the dead King and his son and heir could not have been greater. The seventeen-year-old Henry VIII was proclaimed King on 22 April,1 which--most apt for a prince who embodied all the knightly virtues--was also St. George's Day. The rejoicings that greeted Henry's accession were ecstatic and unprecedented, for it was believed that he would usher in "a golden world."2 William Blount, Lord Mountjoy, a courtier, expressed the national mood in a letter to his fellow humanist, the renowned Desiderius Erasmus: I have no fear but when you heard that our prince, now Henry the Eighth, whom we may well call our Octavius, had succeeded to his father's throne, all your melancholy left you at once. What may you not promise yourself from a prince with whose extraordinary and almost divine character you are acquainted? When you know what a hero he now shows himself, how wisely he behaves, what a lover he is of justice and goodness, what affection he bears to the learned, I will venture to swear that you will need no wings to make you fly to behold this new and auspicious star! If you could see how here all the world is rejoicing in the possession of so great a prince, how his life is all their desire, you could not contain your tears for sheer joy. The heavens laugh, the earth exults. . . . Avarice is expelled from the country, extortion is put down, liberality scatters riches with a bountiful hand. Yet our King does not desire gold, gems or precious metals, but virtue, glory, immortality!3 To his contemporaries, Henry VIII was the embodiment of kingship. Thomas More's coronation eulogy states that "among a thousand noble companions, the king stands out the tallest, and his strength fits his majestic body. There is fiery power in his eyes, beauty in his face, and the colour of twin roses in his cheeks."4 Other evidence proves that this was not mere flattery. Henry's skeleton, discovered in 1813, was six feet two inches in length. Henry was certainly of strong and muscular build: the Spanish ambassador reported in 1507 that "his limbs are of a gigantic size."5 In youth, he was slim and broad-shouldered: his armour of 1512 has a waist measurement of thirty-two inches, while that of 1514 measures thirty-five inches at the waist, forty-two inches at the chest. Several sources testify to Henry's fair skin, among them the poet John Skelton, who called him "Adonis, of fresh colour." His hair, strands of which still adhered to his skull in 1813, was auburn, and he wore it combed short and straight in the French fashion. For many years he remained clean-shaven. In visage, the young King resembled his handsome grandfather, Edward IV,6 with a broad face, small, close-set, penetrating eyes, and a small, sensual mouth; Henry, however, had a high-bridged nose. He was, wrote a Venetian envoy in 1516, "the handsomest prince ever seen,"7 an opinion in which most contemporaries concurred. The young Henry enjoyed robust good health, and was a man of great energy and drive. He had a low boredom threshold and was "never still or quiet."8 His physician, Dr. John Chamber, described him as "cheerful and gamesome,"9 for he was quick to laugh and he enjoyed a jest. A Venetian called him "prudent, sage and free from every vice,"10 and indeed it seemed so in 1509, for Henry was idealistic, open-handed, liberal, and genial. Complacency, self-indulgence, and vanity appeared to be his worst sins--he was an unabashed show-off and shamelessly solicited the flattery of others. He was also high-strung, emotional, and suggestible. Only as he grew older did the suspicious and crafty streaks in his nature become more pronounced; nor were his wilfulness, arrogance, ruthlessness, selfishness, and brutality yet apparent, for they were masked by an irresistible charm and affable manner. Kings were expected to be masterful, proud, self-confident, and courageous, and Henry had all these qualities in abundance, along with a massive ego and a passionate zest for life. He embodied the Renaissance ideal of the man of many talents with the qualities of the mediaeval chivalric heroes whom he so much admired. He was "simple and candid by nature,"11 and he used no worse oath than "By St. George!" A man of impulsive enthusiasms, he could be naive. Decision making did not come easily to Henry--it was his habit "to sleep and dream upon the matter and give an answer in the morning"12-- but once his mind was made up he always judged himself, as the Lord's Anointed, to be in the right. Then, "if an angel was to descend from Heaven, he would not be able to persuade him to the contrary."13 Cardinal Wolsey was later to warn, "Be well advised what ye put in his head, for ye shall never pull it out again."14 Few could resist Henry's charisma. "The King has a way of making every man feel that he is enjoying his special favour," wrote Thomas More.15 Erasmus called Henry "the man most full of heart."16 He would often put his arm around a man's shoulder to put him at his ease, although he "could not abide to have any man stare in his face when he talked with them."17 There are many examples of his kindness to others, as will be seen. Yet the King also had a spectacular and unpredictable temper, and in a rage could be terrifying indeed. He was also very jealous of his honour, both as king and as a knight, and had the tenderest yet most flexible of consciences. His contemporaries thought him extraordinarily virtuous, a lover of goodness, truth, and justice--just as he was always to see himself. Because the young King was not quite eighteen, his father's mother, the venerable Lady Margaret Beaufort, Countess of Richmond and Derby, acted as regent during the first ten weeks of the reign. Lady Margaret had exercised considerable influence over the upbringing of her grandson, since it had been she, and not Henry's mother, Elizabeth of York, who was in charge of the domestic arrangements in Henry VII's household. And it had been she who was entrusted with perfecting Edward IV's series of ordinances for the regulation of the royal household;18 the procedures she established would continue to be enforced throughout Henry VIII's reign and beyond, and they covered, among other things, the rules to be observed in the royal nurseries. The Lady Margaret was now a frail, nunlike widow of sixty-six, renowned for her piety, learning, and charitable works; yet her influence was formidable. She had been an inveterate intriguer during the Wars of the Roses, and had outlived four husbands. After the King, she held more lands than anyone else in the kingdom. Henry VII, born when she was only thirteen, was her only child, and she had been utterly devoted to him. That devotion extended to her grandchildren, whose education she probably supervised. For this she was admirably qualified, being a generous benefactor of scholarship and the foundress of Christ's College and St. John's College at Cambridge. A patron of William Caxton, she was both a lover of books and a true intellectual. She was also an ascetic, wearing a severe widow's barbe up to her chin and a hair shirt beneath her black robes, and her rigorous religious regime represented the harsher aspects of mediaeval piety. From her, the Prince inherited his undoubted intellectual abilities and a conventional approach to religious observance. * * * Henry had been born on 28 June 1491, and was created Duke of York at the age of three. His seventeenth-century biographer Lord Herbert of Cherbury, who had access to sources lost to us, claimed that Henry VII intended this second son to enter the Church, and had him educated accordingly. Certainly Henry was pious and very well grounded in the- ology. Yet on the death of his elder brother, Arthur, in 1502, he became Prince of Wales and heir to the throne. The death of his mother, Elizabeth of York, in 1503, seems to have affected him deeply: in 1507, having learned of the death of Duke Philip of Burgundy, he confided to Erasmus that "never, since the death of my dearest mother, hath there come to me more hateful intelligence. . . . It seemed to tear open again the wound to which time had brought insensibility."19 Henry was very well educated in the classical, humanist fashion. Thomas More later asked, "What may we not expect from a king who has been nourished on philosophy and the Nine Muses?" The poet John Skelton was the Prince's tutor for a time, as was William Hone, of whom little is known. Skelton may have owed his appointment to Margaret Beaufort, for he was a Cambridge man, a Latin classicist in holy orders. He had been appointed poet laureate by the universities of Cambridge, Oxford, and Louvain, and was described by Erasmus as "that incomparable light and ornament of British letters." He had probably been Henry's first teacher, for he claimed: The honour of England I learned to spell, In dignity royal at that doth excel. . . . I gave him drink of the sugared well Of Helicon's waters crystalline, Acquainting him with the Muses nine. He probably also taught Henry to read, and to write in a rounded, Italianate hand. Skelton was a colourful and eccentric character, an indifferent poet who wrote scurrilous, vitriolic satires, such as The Bouche of Court, which targeted the corrupt courtiers in Henry VII's household. Unlike most court versifiers, Skelton wrote in English, not the customary French or Latin. He was conceited, quarrelsome, and often ribald--he took a cruel pleasure in exposing ladies of the court as whores, and was obsessed with young girls--yet at the same time he set himself up as a champion of morality. Not surprisingly, he made many enemies. Skelton may have been in his post as teacher by the time Henry was three, for, in a poem he composed to mark the boy's creation as Duke of York, he referred to him as "a brilliant pupil." Around 1501, Skelton wrote a rather pessimistic Latin treatise, Speculum Principis--The Mirror of a Prince, for the edification of his charge; he urged him never to relinquish power to his inferiors and to "choose a wife for yourself, prize her always and uniquely." In 1502, Skelton spent a short spell in prison for a minor misdemeanour, which effectively terminated his royal duties; upon his release he was appointed rector of Diss in Norfolk, but around 1511 he was dismissed for living with a concubine. Thereafter he lived at Westminster, where he would write his most vituperative and famous poems. Along with Skelton, Prince Arthur's former tutor, the poet Bernard Andre, may have taught Henry Latin, and Giles d'Ewes was perhaps his French master. The Prince showed a flair for languages at an early age. By the time he became king he was fluent in French, English, and Latin, and had a good understanding of Italian."20 In 1515, Venetian envoys conversed with Henry VIII "in good Latin and French, which he speaks very well indeed."21 Henry customarily used Latin when speaking to ambassadors. He later acquired some Spanish, probably from his first wife, Katherine of Aragon. In 1519, he began studying Greek with the humanist Richard Croke, but soon gave it up, possibly for lack of time. He showed early on that he had inherited the family aptitude for music, and in 1498 his father bought him a lute, although no details of his tuition survive. He was also given instruction in "all such convenient sports and exercises as behoveth his estate to have experience in,"22 and that included the gentlemanly skills of riding, jousting, tennis, archery, and hunting. In 1499, when Henry was eight, Thomas More took Erasmus to visit the royal children at Eltham Palace; afterward, the Prince corresponded with Erasmus in Latin. The Dutch humanist suspected that Henry's tutors were helping him with the letters, and was later amazed to discover from Lord Mountjoy that they were all his own work. He later flattered himself that Henry's style emulated his own because he had read Erasmus's books when young.23 Erasmus, who was by no means a sycophant, was to call Henry VIII "a universal genius" and wrote, "He has never neglected his studies." As King, Henry would continue those studies, taking Cardinal Wolsey's advice to read the works of Duns Scotus, Thomas Aquinas, and the Church Fathers. He saw himself as a scholar and humanist, and desired to be recognised as such by learned men. His interest was genuine, and it is attested to by the numerous annotations in his own hand in the margins of his surviving books. For Henry, learning was a great source of enjoyment, a journey of discovery for a mind avid for new information. He was extraordinally well read for a layman, and had wide interests. He also had some ability as a writer--his letters to the Vatican were exhibited as some of the most elegantly written ever received there--and as a speaker he showed eloquence "worthy of a great orator rather than a king."24 Henry had a sharp an eye for detail and an encyclopaedic memory. "There was no necessary kind of knowledge from a king's degree to a carter's, but he had an honest sight of it."25 He had a quick mind, superb organisational skills, and a formidable intellect. He possessed, wrote Erasmus, "a lively mentality which reached for the stars, and he was able beyond measure to bring to perfection whichever task he undertook."26 "The King's Majesty has more learning than any English monarch possessed before him,"27 Thomas More claimed, with some truth. "He is in every respect a most accomplished prince," wrote one Venetian,28 while another declared him to be "so gifted and adorned with mental accomplishments of every sort that we believe him to have few equals in the world."29 Princes were routinely eulogised by commentators and ambassadors in this period, but the unanimous praises heaped on Henry VIII--sometimes expressed in private letters--undoubtedly contain a high degree of sincerity. Beyond his academic interests, Henry was creative and inventive; he loved novelties and enjoyed experimenting with mechanics and technology. He designed weapons and fortifications, and he took an active interest in building plans. He also had "a remarkable docility for mathematics"30 and was "learned in all sciences";31 the cupboards in his privy lodgings contained various scientific instruments.32 Henry had a passion for astronomy. The reformer Philip Melanchton called him "most learned, especially in the study of the movement of the heavens."33 Henry's astrolabe, bearing his crowned coat of arms and made by a Norman, Sebastien le Senay, is in the British Museum. As King, Henry would appoint as his chaplain the Oxford astronomer and mathematician John Robyns, who dedicated his treatise on comets to his master. The two men enjoyed many a discussion on astronomy. In 1540, Peter Apia- nus, a professor of mathematics from Ingolstadt, presented to Henry VIII his treatise Astronicum Caesareum on astronomy and navigation.34 Henry's interest in maps is well documented, and it prepared the ground for the eventual mapping of England in the late sixteenth century. The King owned many maps, most of them kept rolled up in cupboards and drawers in his chambers and libraries, as well as mapmaking tools, "a globe of paper," and "a map made like a screen,"35 indicating that Henry himself was something of a cartographer. Elaborate maps hung on the walls of the royal palaces and were used in court entertainments or for political strategy. In 1527, a Venetian mapmaker, Girolamo Verrazano, presented the King with a world map which was later hung in his gallery at Whitehall, along with thirty-four other maps, and there were maps of England, Scotland, Wales, and Normandy in the gallery at Hampton Court.36 Later in the reign, the defence of the realm was a major preoccupation, and the King commissioned a plan of Dover from Sir Richard Lee, surveyor of Calais,37 as well as a map of the English coastline from the Dieppe mariner John Rotz, who was appointed royal hydrographer in 1542. The atlas he produced, The Book of Idrography, was dedicated to Henry. Henry also employed a French cosmographer, Jean Mallard, who produced a book containing one of the first circular maps of the world.38 Henry emerged from his education as "a prodigy of precocious scholarship."39 But by 1508, for reasons that are not clear, the autocratic Henry VII was keeping his son under such strict supervision that he might have been a young girl.40 Unlike his late brother, the Prince was given no royal responsibilities, nor, it seems, much training in the arts and duties of kingship, apart from some sound schooling in history from the King himself.41 He was not permitted to leave the palace unless it was by a private door into the park, and then only in the company of specially appointed persons. No one dared approach him or speak to him. He spent most of his time in a room that led off the King's bedchamber, and appeared "so subjected that he does not speak a word except in response to what the King asks him."42 It may be that, having lost his three other sons, Henry VII was overly concerned for the health and safety of his surviving heir. Another theory is that he was well aware of the Prince's capabilities, and did not trust him; he is said to have been "beset by the fear that his son might during his lifetime obtain too much power."43 The Prince's cousin, Reginald Pole, later claimed that Henry VII hated his son, "having no affection or fancy unto him."44 Once, in 1508, the King quarrelled so violently with young Henry that it appeared "as if he sought to kill him."45 Perhaps Henry VII was all too aware of the boy's weaknesses, for he ensured that "all the talk in his presence was of virtue, honour, cunning, wisdom and deeds of worship, of nothing that shall move him to vice."46 Nor did the Prince have any opportunity of indulging in licentious behaviour: the chances are that he retained his virginity until he married. Henry's tutelage did not last much longer. In 1509, the King died, and this untried youth came into his own. Excerpted from Henry VIII: The King and His Court by Alison Weir All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.