Cover image for Red harvest
Title:
Red harvest
Author:
Hammett, Dashiell, 1894-1961.
Edition:
Complete and unabridged.
Publication Information:
Oxford, Eng. ; Winter Springs, FL : Isis Audio Books, [1994]

©1994
Physical Description:
6 audio discs (6 hr., 45 min.) : digital ; 4 3/4 in.
Summary:
The Continental Op investigates the killing of his client, the last honest citizen in an extremely corrupt town.
General Note:
"This CD is track book marked for your convenience."--Container.

Compact discs.
Language:
English
Added Author:
ISBN:
9780753107058
Format :
Audiobook on CD

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Orchard Park Library FICTION CD Adult Audiobook on CD Audiobooks
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Summary

Summary

An operative in a detective agency is summoned to the grim mining town of Personville -- customarily referred to as Poisonville and corrupt from top to bottom. The Op has been summoned by town boss Elihu Wilson to pin the murder of his son on a rival gang. But when the Op finds that killing was one of passion, he takes the $10,000 fee and uses it to set one group of crooks against the other. His aim, to open up "Poisonville"...


Author Notes

Samuel Dashiell Hammett was born on May 27, 1894 in St Mary's County, Maryland. Raised in Baltimore and Philadelphia, he attended Baltimore Polytechnic until he was 13 years old, but was forced to drop out and work a series of jobs to help support his family.

At the age of 21 Hammett was hired by the Pinkerton National Detective Agency as an operative. After a stint in the United States Army during World War II, he married a nurse named Josephine Annas Dolan, whom he met when he fell ill with tuberculosis.

In 1922, Hammett began writing for Black Mask magazine. Using his background in detective work, he created the tough guy detective characters Sam Spade and the Continental Op, as well as debonair sleuths Nick and Nora Charles. By 1927, Hammett had written the Poisonville series, which later became the novel Red Harvest. He wrote more than 85 short stories and five novels during his lifetime. The novels include The Dain Curse, The Glass Key, The Thin Man, and The Maltese Falcon, which was later adapted into a classic movie starring Humphrey Bogart. He also wrote an autobiography entitled Beams Falling: The Art of Dashiell Hammett.

After his marriage faltered in the late 1920s, Hammett met Lillian Hellman, then a married 24-year-old aspiring playwright. In 1930, Hellman left her husband for Hammett. Eventually they both divorced their spouses and, although the two never married, they remained together until Hammett's death on January 10, 1961.

(Bowker Author Biography)


Reviews 2

Publisher's Weekly Review

An unnamed detective arrives in Personville (nicknamed "Poisonville" by its residents) too late to help his client, who lies shot dead in an alley. It doesn't take the detective long to figure out that this murder is the least of Poisonville's problems, and he decides to stay and clean up the nasty company town on his own. Despite this somewhat confusing story line, Richard Ferrone provides lucid and compelling narration and perfectly captures Hammett's tough guy wit. His rendition of gangster Max "Whisper" Thaler is among the many highlights: he provides a voice that is clear but hoarse and totally lives up to the character's name. Ferrone also gives Whisper's girlfriend a classic bad dame voice that all but invites trouble, and provides corrupt police chief Noonan with a jovial Irish brogue that masks evil intentions. Although the tale is hopelessly convoluted and overpopulated, listeners will have great fun rooting for the unnamed detective to get out of town alive. A Vintage paperback. (July) (c) Copyright PWxyz, LLC. All rights reserved.


Library Journal Review

Valentine's Day marks the 75th anniversary of the publication of The Maltese Falcon, the best hard-boiled P.I. story and one of the great American novels, period. In recognition, Vintage is rereleasing it along with Hammett's Continental Op novel Red Harvest and his final novel, The Thin Man, all featuring gorgeous noir covers. The publisher is also bringing out a new volume of selections from the author's works, called simply Vintage Hammett (ISBN 1-4000-7962-4). (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

A WOMAN IN GREEN AND A MAN IN GRAY I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte. He also called his shirt a shoit. I didn't think anything of what he had done to the city's name. Later I heard men who could manage their r's give it the same pronunciation. I still didn't see anything in it but the meaningless sort of humor that used to make richardsnary the thieves' word for dictionary. A few years later I went to Personville and learned better. Using one of the phones in that station, I called the Herald, asked for Donald Willsson, and told him I had arrived. "Will you come out to my house at ten this evening?" He had a pleansantly crisp voice. "It's 2101 Mountain Boulevard. Take a Broadway car, get off at Laurel Avenue, and walk two blocks west." I promised to do that. Then I rode up to the Great Western Hotel, dumped my bags, and went out to look at the city. The city wasn't pretty. Most of its builders had gone in for gaudiness. Maybe they had been successful at first. Since then the smelters whose brick stacks stuck up tall against a gloomy mountain to the south had yellow-smoked everything into uniform dinginess. The result was an ugly city of forty thousand people, set in an ugly notch between two ugly mountains that had been all dirtied up by mining. Spread over this was a grimy sky that looked as if it had come out of the smelters' stacks. The first policeman I saw needed a shave. The second had a couple of buttons off his shabby uniform. The third stood in the center of the city's main intersection--Broadway and Union Street--directing traffic, with a cigar in one corner of his mouth. After that I stopped checking them up. At nine-thirty I caught a Broadway car and followed the directions Donald Willsson had given me. They brought me to a house set in a hedged grassplot on a corner. The maid who opened the door told me Mr. Willsson was not home. While I was explaining that I had an appointment with him a slender blonde woman of something less than thirty in green crepe came to the door. When she smiled her blue eyes didn't lose their stoniness. I repeated my explanations to her. "My husband isn't in now." A barely noticeable accent slurred her s's. "But if he's expecting you he'll probably be home shortly." She took me upstairs to a room on the Laurel Avenue side of the house, a brown and red room with a lot of books in it. We sat in leather chairs, half facing each other, half facing a burning coal grate, and she set about learning my business with her husband. "Do you live in Personville?" she asked first. "No. San Francisco." "But this isn't your first visit?" "Yes." "Really? How do you like our city?" "I haven't seen enough of it to know." That was a lie. I had. "I got in only this afternoon." Her shiny eyes stopped prying while she said: "You'll find it a dreary place." She returned to her digging with: "I suppose all mining towns are like this. Are you engaged in mining?" "Not just now." She looked at the clock on the mantel and said: "It's inconsiderate of Donald to bring you out here and then keep you waiting, at this time of night, long after business hours." I said that was all right. "Though perhaps it isn't a business matter," she suggested. I didn't say anything. She laughed--a short laugh with something sharp in it. "I'm really not ordinarily so much of a busybody as you probably think," she said gaily. "But you're so excessively secretive that I can't help being curious. You aren't a bootlegger, are you? Donald changes them so often." I let her get whatever she could out of a grin. A telephone bell rang downstairs. Mrs. Willsson stretched her green-slippered feet out toward the burning coal and pretended she hadn't heard the bell. I didn't know why she thought that necessary. She began: "I'm afraid I'll ha--" and stopped to look at the maid in the doorway. The maid said Mrs. Willsson was wanted at the phone. She excused herself and followed the maid out. She didn't go downstairs, but spoke over an extension within earshot. I heard: "Mrs. Willsson speaking. . . . Yes. . . . I beg your pardon? . . . Who? . . . Can't you speak a little louder? . . . What? . . . Yes. . . . Yes. . . . Who is this? . . . Hello! Hello!" The telephone hook rattled. Her steps sounded down the hallway--rapid steps. I set fire to a cigarette and stared at it until I heard her going down the steps. Then I went to a window, lifted an edge of the blind, and looked out at Laurel Avenue, and at the square white garage that stood in the rear of the house on that side. Presently a slender woman in dark coat and hat came into sight hurrying from house to garage. It was Mrs. Willsson. She drove away in a Buick coupe. I went back to my chair and waited. Three-quarters of an hour went by. At five minutes after eleven, automobile brakes screeched outside. Two minutes later Mrs. Willsson came into the room. She had taken off hat and coat. Her face was white, her eyes almost black. "I'm awfully sorry," she said, her tight-lipped mouth moving jerkily, "but you've had all this waiting for nothing. My husband won't be home tonight." I said I would get in touch with him at the Herald in the morning. I went away wondering why the green toe of her left slipper was dark and damp with something that could have been blood. I walked over to Broadway and caught a street car. Three blocks north of my hotel I got off to see what the crowd was doing around a side entrance of the City Hall. Thirty or forty men and a sprinkling of women stood on the sidewalk looking at a door marked Police Department . There were men from mines and smelters still in their working clothes, gaudy boys from pool rooms and dance halls, sleek men with slick pale faces, men with the dull look of respectable husbands, a few just as respectable and dull women, and some ladies of the night. On the edge of this congregation I stopped beside a square-set man in rumpled gray clothes. His face was grayish too, even the thick lips, though he wasn't much older than thirty. His face was broad, thick-featured and intelligent. For color he depended on a red windsor tie that blossomed over his gray flannel shirt. "What's the rumpus?" I asked him. He looked at me carefully before he replied, as if he wanted to be sure that the information was going into safe hands. His eyes were gray as his clothes, but not so soft. "Don Willsson's gone to sit on the right hand of God, if God don't mind looking at bullet holes." "Who shot him?" I asked. The gray man scratched the back of his neck and said: "Somebody with a gun." I wanted information, not wit. I would have tried my luck with some other member of the crowd if the red tie hadn't interested me. I said: "I'm a stranger in town. Hang the Punch and Judy on me. That's what strangers are for." "Donald Willsson, Esquire, publisher of the Morning and Evening Heralds , was found in Hurricane Street a little while ago, shot very dead by parties unknown," he recited in a rapid sing-song. "Does that keep your feelings from being hurt?" "Thanks." I put out a finger and touched a loose end of his tie. "Mean anything? Or just wearing it?" "I'm Bill Quint." "The hell you are!" I exclaimed, trying to place the name. "By God, I'm glad to meet you!" I dug out my card case and ran through the collection of credentials I had picked up here and there by one means or another. The red card was the one I wanted. It identified me as Henry F. Neill, A. B. seaman, member in good standing of the Industrial Workers of the World. There wasn't a word of truth in it. I passed this card to Bill Quint. He read it carefully, front and back, returned it to my hand, and looked me over from hat to shoes, not trustfully. "He's not going to die any more," he said. "Which way you going?" "Any." We walked down the street together, turned a corner, aimlessly as far as I knew. "What brought you in here, if you're a sailor?" he asked casually. "Where'd you get that idea?" "There's the card." "I got another that proves I'm a timber beast," I said. "If you want me to be a miner I'll get one for that tomorrow." "You won't. I run 'em here." "Suppose you got a wire from Chi?" I asked. "Hell with Chi! I run 'em here." He nodded at a restaurant door and asked: "Drink?" "Only when I can get it." We went through the restaurant, up a flight of steps, and into a narrow second-story room with a long bar and a row of tables. Bill Quint nodded and said, "Hullo!" to some of the boys and girls at tables and bar, and steered me into one of the green-curtained booths that lined the wall opposite the bar. We spent the next two hours drinking whiskey and talking. The gray man didn't think I had any right to the card I had showed him, nor to the other one I had mentioned. He didn't think I was a good wobbly. As chief muckademuck of the I. W. W. in Personville, he considered it his duty to get the low-down on me, and to not let himself be pumped about radical affairs while he was doing it. That was all right with me. I was interested in Personville affairs. He didn't mind discussing them between casual pokings into my business with the red cards. What I got out of him amounted to this: For forty years old Elihu Willsson--father of the man who had been killed this night--had owned Personville, heart, soul, skin and guts. He was president and majority stockholder of the Personville Mining Corporation, ditto of the First National Bank, owner of the Morning Herald , and Evening Herald , the city's only newspapers, and at least part owner of nearly every other enterprise of any importance. Along with these pieces of property he owned a United States senator, a couple of representatives, the governor, the mayor, and most of the state legislature. Elihu Willisson was Personville, and he was almost the whole state. Back in the war days the I. W. W.--in full bloom then throughout the West--had lined up the Personville Mining Corporation's help. The help hadn't been exactly pampered. They used their new strength to demand the things they wanted. Old Elihu gave them what he had to give them, and bided his time. In 1921 it came. Business was rotten. Old Elihu didn't care whether he shut down for a while or not. he tore up the agreements he had made with his men and began kicking them back into their pre-war circumstances. Of course the help yelled for help. Bill Quint was sent out from I. W. W. headquarters in Chicago to given them some action. He was against a strike, an open walk-out. He advised the old sabotage racket, staying on the job and gumming things up from the inside. But that wasn't active enough for the Personville crew. They wanted to put themselves on the map, make labor history. They struck. The strike lasted eight months. Both sides bled plenty. The wobblies had to do their own bleeding. Old Elihu hired gunmen, strike-breakers, national guardsmen and even parts of the regular army, to do his. When the last skull had been cracked, the last rib kicked in, organized labor in Personville was a used firecracker. But, said Bill Quint, old Elihu didn't know his Italian history. He won the strike, but he lost his hold on the city and the state. To beat the miners he had to let his hired thugs run wild. When the fight was over he couldn't get rid of them. He had given his city to them and he wasn't strong enough to take it away from them. Personville looked good to them and they took it over. They had won his strike for him and they took the city for their spoils. He couldn't openly break with them. They had too much on him. He was responsible for all they had done during the strike. Bill Quint and I were both fairly mellow by the time we had got this far. He emptied his glass again, pushed his hair out of his eyes and brought his history up to date: "The strongest of 'em now is probably Pete the Finn. This stuff we're drinking's his. Then there's Lew Yard. He's got a loan shop down on Parker Street, does a lot of bail bond business, handles most of the burg's hot stuff, so they tell me, and is pretty thick with Noonan, the chief of police. This kid Max Thaler--Whisper--had got a lot of friends too. A little slick dark guy with something wrong with his throat. Can't talk. Gambler. Those three, with Noonan, just about help Elihu run his city--help him more than he wants. But he's got to play with 'em or else--" "This fellow who was knocked off tonight--Elihu's son--where did he stand?" I asked. "Where papa put him, and he's where papa put him now." "You mean the old man had him--?" "Maybe, but that's not my guess. This Don just came home and began running the papers for the old man. It wasn't like the old devil, even if he was getting close to the grave, to let anybody cop anything from him without hitting back. But he had to be cagey with these guys. He brought the boy and his French wife home from Paris and used him for his monkey--a damned nice fatherly trick. Don starts a reform campaign in the papers. Clear the burg of vice and corruption--which means clear it of Pete and Lew and Whisper, if it goes far enough. Get it? The old man's using the boy to shake 'em loose. I guess they got tired of being shook." "There seems to be a few things wrong with that guess," I said. "There's more than a few things wrong with everything in this lousy burg. Had enough of this paint?" I said I had. We went down to the street. Bill Quint told me he was living in the Miners' Hotel in Forest Street. His way home ran past my hotel, so we walked down together. In front of my hotel a beefy fellow with the look of a plain-clothes man stood on the curb and talked to the occupant of a Stutz touring car."That's Whisper in the car," Bill Quint told me.I looked past the beefy man and saw Thaler's profile. It was young, dark and small, with pretty features as regular as if they had been cut by a die."He's cute," I said."Uh-huh," the gray man agreed, "and so's dynamite." From the Trade Paperback edition. Excerpted from Red Harvest by Dashiell Hammett, Dashiell Hammett All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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