Cover image for Love story
Love story
Segal, Erich, 1937-2010.
Personal Author:
Bantam edition.
Publication Information:
Toronto ; New York : Bantam Books, 1988.

Physical Description:
115 pages ; 18 cm
Format :


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The Phenomenal National Bestseller and Enduring Classic He is Oliver Barett IV, a rich jock from a stuffy WASP family on his way to a Harvard degree and a career in law. She is Jenny Cavilleri, a wisecracking working-class beauty studying music at Radcliffe. Opposites in nearly every way, Oliver and Jenny immediately attract, sharing a love that defies everything ... yet will end too soon. Here is a love that will linger in your heart now and forever.

Author Notes

Erich Segal was a writer, educator, and screenwriter. He was born in Brooklyn, New York on June 16, 1937. He graduated from Harvard University with a B.A. in 1958, a M.A. in 1959, and a Ph.D. in 1964.

Segal began a teaching career at Harvard University before moving to Yale University in 1964. He was also a visiting professor in classics at Princeton University and the University of Munich. He achieved international acclaim for his verse translations of Roman playwright Plautus and delivered papers before the American Philological Association and the American Comparative Literature Association.

Segal collaborated on the 1958 Harvard Hasty Pudding Club production and wrote several Hollywood screenplays, including the 1968 animated Beatles film, Yellow Submarine and A Change of Seasons. His most famous novel was Love Story, written in 1970. The book was made into a film in 1970. He received a Golden Globe Award and an Oscar nomination for his screenplay. His other novels include Oliver's Story, The Class, and Doctors. He died of a heart attack on January 17, 2010 at the age of 72.

(Bowker Author Biography)

Reviews 1

Booklist Review

Oliver Barrett IV, a rich, cocky Harvard senior, and Jennie Cavilleri, a poor and serious Radcliffe music type, discover they are made for each other, in this funny but touching love story.



Love Story Chapter One What can you say about a twenty-five-year-old girl who died? That she was beautiful. And brilliant. That she loved Mozart and Bach. And the Beatles. And me. Once, when she specifically lumped me with those musical types, I asked her what the order was, and she replied, smiling, "Alphabetical." At the time I smiled too. But now I sit and wonder whether she was listing me by my first name -- in which case I would trail Mozart -- or by my last name, in which case I would edge in there between Bach and the Beatles. Either way I don't come first, which for some stupid reason bothers hell out of me, having grown up with the notion that I always had to be number one. Family heritage, don't you know? In the fall of my senior year, I got into the habit of studying at the Radcliffe library. Not just to eye the cheese, although I admit that I liked to look. The place was quiet, nobody knew me, and the reserve books were less in demand. The day before one of my history hour exams, I still hadn't gotten around to reading the first book on the list, an endemic Harvard disease. I ambled over to the reserve desk to get one of the tomes that would bail me out on the morrow. There were two girls working there. One a tall tennis-anyone type, the other a bespectacled mouse type. I opted for Minnie Four-Eyes. "Do you have The Waning of the Middle Ages?" She shot a glance up at me. "Do you have your own library?" she asked. "Listen, Harvard is allowed to use the Radcliffe library." "I'm not talking legality, Preppie, I'm talking ethics. You guys have five million books. We have a few lousy thousand." Christ, a superior-being type! The kind who think since the ratio of Radcliffe to Harvard is five to one, the girls must be five times as smart. I normally cut these types to ribbons, but just then I badly needed that goddamn book. "Listen, I need that goddamn book." "Wouldja please watch your profanity, Preppie?" "What makes you so sure I went to prep school?" "You look stupid and rich," she said, removing her glasses. "You're wrong," I protested. "I'm actually smart and poor." "Oh, no, Preppie. I'm smart and poor." She was staring straight at me. Her eyes were brown. Okay, maybe I look rich, but I wouldn't let some 'Cliffie -- even one with pretty eyes -- call me dumb. "What the hell makes you so smart?" I asked. "I wouldn't go for coffee with you," she answered. "Listen -- I wouldn't ask you." "That," she replied, "is what makes you stupid." Let me explain why I took her for coffee. By shrewdly capitulating at the crucial moment -- i.e., by pretending that I suddenly wanted to -- I got my book. And since she couldn't leave until the library closed, I had plenty oftime to absorb some pithy phrases about the shift of royal dependence from cleric to lawyer in the late eleventh century. I got an A minus on the exam, coincidentally the same grade I assigned to Jenny's legs when she first walked from behind that desk. I can't say I gave her costume an honor grade, however; it was a bit too Boho for my taste. I especially loathed that Indian thing she carried for a handbag. Fortunately I didn't mention this, as I later discovered it was of her own design. We went to the Midget Restaurant, a nearby sandwich joint which, despite its name, is not restricted to people of small stature. I ordered two coffees and a brownie with ice cream (for her). "I'm Jennifer Cavilleri," she said, "an American of Italian descent." As if I wouldn't have known. "And a music major," she added. "My name is Oliver," I said. "First or last?" she asked. "First," I answered, and then confessed that my entire name was Oliver Barrett. (I mean, that's most of it.) "Oh," she said. "Barrett, like the poet?" "Yes," I said. "No relation." In the pause that ensued, I gave inward thanks that she hadn't come up with the usual distressing question: "Barrett, like the hall?" For it is my special albatross to be related to the guy that built Barrett Hall, the largest and ugliest structure in Harvard Yard, a colossal monument to my family's money, vanity and flagrant Harvardism. After that, she was pretty quiet. Could we have run out of conversation so quickly? Had I turned her off by not being related to the poet? What? She simply sat there, semi-smiling at me. For something to do, I checked out her notebooks. Her handwriting was curious -- small sharp little letters with no capitals (who did she think she was, e. e. cummings?). And she was taking some pretty snowy courses: Comp.Lit. 105, Music 150, Music 201 -- "Music 201? Isn't that a graduate course?" She nodded yes, and was not very good at masking her pride. "Renaissance polyphony." "What's polyphony?" "Nothing sexual, Preppie." Why was I putting up with this? Doesn't she read the Crimson? Doesn't she know who I am? "Hey, don't you know who I am?" "Yeah," she answered with kind of disdain. "You're the guy that owns Barrett Hall." She didn't know who I was. "I don't own Barrett Hall," I quibbled. "My great-grandfather happened to give it to Harvard." "So his not-so-great grandson would be sure to get in!" That was the limit. "Jenny, if you're so convinced I'm a loser, why did you bulldoze me into buying you coffee?" She looked me straight in the eye and smiled. "I like your body," she said. Part of being a big winner is the ability... Love Story . Copyright © by Erich Segal. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Love Story by Erich Segal All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.