Cover image for Shopgirl
Martin, Steve, 1945-
Personal Author:
Unabridged edition.
Publication Information:
New York, NY : Simon & Schuster Audio, [2000]

Physical Description:
4 compact discs (approximately 4 hr.) : digital, stereophonic ; 4 3/4 in. + pamphlet.
General Note:
Originally published: New York : Hyperion, c2000.


Compact disc.
Format :
Audiobook on CD


Call Number
Material Type
Home Location
Item Holds
FICTION CD Adult Audiobook on CD Audiobooks
FICTION CD Adult Audiobook on CD Audiobooks

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From the acclaimed comedian, actor, and author of the bestselling Pure Drivel comes a hilarious debut novella about a semi-glamorous young woman making her way through the romantic jungles of Beverly Hills.CD.

Author Notes

Steve Martin was born on August 14, 1945 in Waco, Texas. He studied at Long Beach State College. He has acted in such films as The Jerk; Roxanne; Planes, Trains and Automobiles; Bowfinger; Father of the Bride; Cheaper by the Dozen; and Shopgirl, which was adapted from a novel he wrote. He has won an Emmy for his comedy writing and Grammies for his comedy albums. He has made several appearances on The Tonight Show and Saturday Night Live.

He has written several books including Shopgirl, Cruel Shoes, Pure Drivel, The Pleasure of My Company, and An Object of Beauty. He also wrote a play entitled Picasso at the Lapin Agile and a memoir entitled Born Standing Up. During the 1990s, he wrote various pieces for The New Yorker. In 2002, he adapted the Carl Sternheim play The Underpants, which ran Off-Broadway at Classic Stage Company and in 2008, co-wrote and produced Traitor. In 2013 he published a memoir entitled Born Standing Up: A Comic's Life. This book tells the story of his beginnings as a magician and comedian at a young age and follows through his career lifetime.

(Bowker Author Biography)

Reviews 2

Booklist Review

Mirabelle, the image of fragile, feminine loveliness, is the shopgirl. She works in the glove department at Neiman's in L.A., where she's come to escape the provincialism of her Vermont hometown. And though she may remind people of Olive Oyl, once the resemblance is noted, many readers also will find a likeness to Chaplin's little tramp, the poor, lonely soul with a heart of gold. But Mirabelle is not just a shopgirl; she spends her nights toiling as an artist. Her specialty is creating a striking image surrounded by a black background. Mirabelle lives with two cats; one is always hiding. She has a few friends, who invariably forget to include her in their social activities, and she can barely claim the interest of Jeremy, an awkward, inexperienced young man without means, whom she met in a laundromat. Then, abruptly and mysteriously, Mr. Ray Porter, a millionaire, comes into her life. They becomes lovers, and that initiates the ire of Mirabelle's antagonist, Lisa Cramer. Cramer's aim in life is to be flawlessly pleasing to men, to which end she has viewed a few "`educational' porno tapes," discussed techniques extensively with other women, and "once attended a class given by Crystal Headly, a down and going sex-film actress." The action moves quickly, yet the narrative takes its time to develop, which is a very skillful bit of writing business. Martin's literary fable of a novella is disarming, particularly for those who come to it expecting the biting, zany humor of Pure Drivel (1998), but it may mark a new direction in a noteworthy writer's career. --Bonnie Smothers

Publisher's Weekly Review

Movie star Martin shone in the comic essays of last year's Pure DrivelÄbut can he write serious fiction? His debut novella gives fans a chance to find out. Shy, depressed, young, lonely and usually broke, Vermont-bred Mirabelle Butterfield sells gloves at the Beverly Hills Neiman Marcus (nobody ever buys); at night, she watches TV with her two cats. Martin's slight plot follows Mirabelle's search for loveÄor at least romance and companionshipÄwith middle-aged Ray Porter, a womanizing Seattle millionaire who may, or may not, have hidden redeeming qualities. Also in and out of Mirabelle's life are a handful of supporting characters, all of them lonely and alienated, too. There's her father, a dysfunctional Vietnam vet; the laconic, unambitious Jeremy; and Mirabelle's promiscuous, body-obsessed co-worker Lisa. Detractors may call Martin's plot predictable, his characters stereotypes. Admirers may answer thatÄas in Douglas CouplandÄthese aren't stereotypes but modern archetypes, whose lives must be streamlined if they are to represent ours. Except for its love-hate relations with L.A., little about this book sounds much like Martin; its anxious, sometimes flat prose style can be affecting or disorienting, and belongs somewhere between Coupland and literary chroniclers of depression like Lydia Davis. Martin's first novel is finally neither a triumph nor a disaster: it's yet another of this intelligent performer's attempts to expand his range, and those who will buy it for the name on the cover could do a lot worse. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved