Cover image for Dʹi͡avolʹskiĭ valʹs
Dʹi͡avolʹskiĭ valʹs
Kellerman, Jonathan.
Personal Author:
Uniform Title:
Devil's waltz. Russian
Publication Information:
Moskva : Novosti, 1999.
Physical Description:
494 pages ; 21 cm.
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RUSSIAN FICTION Adult Fiction Non-Fiction Area-Foreign Language

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Author Notes

Jonathan Kellerman is one of the world's most popular authors. He has brought his expertise as a child psychologist to 16 consecutive bestselling novels of suspense, including The Butcher's Theater, Jerusalem, and Billy Straight and 32 previous Alex Delaware novels, translated into two dozen languages. He is also the author of numerous essays, short stories, and scientific articles, two children's books, and three volumes on psychology, including Savage Spawn: Reflections on Violent Children.

(Publisher Provided) Jonathan Kellerman was born in New York City on August 9, 1949 and raised in Los Angeles. He received a B.A. in Psychology from UCLA and a Ph.D. in Psychology at the University of Southern California. At the age of 22, he won the Samuel Goldwyn Writing Award for fiction.

He has served as Clinical Associate Professor of Pediatrics and Psychology at the School of Medicine at USC and as a consultant to the State of California, the U.S. Army and the Superior Court of Los Angeles. He is the founding director of the Psychosocial Program at Children's Hospital of Los Angeles. The first books he published were medical texts: Psychological Aspects of Childhood Cancer (1980) and Helping the Fearful Child (1981).

His first novel, When the Bough Breaks (1985), was made into a television movie and received the Edgar Allan Poe and Anthony Boucher awards. He has also written many bestselling crime novels featuring the Alex Delaware series, children's books, and nonfiction works. His fiction book, co-authored with son Jesse Kellerman, The Golem of Hollywood, made the New York Times bestseller list in 2014. His recent books include The Murderer's Daughter and Breakdown.

(Bowker Author Biography)

Reviews 3

Booklist Review

Plots, subplots, counterplots crossing plots--Kellerman uses them all and comes up with a page-turner that will keep fans reading into the wee hours. The book's hero, compassionate, witty, charming, debonair Dr. Alex Delaware, is trying to figure out why angelic toddler Cassie Jones is sick all the time. Is it possible that her parents, Chip and Cindy, could be poisoning her? Or is someone else close to the little girl out to harm her? And what about Western Peds Hospital, where Alex once practiced? It's got "bad vibes"--overworked staff, no money, departments being closed. Could Cassie's mega-rich grandpa, Chuck Jones, be responsible for the imminent demise of the hospital in a get-richer-quick scheme? And how does spooky federal agent Presley Huenengarth fit in? Did he kill toxicologist-researcher Lester Ashmore? Was he responsible for the brutal sex slaying of Dawn Herbert, Ashmore's assistant? Confusing? You betcha. Mind-boggling? Indeed. Not to worry. By the end of the book, Delaware manages to tie all the confusing threads into one neat knot, leaving the reader gasping over the sheer, head-spinning genius it takes to keep so many balls in the air for so long and then catch them all without a miss. An awesome performance, certain to be another best-seller for Kellerman. (Reviewed Oct. 15, 1992)0553092057Emily Melton

Publisher's Weekly Review

Kellerman's psychologist/sleuth Alex Delaware nimbly executes tricky steps of his own when called in to consult on the mysterious ailments afflicting a baby being seen at his training hospital in Los Angeles. In his seventh appearance (after Private Eyes ), Delaware is in top form, carefully pursuing the possibility that 21-month-old Cassie Jones may be the victim of Munchausen's Disease by Proxy, a complex syndrome in which a parent, usually the mother, secretly causes the symptoms that endanger the child. That Cassie is the only grandchild of the hospital's new CEO, a corporate hotshot who has demoralized the staff with cutbacks and a new administration of ``paramilitary types,'' adds political twists to the case's knotty psychological aspects. After a doctor involved in computer research is murdered in the hospital parking lot, Delaware calls on his friend Milo, a gay LAPD homicide cop currently serving as an input clerk. They link an earlier murder to the hospital and then key into a secret federal investigation, all the while trying to keep Cassie safe. With familiar characters, including Delaware's woodworking girlfriend Robin, and some well-developed new ones, notably the hospital's thuggish security head and an uptight pediatric nurse, Kellerman steadily turns up the suspense, reserving some surprises to spring near the end of this intricate tale, the best of recent Alex Delaware stories. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

YA-- This psychological mystery centers on a disorder called Munchausen Syndrome, in which a primary caregiver--usually the mother--inflicts harm upon her child in order to focus attention on herself as a concerned parent. The suspicion of this crime alerts Dr. Stephanie Eves to consult with her long-time friend and colleague, Dr. Alex Delaware, a retired child psychologist. So begins Devil's Waltz . Cassie Jones, daughter of devoted parents and beloved granddaughter of the hospital's financial savior, suffers from a variety of medical symptoms, made all the more alarming by the earlier SIDS death of her brother. As Dr. Delaware begins to unravel the mystery of Cassie's continuing medical traumas, he uncovers two related murders and a web of hospital intrigue. A surprise ending makes readers want to re-read the novel to see what clues they have missed. Fans of Alex Delaware will not be disappointed in his latest adventure.-- Katherine Fitch, Lake Braddock Secondary School, Burke, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



CHAPTER 1 It was a place of fear and myth, home of miracles and the worst kind of failure. I'd spent a quarter of my life there, learning to deal with the rhythm, the madness, the starched whiteness of it all. Five years' absence had turned me into a stranger, and as I entered the lobby, anxiety tickled my belly. Glass doors, black granite floors, high, concave travertine walls advertising the names of dead benefactors. Glossy depot for an unguided tour of uncertainty. Spring, outside, but in here time had a different meaning. A group of surgical interns--God, they were taking them young--slouched by on paper-soled scrub slippers, humbled by double shifts. My own shoes were leather-bottomed and they clacked on the granite. Ice-slick floors. I'd just started my internship when they'd been installed. I remembered the protests. Petitions against the illogic of polished stone in a place where children ran and walked and limped and wheeled. But some philanthropist had liked the look. Back in the days when philanthropists had been easy to come by. Not much granite visible this morning; a crush of humanity filled the lobby, most of it dark-skinned and cheaply dressed, queued up at the glassed-in booths, waiting for the favors of stone-faced clerks. The clerks avoided eye contact and worshipped paper. The lines didn't seem to be moving. Babies wailed and suckled; women sagged; men swallowed curses and stared at the floor. Strangers bumped against one another and sought refuge in the placebo of banter. Some of the children--those who still looked like children--twisted and bounced and struggled against weary adult arms, breaking away for precious seconds of freedom before being snagged and reeled back in. Others--pale, thin, sunken, bald, painted in unnatural colors--stood there silently, heartbreakingly compliant. Sharp words in foreign tongues crackled above the drone of the paging operators. An occasional smile or bit of cheer brightened the inertial gloom, only to go out like a spark from a wet flint. As I got closer I smelled it. Rubbing alcohol, antibiotic bitters, the sticky-ripe liqueur of elixir and affliction. Eau de Hospital. Some things never changed. But I had; my hands were cold. I eased my way through the crowd. Just as I got to the elevators, a heavyset man in a navy-blue rent-a-cop uniform stepped out of nowhere and blocked my way. Blond-gray crewcut and a shave so close his skin looked wet-sanded. Black-frame glasses over a triangular face. "Can I help you, sir?" "I'm Dr. Delaware. I have an appointment with Dr. Eves." "I need to see some ID, sir." Surprised, I fished a five-year-old clip-on badge out of my pocket. He took it and studied it as if it were a clue to something. Looked up at me, then back at the ten-year-old black-and-white photo. There was a walkie-talkie in his hand. Holstered pistol on his belt. I said, "Looks like things have tightened up a bit since I was last here." "This is expired," he said. "You still on staff, sir?" "Yes." He frowned and pocketed the badge. I said, "Is there some kind of problem?" "New badges required, sir. If you go right past the chapel, over to Security, they can shoot your picture and fix you up." He touched the badge on his lapel. Color photograph, ten-digit ID number. "How long will that take?" I said. "Depends, sir." He looked past me, as if suddenly bored. "On what?" "How many are ahead of you. Whether your paper­work's current." I said, "Listen, my appointment with Dr. Eves is in just a couple of minutes. I'll take care of the badge on my way out." " 'Fraid not, sir," he said, still focused somewhere else. He folded his arms across his chest. "Regulations." "Is this something recent?" "Letters were sent to the medical staff last summer." "Must have missed that one." Must have dropped it in the trash, unopened, like most of my hospital mail. He didn't answer. "I'm really pressed for time," I said. "How about if I get a visitor's badge to tide me over?" "Visitor's badges are for visitors, sir." "I'm visiting Dr. Eves." He swung his eyes back to me. Another frown--darker, contemplative. He inspected the pattern on my tie. Touched his belt on the holster side. "Visitor's badges are over at Registration," he said, hooking a thumb at one of the dense queues. He crossed his arms again. I smiled. "No way around it, huh?" "No, sir." "Just past the chapel?" "Just past and turn right." "Been having crime problems?" I said. "I don't make the rules, sir. I just enforce them." He waited a moment before moving aside, followed my exit with his squint. I turned the corner, half expecting to see him trailing, but the corridor was empty and silent. The door marked security services was twenty paces down. A sign hung from the knob: back in above a printed clock with movable hands set at 9:30 a.m. My watch said 9:10. I knocked anyway. No answer. I looked back. No rent-a-cop. Remembering a staff elevator just past Nuclear Medicine, I continued down the hall. Nuclear Medicine was now community resources. Another closed door. The elevator was still there but the buttons were missing; the machine had been switched to key-operated. I was looking for the nearest stairway when a couple of orderlies appeared, wheeling an empty gurney. Both were young, tall, black, sporting geometrically carved hip-hop hairstyles. Talking earnestly about the Raiders game. One of them produced a key, inserted it into the lock, and turned. The elevator doors opened on walls covered with padded batting. Junk-food wrappers and a piece of dirty-looking gauze littered the floor. The orderlies pushed the gurney in. I followed. General Pediatrics occupied the eastern end of the fourth floor, separated from the Newborn Ward by a swinging wooden door. I knew the outpatient clinic had been open for only fifteen minutes but the small waiting room was already overflowing. Sneezes and coughs, glazed looks and hyperactivity. Tight maternal hands gripped babes and toddlers, paperwork, and the magic plastic of Medi-Cal cards. To the right of the reception window was a set of double doors marked patients register first over a Spanish translation of same. I pushed through and walked past a long white corridor tacked with safety and nutrition posters, county health bulletins, and bilingual exhortations to nurture, vaccinate, and abstain from alcohol and dope. A dozen or so examining rooms were in use, their chart-racks brimming over. Cat-cries and the sounds of comfort seeped from under the doors. Across the hall were files, supply cabinets, and a refrigerator marked with a red cross. A secretary tapped a computer keyboard. Nurses hustled between the cabinets and the exam rooms. Residents spoke into chin-cradled phones and trailed after fast-stepping attending physicians. The wall right-angled to a shorter hallway lined with doctors' offices. Stephanie Eves's open door was the third in a set of seven. The room was ten by twelve, with institutional-beige walls relieved by bracket shelves filled with books and journals, a couple of Miró posters, and one cloudy window with an eastern view. Beyond the glint of car-tops, the peaks of the Hollywood hills seemed to be dissolving into a broth of billboards and smog. The desk was standard hospital-issue phony walnut and chrome, pushed up against one wall. A hard-looking chrome and orange-cloth chair competed for space with a scuffed brown Naugahyde recliner. Between the chairs a thrift-shop end table supported a coffee maker and a struggling philodendron in a blue ceramic pot. Stephanie sat at the desk, wearing a long white coat over a wine-and-gray dress, writing on an outpatient intake form. A chin-high stack of charts shadowed her writing arm. When I stepped into the room she looked up, put down her pen, smiled, and stood. "Alex." She'd turned into a good-looking woman. The dull-brown hair, once worn shoulder-length, limp, and barretted, was short, frosted at the tips, and feathered. Contact lenses had replaced granny glasses, revealing amber eyes I'd never noticed before. Her bone structure seemed stronger, more sculpted. She'd never been heavy; now she was thin. Time hadn't ignored her as she entered the dark side of thirty; a mesh of feathers gathered at the corners of her eyes and there was some hardness at the mouth. Makeup handled all of it well. "Good to see you," she said, taking my hand. "Good to see you, Steph." We hugged briefly. "Can I get you something?" She pointed to the coffee machine, arm jangling. Gold vermeil bracelets looped her wrist. Gold watch on the other arm. No rings. "Plain old coffee or real café au lait? This little guy actually steams the milk." I said no thanks and looked at the machine. Small, squat, black matte and brushed steel, logo of a German manufacturer. The carafe was tiny--two cups' worth. Next to it sat a petite copper pitcher. "Cute, huh?" she said. "Gift from a friend. Gotta do something to bring a little style into this place." She smiled. Style was something she'd never cared about. I smiled back and settled in the recliner. A leatherbound book sat on a nearby table. I picked it up. Collected poems of Byron. Bookmark from a store named Browsers--up on Los Feliz, just above Hollywood. Dusty and crowded, with an emphasis on verse. Lots of junk, a few treasures. I'd gone there as an intern, during lunch hour. Stephanie said, "He's some writer. I'm trying to expand my interests." I put the book down. She sat in her desk chair and wheeled around facing me, legs crossed. Pale-gray stockings and suede pumps matched her dress. Excerpted from Devil's Waltz by Jonathan Kellerman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.