Cover image for Off Keck Road
Title:
Off Keck Road
Author:
Simpson, Mona.
Personal Author:
Edition:
First edition.
Publication Information:
New York : Knopf : Distributed by Random House, 2000.
Physical Description:
167 pages ; 22 cm
Language:
English
ISBN:
9780375410109
Format :
Book

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Summary

Summary

FromAnywhere But Here(a first novel that prompted Anne Tyler to proclaim, "She is already a master") to her most recent,A Regular Guy("What a pleasure," observedNewsweek, "to see a successful novelist take a huge chance and fly high with it"), Mona Simpson has proven herself one of her generation's defining voices. With three books she has created a memorable cast of searchers who leave home in order to reinvent themselves, to find the missing parent or dream. But in this superb new novella, Simpson reveals the precise costs and rewards of staying--out of affinity and obligation, out of chance, circumstance, and choice. In Green Bay, Wisconsin--here vividly realized and imagined--Bea Maxwell comes of age in the fifties, andOff Keck Roadfollows her extended circle along the arc of their lives, through their frustrations and occasional successes, well toward old age. A story of family and friends, of change and many generations, it gathers itself around this remarkable woman, who discovers much about the world from her experience in the one place she has always belonged . Mesmerizing, compact, and intense,Off Keck Roadreflects fully half a century of American life--and displays a writer at the maturity of her accomplishment.


Author Notes

Mona Simpson lives in Santa Monica and New York City.

(Publisher Provided) Mona Simpson was born in Green Bay, Wisconsin on June 14, 1957. She received a B.A. in English from the University of California, Berkeley and an M.F.A. from Columbia University. Her first book, Anywhere but Here, was published in 1987 and was adapted into a movie in 1999. Her other works include The Lost Father, A Regular Guy, and My Hollywood. She won the Heartland Prize of the Chicago Tribune for Off Keck Road. She has also received a Whiting Writers' Award, a Lila Wallace-Reader's Digest Writers' Award, and an Academy Award from the American Academy of Arts and Letters.

(Bowker Author Biography)


Reviews 3

Booklist Review

Simpson's previous novels, including her best-loved book, Anywhere but Here (1986), chronicle quests and odysseys. Her newest, and most concentrated, is all about staying put. In the opening scene, her heroine, dutiful doctor's daughter Bea, comes home to Green Bay, Wisconsin, on winter break from school in 1956 and goes to pick up a friend, June Umberhum, who lives on Keck Road amid a cluster of rundown houses just outside the city limits. As Bea watches children running wild in the brilliant snow, she feels as though she's looking at a painting, "a Brueghel sparked to life." This moment is full of promise, which is both smothered and fulfilled in unforeseen ways over the course of this muted tale of four squeezed decades of small-town life, unexpected friendships, lowered expectations, and ritualized everydayness. Both Bea and June move back home after their brief forays out into the wider world: Bea to care for her ill mother, who frets that she did too good a job scaring her wholesome daughter away from men, and June to raise her daughter on her own. Then there's the indomitable Shelley, also of Keck Road, the last of the town's denizens to contract polio, and Bill, a wealthy, jazz-loving, and ebullient man who brings zest to their lives. As Simpson weaves together their meshed stories just like Bea knits her sweaters and throws, she pauses often to contemplate the beauty of the land as its disappears beneath the hard edges of subdivisions and malls, an internment emblematic of how love is buried deep in the hearts of her modest but strong characters, figures profound in their rootedness and dignity. Donna Seaman


Publisher's Weekly Review

Simpson (Anywhere But Here) casts her net lightly over the reader in her fourth, uncharacteristically slim work of fiction, a novella, attempting to engage with a quiet plot about emotionally passive protagonists and the risk of staying disconnected. The narrative follows the lives of three women from 1956 to the present in Green Bay, Wis. Bea Maxwell, a practical, efficient woman, seems to have inherited the steadfast, can-do traits of earlier Midwestern heroines found in the landscapes of Willa Cather. The quintessential overachiever in high school, Bea is equally successful during a brief stint working for an advertising agency in Chicago. In terms of love or any risky emotional connection, however, Bea is somehow missing the boat, apparently by choice. She easily gives up her job and returns to Green Bay when her mother contracts rheumatoid arthritis. Once home, she is drawn to June Umberhum, a college friend who grew up off Keck Road. June has returned from an early marriage and is raising a daughter. Always a bit of a town rebel, June puts forth an effort to taste life, while Bea's desires remain submerged. Also telescoped into the neighborhood scene is Shelley, a Keck Road girl who contracted a mild case of polio as a child. The connections between these three women are gentle and unforced. They pass through the years in the eddies of their own interiors as their community expands around them, but the narrative hovers more than it grips. Simpson's signature fine writing renders subtle quirks of character gently and realistically, and she again finds fresh ways of capturing the familiar. Readers who enjoy the "day-in-the-average-life" tales of Anne Tyler will find a similar tone here. The appeal of Simpson's previous books should elicit a good initial response to this one, and her somewhat subdued plot structure may attract readers eager for reflective fiction. 40,000 first printing. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved


Library Journal Review

Readers who only know the city of Green Bay as the home of Vince Lombardi and Packers football will be pleasantly rewarded as Mona Simpson in OFF KECK ROAD (Vintage: Random. 2001. ISBN 0-375-70906-1. pap. $11), through details of setting and everyday occurrences, brings this place and her heroine Bea Maxwell to life. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Chapter I Bea Maxwell remembered the first time she'd driven out to see the new part of town. It was 1956 and she was home from college for the winter break. After Christmas, though, she had to get away from the house. Her sister and her sister's entourage had taken over the place. Her sister always traveled with an entourage. And it was still nine days before Bea could return to the sorority in Madison. Bea had friends from high school, too, quiet girls who were back from other colleges, even a few who had stayed in town, working in the kindergartens or at the hospital or for Kendalls, the big department store, but these were not the people she wanted to see. She needed someone from Madison, to touch that part of her life. So she'd called June Umberhum. June sounded glad to hear from her. She was going stir-crazy, too, she said. Just then, someone else came on the line. A farmer's wife June said she'd never even seen, who lived somewhere farther out. "Well, how much longer are you going to be?" that woman asked. "Just a jiff," June said. "Already been on a quarter hour." After she hung up--rather loudly, Bea thought--they hurried to make their plans. June wanted downtown. They agreed on Kaap's, for ice cream. But Wednesday morning, June telephoned. Her brother and his awful girlfriend, Nance, had driven the only car up north. Both her sisters were working. No one could run her in. Bus service from Green Bay didn't reach that far out yet. Where she lived was not part of the city proper. It was still Prebble, but there was already a motion to incorporate the village into the city charter. "Probly never happen," June said. "Or when we're forty." But three days before, Bea had got her own car, a 1956 Oldsmobile Holiday, red, her Christmas present. She could go and fetch June. On the party line, though, June sounded stingy giving directions. "I can walk to the highway and meet you somewhere. Or should we just make it another day?" When Bea insisted she wanted to take the car for a spin anyway, June sighed. "Oh, okay." It was a bright cold day with a weak blue sky. It wasn't snowing anymore but it had and the white was everywhere, glaring off in planes, making flat surfaces of things ordinarily rounded. Bea wore driving gloves with holes cut out for the knuckles--her other present, from Elaine, although she was sure her mother had picked them and seen that they were gift wrapped--and her mood lifted as she drove past the stately houses, away from the quaint, pretty downtown. The specialty shops (Vander Zanden's Fine Jewelry, Jandrain's Formal and Bridal) had the ravaged feel of the boxes still under the Christmas tree in her own house. She knew their contents. She heard the regularly spaced girders of the bridge click under her new tires. Once you came down off the ramp on Mason, you passed a number of old buildings that happened to grow up near one another; they were clearly not built to look any way together or to make up a "downtown." There was a cheese factory with a sour smell and a canning plant, with small windows and two large chimneys, operating today, judging from the squiggles of white smoke on the blank sky. They'd reopened already or perhaps the factories didn't close for Christmas, as the small shops did. Then there was a low bank of brick storefronts; Bea spotted a selection of electric organs, sparkly green and gray, inside one--the Music Mecca, where people also went to take lessons. She drove farther east on Highway 141, which was what Main Street turned into. "That road was never any good," Bea's mother would say, and as long as Bea could remember, it had not been. In 1956, the highway had a junk store, a truly immense dilapidated place that reminded Bea of a banked ship. She could vaguely make out a man inside, carrying a stick, moving amid the dim jumble. She passed a motel, two-storied, with a slim twirled railing along the top floor. The son of the people who lived there, behind the lobby, had gone to high school with June. He was also the Maxwell's paperboy. The Starlight Supper Club had a ball revolving on top of a tower, set over the octagonal dining room. There was a drive-in movie theater, which advertised friday night fish fry on a home-painted sign. And of course Kroll's, a rectangular building of yellow and maroon tiles, where teenagers for two generations had gone for malteds and chili dogs. Bea's mother had been taken there on dates, in her youth. "When I was dating" was as clear an era in Bea's mother's life as when she was in grade school or when her own children were still in diapers. By the time Bea came to the part of the highway that ended June's road, she felt she'd already left town. There was a deep snow over everything, and when she turned onto Keck Road, she had to slow down. It was cleared out by hand. She could see the rows a shovel blade had made, two feet wide. The city snowplows wouldn't come this far, either. On one corner, there was a white farmhouse, and on the other, a small tavern, pink and gray, that looked like an ordinary house during the daytime. Children's boots drooped on the porch. A little farther up, the plowed middle of the road narrowed, and on top of the icy snow were sprigs of hay. The road was paved only as far as there were houses, eight in all. From where she was, Bea could see the road ending, and beyond that, fields led down to the railroad tracks. The houses looked small and hastily built, but the land out here was magnificent. Her mother would have loved to see the trees. A Norway spruce was half again as tall as the tree in front of City Hall, the one lit with candles at the annual Monk's Charity Carol on Christmas Eve. Sun glittered on crusted snow, a forbidding brightness. Even in the intricate construction of ice and crystals, there was the promise of a green melting, change. . . . And everywhere here, there were children, children running, children rolling snowballs, children on lumber they used as toboggans, children jumping off a shed into banks of snow so deep they turned invisible to Bea when they landed. They seemed scantily dressed and altogether unattended, some downright wild, such as the one swinging from a bare hickory branch, which looked like it could break any minute, some fifteen feet above the snow. That child, like many others, was not wearing mittens. The claustrophobia Bea had felt since the indoors day of Christmas swept out of her. She rolled down the new car's window (inside the chrome handle, a circle of red leather). This vigor outdoors looked to her like a painting she had seen projected up on the auditorium screen at college, a Brueghel sparked to life. A thin-ankled, pregnant woman stepped out of one of the small houses, carrying a baby. She walked down the driveway and put a letter in the mailbox, just a few feet away from Bea's car. The baby, with a brown mark on its eyelid, couldn't have been more than a few months old. Could she have been that pregnant again already? Bea felt like getting out and tromping in the snow. She thought of her cross-country skis leaning in the garage at home. June, the sorority sweetheart (literally, she was that; Bea had voted for her in Green Bay solidarity), June--who wore a sparkling blue-and-gold sari to the house invitational--lived here! Perhaps she'd been one of these antic children. Bea would not be invited into June's house, not this time. On the other side of the road, there was a semicircular driveway before a pretty two-story white house. There, under the most spectacular tree Bea had ever seen, June stood like a tiny queen, stamping her feet in fur-trimmed boots. Her whole body leapt into motion as she opened the door and flew into Bea's new red car. "Let's go," June said. From there, they talked a mile a minute--nothing about their Christmases, nothing about their homes, only about people they knew in Madison. But Bea wondered, in a scant way, as she glanced in her rearview mirror, about to turn onto that bad highway, what would become of these ruddy, unminded children. Chapter II In the obituary for Jonas Salk, run by the Green Bay Press Gazette, the wire service reporter said that by 1963, we had wiped out polio in the United States. Except Shelley. She must have been one of the last people to contract the disease. Now, they said in that same article, polio is coming back again. Shelley knows the exact day she got it. It was a May Saturday in 1961, the year the oral vaccine was introduced. She was five years old. On Saturday mornings, Shelley's father would corral the kids, give the wife a chance to rest her feet. Not that the wife did. She usually went on a long walk with another lady so they could yak, yak, yak. When Shelley's father said this, he'd shake his head to mean he didn't understand it. A favorite joke of his was, "Too bad the two of youse can't get married." The vaccinations were given in a high school gymnasium, free, over on their side of town. The gym doubled as the auditorium. At one end of the big room, there was a stage where the nurses stood, injecting for tetanus and passing out small paper cups with the polio vaccine. The front half of the line received the vaccine in sugar cubes, pink or blue, one inside each Dixie cup. After those ran out, the nurses poured a certain measured amount of a sweet liquid. It was all very matter-of-fact. The disposable needles came wrapped in paper, like tampons, packed in square boxes. Beside each nurse was her own wastebasket. Kids waited in a long line on the part of the floor painted for basketball. Against the wall was a half-built float, a covered wagon, the cloth made of square school-issue toilet paper stuffed into the hexagonal openings of chicken wire. It would take hundreds of hours to fill the wire honeycomb with white paper blossoms. "Girl work," Shelley's middle brother said with a downturning mouth. High school girls did it, probably all the while thinking of themselves sitting on top, dressed up as pioneer women or some such thing, waving to a big crowd. Nell Umberhum would most likely be the one to ride on it. And she wouldn't have helped build it, either. She had a paying job already, waitressing at Kroll's. Shelley's older sister, Kim, drifted over to touch. They were four children then. Dean hadn't been born yet. He came five years later, a last surprise, and, like a present, he was the one who always was so handsome. Bea Maxwell had been wrong that afternoon in 1956. Shelley's mother's belly still looked full from having been pregnant with Shelley. She'd been wrong about another thing, too. It was not the first time she'd seen Keck Road. Once, in elementary school, she and her best friend had collected food for the poor. They'd been driven out to hand the grocery bags over to a family in an apricot-colored house with all kinds of junk in the front yard. That time, the street had looked different, terrifying. It seemed to Shelley and her sister and brothers that they could move about and still keep their place in line. Their mother would've let them. She tried to give them every advantage of being a four-kid family. She believed that small families were sad--in all cases, the result of selfishness or medical tragedy. And she trusted the world to help raise her children. If she'd been there, she would have already been talking to another mother. Her main public service in the world was that--being a mother--and she felt she was a good one. But her husband stood with his arms folded tight. He didn't want anyone to suppose his kids were cutting in line. Shelley's brothers signaled to other guys who ran track and to Petey from across the road, standing on his head twenty yards in front of them, next to his mom. The line moved, but it was so long. Shelley kept looking at her feet, happy because she had new sneakers. She was already as tall as Kim, but two years younger. She got these shoes because she'd grown out of last summer's already. Her goal was to get so that Kim would have to wear her hand-me-downs, even though Shelley was the youngest, a goal she would soon achieve. Kim tried to step on Shelley's tennies to make marks. Their mother would have noticed, even through her conversation with the other mother, would've turned to say "Stopit," but their dad just lifted a hand, as if they were each equally to blame. Shelley's feet kept dancing to miss her sister's. So far, she was doing it. Her sneakers were clean. When they were getting close to the front, three S's away, June Umberhum rushed in with her daughter, Peggy. They all knew Peggy because June often left her with the grandma, and sometimes the grandma paid Kim and Shelley a quarter to keep an eye on her while she did her housework. They watched for June's white Volkswagen coming down Keck Road. Peggy tiptoed ahead of her mother, but not too far, like dice or jacks thrown from a hand. She was in white: white shorts, a white top, white anklets, white tennies, and a white bow in her hair. She was only two years old and everything she had on was new. Looking at her made Shelley not care much anymore about marks on her shoes. They would come anyway, sooner or later. Soon. When June first returned to Green Bay, their mother had given her their hand-me-downs for Peggy. June had stood by the open door of her white VW (the seats covered in red plaid!) and said, "Oh, thanks. These'll come in handy." But they never once saw Peggy wearing anything of theirs. Now their mother gave their old clothes to the church. But June still fascinated them. Especially Kim--who tried to make her own hair curl up at the ends the way June's did. (June probably copied it from an actress on TV.) "I bet she has a standing appointment at the beauty shop," Kim said. That day in the high school gym, June was wearing sunglasses and high heels and pants. Shelley hadn't ever seen high heels before with pants. And sunglasses! She stood out in the underwater gymnasium light. She went right up in a movie-star way to their dad and said, "Hi, Tommy," and just started standing with them, her arms crossed like his. Excerpted from Off Keck Road by Mona Simpson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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