Cover image for Deadly décisions
Deadly décisions
Reichs, Kathleen J. (Kathleen Joan)
Publication Information:
New York : Scribner, 2000.
Physical Description:
333 pages ; 25 cm
Format :


Call Number
Material Type
Home Location
Newstead Library X Adult Fiction Mystery/Suspense
Boston Free Library X Adult Fiction Mystery/Suspense
Elma Library X Adult Fiction Open Shelf
Grand Island Library X Adult Fiction Open Shelf
Niagara Branch Library X Adult Fiction Mystery/Suspense
Riverside Branch Library X Adult Fiction Mystery/Suspense

On Order



Nobody tells a chilling story like international bestselling author Kathy Reichs, whose "most valuable tool is her expertise...she's the real thing"(New York Newsday).Drawing on her years as a top forensic anthropologist, Reichs brings her cutting-edge scientific know-how to this poignant, terrifying new tour de force.Nine-year-old Emily Anne Toussaint is shot dead on a Montreal street. A North Carolina teenager disappears from her home and parts of what may be her skeleton are found hundreds of miles away. For Dr. Temperance Brennan, a forensic anthropologist in both Montreal and North Carolina, the deaths kindle deep emotions that propel her on a harrowing journey into the world of outlaw motorcycle gangs.As a scientist, Tempe should remain dispassionate. As a caring individual, she yearns to take the killers off the streets. Emily Anne was cut down in a biker crossfire. The North Carolina victim, Savannah Osprey, was last seen hitching a ride with a transient biker. Tempe's nephew, Kit, is intrigued by motorcycles. Does he understand the difference between legitimate riders and gangs, or is he too mesmerized to comprehend that outlaw bikers are big trouble?With her boss Pierre LaManche in the hospital, and her friend Andrew Ryan disturbingly unavailable, Tempe begins a perilous investigation into a culture where evil often wears a mask. From blood-splatter patterns and ground-penetrating radar to bone-sample analysis,Deadly Décisionstriumphantly combines the authenticity of a world-class forensic professional with the narrative power of a brilliant new crime-writing star. This richly nuanced thriller is sure to catapult a uniquely gifted author to even greater heights.

Author Notes

Kathy Reichs was born in Chicago, Illinois on July 7, 1948. She received a BA in anthropology from American University in 1971, a MA in physical anthropology from Northwestern University in 1972, and a Ph.D. in physical anthropology from Northwestern University in 1975.

She works as a forensic anthropologist for the Office of the Chief Medical Examiner, State of North Carolina and for the Laboratoire des Sciences Judiciaires et de Médecine Légale in Quebec. She has taught at Northern Illinois University, University of Pittsburgh, Concordia University, McGill University, and the University of North Carolina at Charlotte. Her work as a forensic anthropologist is internationally recognized; she has traveled to Rwanda to testify at the UN Tribunal on Genocide, helped in an exhumation in the area of the highlands of southwest Guatemala, and done forensic work at Ground Zero in New York.

In addition to her published academic papers and books, Reichs has written numerous works of crime fiction including Temperance Brennan series. Déjà Dead won the 1997 Arthur Ellis Award for Best First Novel. She is a producer on the Fox television series Bones, which is loosely based on her own forensic career and writing. In 2015, she won the Silver Bullet Literary Award.

(Bowker Author Biography)

Reviews 4

Booklist Review

We definitely agree with the promo--a "beach read."

Publisher's Weekly Review

Critics (and publicists) often compare Reichs to Patricia Cornwell, as both are women who write bestselling thrillers featuring a female forensic expert. There's a significant difference between them, though. Reichs brings to her grisly novels a scientific detail and authenticity that Cornwell rarely matchesÄa virtue arising from Reich's background as a top forensic anthropologist for the governments of North Carolina and Quebec, a background mirrored by that of her heroine, Tempe Brennan. But CornwellÄa journalist before she turned novelistÄis a more accomplished writer than Reichs, and her more fluid prose and plotting support a heroine who exudes a vitality that Brennan doesn't. Reichs's strengths and weaknesses are apparent in this third novel (after Death du Jour) featuring narrator Brennan, which finds the crime fighter tangling with outlaw motorcycle gangs in Montreal. The novel opens as Brennan, "sorting badly mangled tissue" in an autopsy room, is interrupted by the arrival of another body: that of a girl, nine, caught by a bullet that one gang, the Heathens, had intended for a rival Viper. The mangled tissue belongs to two Heathens who'd been en route to bomb the Vipers' headquarters: war is raging among bikers in Montreal, and Brennan is soon caught in the battles, not least because her visiting nephew, Kit, is enamored with bikersÄincluding some involved in the war. The narrative carries Brennan to assorted bikers' hangouts, and to much forensic digging, all of which Reichs handles with an admirable intensity and veracity. Still, the novel has a stiff, storyboarded feel, with a subplot involving Brennan's cop loverÄhas he turned gang member?Äparticularly intrusive. The pacing is lopsided, laborious in front and action-stuffed at the back, and the narrative spreads its message about the malfeasance of outlaw bikers with a heavy hand. Overall, the novel works, but the gears show one time too many. Agent, Jennifer Rudolph Walsh at the Writer's Shop. Major ad/promo; 6-city author tour. (July) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

Crime writer Reichs is amazing! Once again, readers will be eager to learn the grisly details of how her forensic anthropologist heroine, Dr. Tempe Brennan, teases information from the bones of mutilated, decomposed, often animal-gnawed human bodies. Here, Tempe is outraged at the death of a child in a war among bikers vying for the Quebec province drug trade, and she joins the investigation. Tension mounts as she becomes embroiled in the rivalries of outlaw motorcycle gangs, "the mafia of the new millennium." The case becomes more complex as another biker is killed and the death and dismemberment of a teenage girl years before in North Carolina are linked to the Quebec biker mayhem. Then Tempe's Harley-riding nephew from Houston gets involved, revving up the plot as the tale speeds across the finish line to a satisfying conclusion. The author of the best-selling Dj Dead, Reichs roots her skillful storytelling in her own experience as forensic anthropologist in both Montreal and North Carolina. Highly recommended for all public library fiction collections. [Previewed in Prepub Alert, LJ 4/1/00.]DMolly Gorman, San Marino, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Review

Adult/High School-Tempe Brennan becomes involved when two motorcycle gangs declare war, plot revenge, and leave an innocent child caught in the crossfire. Tempe sorts out new and old murders, ties together clues in Montreal and North Carolina, and worries that her visiting nephew is becoming involved with the gangs. Competent young adult readers will enjoy the information on motorcycles and will relate to the nephew. However, there are many characters, victims, and police organizations to keep straight. Reichs explains the latter in context, but then refers to them with abbreviations. Abounding in grisly details, this novel is sure to please Reichs's fans.-Claudia Moore, W. T. Woodson High School, Fairfax, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Chapter One Her name was Emily Anne. She was nine years old, with black ringlets, long lashes, and caramel-colored skin. Her ears were pierced with tiny gold loops. Her forehead was pierced by two slugs from a Cobra 9-mm semiautomatic. It was a Saturday, and I was working by special request of my boss, Pierre LaManche. I'd been at the lab for four hours, sorting badly mangled tissue, when the door to the large autopsy room opened and Sergeant-Detective Luc Claudel came striding in. Claudel and I had worked together in the past, and though he'd come to tolerate, perhaps even appreciate me, one would not infer that from his brusque manner. "Where's LaManche?" he demanded, glancing at the gurney in front of me, then quickly away. I said nothing. When Claudel was in one of his moods, I ignored him. "Has Dr. LaManche arrived?" The detective avoided looking at my greasy gloves. "It's Saturday, Monsieur Claudel. He doesn't wo -- " At that moment Michel Charbonneau stuck his head into the room. Through the opening I could hear the whir and clank of the electric door at the back of the building. " Le cadavre est arrivé, " Charbonneau told his partner. What cadaver? Why were two homicide detectives at the morgue on a Saturday afternoon? Charbonneau greeted me in English. He was a large man, with spiky hair that resembled a hedgehog's. "Hey, Doc." "What's going on?" I asked, pulling off my gloves and lowering my mask. Claudel answered, his face tense, his eyes cheerless in the harsh fluorescent light. "Dr. LaManche will be here shortly. He can explain." Already sweat glistened on his forehead, and his mouth was compressed into a thin, tight line. Claudel detested autopsies and avoided the morgue as much as possible. Without another word he pulled the door wide and brushed past his partner. Charbonneau watched him walk down the corridor, then turned back to me. "This is hard for him. He has kids." "Kids?" I felt something cold in my chest. "The Heathens struck this morning. Ever hear of Richard Marcotte?" The name was vaguely familiar. "Maybe you know him as Araignée . Spider." He curled his fingers like a child doing the waterspout rhyme. "Great guy. And an elected official in the outlaw biker set. Spider is the Vipers sergeant at arms, but he had a real bad day today. When he set out for the gym around eight this morning the Heathens blasted him in a drive-by while his ole lady dove for cover in a lilac bush." Charbonneau ran a hand backward through his hair, swallowed. I waited. "In the process they also killed a child." "Oh, God." My fingers tightened around the gloves. "A little girl. They took her to the Montréal Children's Hospital, but she didn't make it. They're bringing her here now. Marcotte was DOA. He's out back." "LaManche is coming in?" Charbonneau nodded. The five pathologists at the lab take turns being on call. Rarely does it happen, but if an off-hours autopsy or visit to a death scene is deemed necessary, someone is always available. Today that was LaManche. A child. I could feel the familiar surge of emotions and needed to get away. My watch said twelve-forty. I tore off my plastic apron, balled it together with the mask and latex gloves, and threw everything into a biological waste container. Then I washed my hands and rode the elevator to the twelfth floor. I don't know how long I sat in my office, staring at the St. Lawrence and ignoring my carton of yogurt. At one point I thought I heard LaManche's door, then the swish of the glass security doors that separate portions of our wing. Being a forensic anthropologist, I've developed some immunity to violent death. Since the medical examiner turns to me to derive information from the bones of the mutilated, burned, or decomposed, I've seen the worst. My workplaces are the morgue and autopsy room, so I know how a corpse looks and smells, how it feels when handled or cut with a scalpel. I'm accustomed to bloody clothing drying on racks, to the sound of a Stryker saw cutting through bone, to the sight of organs floating in numbered specimen jars. But I have always been unsettled by the sight of dead children. The shaken baby, the battered toddler, the emaciated child of religious zealots, the preteen victim of a violent pedophile. The violation of young innocents has never failed to agitate and distress me. Not long ago I had worked a case involving infants, twin boys killed and mutilated. It had been one of the most difficult encounters of my career, and I didn't want to reboard that emotional merry-go-round. Then again that case had been a source of satisfaction. When the fanatic responsible was locked up and could order no more executions, I felt a genuine sense of having accomplished something good. I peeled back the cover and stirred the yogurt. Images of those babies hovered in my mind. I remembered my feelings in the morgue that day, the flashbacks to my infant daughter. Dear God, why such insanity? The mutilated men I had left downstairs had also died as a result of the current biker war. Don't get despondent, Brennan. Get angry. Get coldly, resolutely angry. Then apply your science to help nail the bastards. "Yep," I agreed with myself aloud. I finished the yogurt, drained my drink, and headed downstairs. Charbonneau was in the anteroom of one of the small autopsy suites, flipping pages in a spiral notebook. His large frame overflowed a vinyl chair opposite the desk. Claudel was nowhere to be seen. "What's her name?" I asked. "Emily Anne Toussaint. She was on her way to dance class." "Where?" "Verdun." He tipped his head toward the adjoining room. "LaManche has begun the post." I slipped past the detective into the autopsy room. A photographer was taking pictures while the pathologist made notes and shot Polaroid backups. I watched LaManche grasp a camera by its side handles, then raise and lower it above the body. As the lens moved in and out of focus a small dot blurred then condensed over one of the wounds in the child's forehead. When the perimeter of the dot grew sharp, LaManche depressed the shutter release. A white square slid out and he pulled it free and added it to a collection on the side counter. Emily Anne's body bore evidence of the intensive effort to save her life. Her head was partly bandaged, but I could see a clear tube protruding from her scalp, inserted to monitor intracranial pressure. An endotracheal tube ran down her throat and into her trachea and esophagus, placed in order to oxygenate the lungs and to block regurgitation from the stomach. Catheters for IV infusion remained in her subclavian, inguinal, and femoral vessels, and the circular white patches for EKG electrodes were still pasted to her chest. Such a frantic intervention, almost like an assault. I closed my eyes and felt tears burn the backs of my lids. I dragged my eyes back to the small body. Emily Anne wore nothing but a plastic hospital bracelet. Next to her lay a pale green hospital gown, bundled clothing, a pink backpack, and a pair of high-top red sneakers. The harsh fluorescent light. The shining steel and tile. The cold, sterile surgical instruments. A little girl did not belong here. When I looked up, LaManche's sad eyes met mine. Though neither of us made reference to what lay on the stainless steel, I knew his thoughts. Another child. Another autopsy in this same room. Putting a choke hold on my emotions, I described the progress I was making with my own cases, reassembling the corpses of two bikers who'd been blown apart by their own folly, and asked when antemortem medical records would be available. LaManche told me that the files had been requested and should arrive on Monday. I thanked him and went to resume my own grim task. As I sorted tissue, I remembered my previous day's conversation with LaManche, and wished I were still in the Virginia woods. Was it only yesterday LaManche had called me there? Emily Anne was alive then. So much can change in twenty-four hours. Copyright © 2000 by Temperance Brennan, L.P. Excerpted from Deadly Decisions by Kathy Reichs All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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