Cover image for America reborn : a twentieth-century narrative in twenty-six lives
America reborn : a twentieth-century narrative in twenty-six lives
Walker, Martin J., 1947-
Personal Author:
First edition.
Publication Information:
New York : Knopf : Distributed by Random House, 2000.
Physical Description:
xv, 393 pages : illustrations ; 25 cm
General Note:
Includes index.
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E747 .W18 2000 Adult Non-Fiction Central Closed Stacks

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Here is the story of America in the twentieth century as told through the lives of twenty-six of its most remarkable and historically crucial men and women. The people Martin Walker has chosen to portray are presidents, industrialists, artists, thinkers, entertainers, soldiers, spies, criminals, and evangelists, among others, and he makes the life of each individual serve as a framework for a discussion of the nation as a whole in a century when it was reinventing itself. Through Theodore Roosevelt, Walker examines America's ambition; through Woodrow Wilson, our idealism; through FDR, our triumph on the world stage; through Richard Nixon, our retreat into cynicism; through Bill Clinton, globalization and controversy about the right way to use America's unprecedented power. In Henry Ford he finds the creator of both the mass-market product and the mass-market consumer, and in Walt Disney, the revolutionizer not only of America's entertainment but also of the world's. William Boeing is the innovator who spurs the behemoth of American aviation; Walter Reuther defines labor's struggles; George C. Marshall represents the spread of America's economic genius in a war-ravaged Europe. In the lives of Duke Ellington, Frank Lloyd Wright, Katharine Hepburn, and John Steinbeck, Walker traces America's far-reaching cultural influences. Babe Ruth leads to a consideration of the role of sports in our society; William F. Buckley, Jr., to a discussion of conservatism; Martin Luther King, Jr., to matters of race; Betty Friedan to the shifting role of women; Billy Graham to an examination of religion; Emma Goldman to minority viewpoints and dissent; Black Jack Pershing to the place of the military; Lucky Luciano to crime and corruption; Albert Einstein to immigration; Richard Bissell to spies and the intelligence network; Alan Greenspan to finance and banking; and Winston Churchill to the American diaspora. At once intimate and wide-ranging, America Reborn is an altogether engrossing work of narrative history.

Author Notes

Martin Walker is a senior fellow of the Global Business Policy Council, a private think tank for CEOs of major corporations, based in Washington, D.C.

Walker is also editor in chief emeritus and international affairs columnist at United Press International and the author of the Bruno series.

(Bowker Author Biography)

Reviews 3

Booklist Review

Walker's essays on 26 famous Americans play up the force of individualism. Whether writing of Theodore Roosevelt, Babe Ruth, Henry Ford, Duke Ellington, or Betty Friedan, Walker extrapolates from any one life a wider trend in twentieth-century history or an attribute of American society that that life exemplified. He then develops, say, the idealism of Woodrow Wilson, as it fared following its exponent's departure from the historical scene. For example, Wilsonian internationalism still informs foreign policy, coexisting uneasily with Theodore Roosevelt's precept that national power be wielded in the national self-interest. Walker exhibits impressive command over a range of topics, from music to economics to religion to politics, and it makes his narrative flow and his insights click. His skill teases out the larger meanings of figures many highbrows hate--Walt Disney, for instance, a progenitor of the global reach of American pop culture--or who national self-esteem may wish weren't stitched into the country's fabric--namely, the gangster Lucky Luciano. An intelligently selected gallery of Americans each representing a particular vision of Americanism. --Gilbert Taylor

Publisher's Weekly Review

As the title suggests, British journalist Walker (The Cold War: A History, etc.) views history through the prism of biography in his engaging, though sometimes superficial, chronicle of the U.S.'s political, social and economic development over the course of the 20th century. Each chapter takes a well-known individual as a paradigm for a larger development ("Emma Goldman and the American Dissident," "Lucky Luciano and the American Criminal," etc.). The early chapters are essentially recapitulations of received wisdom: for instance, Henry Ford invents mass production and realizes he must also create a mass consumer class, hence the five-dollar day for his workers. When the choices are not conventional, they can be arguable: Katharine Hepburn is hardly a typical Hollywood star, and using Winston Churchill (whose mother was American) as a way of examining "the American diaspora" (whose meaning is never satisfactorily clarified) simply doesn't work. As the narrative approaches the 1970s, when Walker began reporting in the U.S., it sharpens considerably. Particularly strong is the chapter on Richard Nixon, in which Walker argues that the most important of the "three strategic disasters that marked his presidency" was neither Watergate nor the fall of Saigon but Nixon's decision to abandon the gold standard and devalue the dollar, which led to the ghastly inflation of the '70s and the resulting triumph of Reaganomics in the '80s. Throughout his accessible text, the author also does a good job of tracing his main theme, the nation's century-long struggle to deal with Americans' ambivalence about international involvement. There's little new here, but Walker's lively popular history is generally informative and appealing. 26 photos. (May) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

Walker, a prize-winning journalist and author of books on recent history (e.g., The President We Deserve: Bill Clinton; His Rise, Falls, and Comebacks, LJ 8/96), uses an almost novelistic approach to the telling of America's story. This is not a simple collection of biographical sketches but a history that employs personal stories--from Teddy Roosevelt to Babe Ruth, Henry Ford to Katharine Hepburn, Duke Ellington to Bill Clinton--as touchstones for a wide-ranging discussion of our culture. Lacking a scholarly approach, the book is meant to be enjoyed as a narrative. The names chosen are judicious and represent for Walker the most remarkable and important. Similar adult books have appeared over the years (e.g., JFK's Profiles in Courage) but none as sweeping or as well written. A top priority for all libraries, especially small public libraries with limited budgets.--Edward Gibson, Lincoln Univ. Lib., PA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Introduction I suspect that this book began unconsciously as a love letter to America from a foreigner who sees it both as a second home and as an inspiration. I first visited the United States in 1964 as a young officer cadet of the Royal Air Force, on a NATO exchange. Within five years, having sailed across the Atlantic on the SS France to land in time for what sounded like a promising rock festival at Woodstock, I was installed as a resident tutor at Harvard's Kirkland House on a Harkness Fellowship. Two months later, I was traveling in a bizarre road convoy that had cars and coaches from half the colleges in New England clogging I-95 and passing jokes and joints back and forth through car windows as we went to demonstrate in Washington against the Vietnam War. The oddity was made the greater by the studied courtesy of my hosts in the city, the parents of a friend whose father was a navy captain based at the Pentagon. Each decade of my life since has been marked and enhanced by the wondrous contradictions of the American experience. In the 1970s, I was part of Senator Edmund Muskie's presidential campaign, and also evading arrest outside the Justice Department as the antiwar demonstrations grew more heated and machine-gun posts were installed on the steps of the U.S. Capitol. In 1972, I was in Miami as a young reporter for the Democratic and Republican conventions, watching Governor George Wallace enter the convention hall in his wheelchair while the Youth for Nixon delegates in their straw hats chanted, "Four more years." I sat on the beach with Hunter Thompson the night after Senator George McGovern won his nomination, before I caught the morning plane to visit the new Disney World at Orlando. In the 1980s, I flew in from glasnost Moscow to lecture on the Chernobyl disaster and on the new phenomenon of perestroika and watched the ecstatic Washington crowds greet Mikhail Gorbachev at that extraordinary moment of the Cold War that the Washington Post dubbed "Gorbasm." By the end of the decade, I was counting dead birds on the oil-drenched beach of Knight's Island in Alaska's Prince William Sound as the Exxon Valdez spewed out its cargo, and sipping beer on President George Bush's speedboat as we raced to see the seals on the rocks outside Kennebunkport, Maine. In the 1990s, as the U.S. bureau chief for The Guardian, I renewed an old Oxford acquaintanceship with Governor Bill Clinton in Little Rock, was sheltered from an angry mob by a shotgun-wielding Korean family in the Los Angeles riots, went to White House parties, and travelled on Air Force One. There is no land on earth more enthralling, more welcoming, or more generous than America. And as I stood in Oklahoma City looking at the wreckage of a terrorist bomb, and in the smoking wreckage of a black church in Georgia, and as I plucked a bullet from the charred earth of the Branch Davidian compound at Waco, Texas, no country had seemed so bafflingly alien in its appetite for violence and extremism. America has been, throughout my life, a country that has known the best of times and the worst of times, sometimes almost simultaneously. The paradoxes of the country are surreal. It is not easy to conceive how one country can embrace such extremes of wealth and poverty as the gilded oasis of Palm Springs, California, and the very different desert of the Oglala Sioux reservation at Pine Ridge, North Dakota. A country with over a million law graduates also has well over a million of its fellow citizens behind bars. The nation that provides much of the world with its graduate schools, with nearly 2 million people pursuing master's degrees and doctorates, depends upon a deeply flawed public school system, almost a fifth of whose products are functionally illiterate. Perhaps the American system needs the constant, threatening, and warning presence of the price of failure as a social spur to achievement and success. As Gore Vidal has suggested, "It is not enough to succeed. Others must fail." The cult of the winner is a powerful one, in a land in which sporting contests are seldom permitted to end in draws, in which schoolchildren vote for their classmate "most likely to succeed," and in which college entrance is based on rigid competition. And there is no doubt that America has been the outright winner in the twentieth century's game of nations. It began the century just starting to feel its strength and to assert itself on the world stage, and ended it, as French foreign minister Hubert Vedrine put it, not as the only superpower, but as something altogether new. America had become "the hyperpower," Vedrine suggested. It not only dominated by the usual criteria of wealth, military power, and global influence but also boasted the most advanced and innovative technologies. It enjoyed the most far-reaching cultural and commercial influence, all resting upon a democratic system of free speech and free markets that had, with the end of the Cold War, become the most self-confident ideology on the planet. Its military supremacy was unmatched since the days of ancient Rome, and its reach was incomparably wider. For the relatively modest investment of some 3.5 percent of its annual GDP, the defense budget's lowest share of national wealth since 1940, the United States by the late 1990s could maintain with ease an unmatched military power. Even 3.5 percent of the GDP meant that the Pentagon was outspending the next nine military powers combined. The striking paradox is that the wielder of this awesome power was famously reluctant to deploy it, or at least to put the men and women of its professional forces at risk, particularly since cruise missiles and stealth warplanes allowed and even encouraged devastatingly accurate and virtually invulnerable bombardments. The country has always been uneasy about "foreign entanglements," ever since George Washington's farewell address warned his countrymen against them. America has always been of the world, explaining in the founding document of its nationhood the need for "a decent respect for the opinions of mankind," without being overly eager to join it. The only nation that has rivaled America's hyperpower status, Britain in the nineteenth century, was less fastidious. Lord Palmerston, the British foreign secretary who coined the term Pax Britannica at the height of its sway, had a saying: "Trade without rule where possible, trade with rule where necessary." America found rule to be as unnecessary as it was uncongenial; the overwhelming reality of its influence was sufficient to avoid the formal trappings and entanglements of empire. Some presidents sought to correct this national reluctance. Teddy Roosevelt built a canal and a fleet to prod his people into a global assertion, once the manifest destiny of continental expansion had been achieved. He was not even partially successful. It was Woodrow Wilson, that unwilling, almost apologetic interventionist, who finally took the nation into world war, but only with the understanding that he might then outlaw war altogether. The U.S. Senate rejected even this most noble of justifications for remaining a member of Europe's great power system, and it refused to ratify his Treaty of Versailles. Nonetheless, Roosevelt and Wilson between them set the parameters of American engagement with the world in the twentieth century. Roosevelt wanted it to become dominant as the richest and most powerful of nations; Wilson sought a moral dominance that would lead the way to a new kind of world altogether, based on international law rather than on military force. The history of the second half of the century suggests that these two goals were not entirely incompatible. John Kennedy and Ronald Reagan, two presidents who secured a particularly cherished place in the nation's heart, acted on the assumption that the country's military and moral dominance were two sides of a single coin. The country was great because it was good, and it was good because it was great. As fortunate in the crises and the opponents they faced as in their rhetorical ability, Kennedy and Reagan were broadly able to reconcile the Rooseveltian and Wilsonian traditions of military and moral leadership. Lyndon Johnson, less astute in choosing his foreign confrontation, was not. Perhaps the most politically gifted of the postwar presidents, Johnson, during his five years in office, brought Americans back to the deeply uncomfortable and divisive thought that a great power was not necessarily a good country, and that a good power might not always be inclined or even able to assert its military greatness. The United States, against its instincts and traditions, was forced into a global role. It was bombed into war by Japan in 1941, and lured into remaining in Europe after 1947 by the blunt British warning that it alone could no longer afford to sustain the old continent against the Soviet threat. Either the United States had to assume the role or watch Stalin's empire spread into Europe's resulting vacuum of power by default. Even then, the deployment of American power in the Cold War was limited. It mounted an airlift to relieve West Berlin, rather than seeking a military confrontation on the ground, despite its brief monopoly of the atomic bomb. It stood by as East Germans, Hungarians, Czechs, and Poles successively rose against their Soviet masters. America's power, when deployed, was repeatedly withdrawn or its punches pulled. The country accepted a bloody draw in Korea, defeat in Vietnam, and a stalemate with Cuba, in part because the conflicts were seen as limited ones, which didn't need to be fought to a finish with every available weapon, and in part because of public opinion. Behind the public doubts over America's minor wars lay a principled conviction that America was differently founded and more honorably directed than the traditional great powers of Europe with their realpolitik and empires of exploitation. This persistent American ethic required that its assumption of global power was as spasmodic as it was hesitant. It unfolded only under explicitly moralistic and usually utopian banners, from "the war to end wars" to the defense of the Free World and the expansion of the Four Freedoms and free markets. The enduring irony of the American century is that this new country of European immigrants started its global rise in Asia with the conquest of the Philippines, and fought five wars there. And yet the United States still sees its grand strategic challenge for the twenty-first century in the economic prowess of Japan and the rising forces of China and India. Asia remains the problem, because its ancient civilizations remain more resistant to American values. By contrast, the American grand strategy in World War II and the Cold War had essentially resolved its European problem. The American century opened with three distinct threats to American equanimity: the British Royal Navy, the ambition of the German Empire, and the rising challenge of Russia. It closed with the European powers locked into an American-led military alliance and an American-inspired economic system, and with Russia making its own historic and strategic choice to align itself with the West. The greatest fruit of American power was to create a congenial and unthreatening Europe, a task made easier because America itself was Europe's greatest creation. A distinctively American culture emerged from beneath its European shadow as the century began, through the exploitation of the technologies of the gramophone, radio, film, and TV. The crucial factor was the expansive appetites of the American market to nurture and then to export a homegrown American sound, an American voice, an American vision, and an American sensibility. Every city on earth is now defined by the skyscrapers pioneered by Louis Sullivan, and their suburbs are shaped by the aesthetic of Frank Lloyd Wright, the mass-production techniques of Levittown, Long Island, and the requirements of the automobile culture unleashed by Henry Ford. To a stunning degree, modern life has an American taste -- working with Windows 95 on an IBM clone, eating at McDonald's, drinking Pepsi, staying in touch through CNN, relaxing to Hollywood entertainment, and paying for it all on American Express. The key to America's twenty-first century will be, just as it was to the twentieth, the absorption of the new wave of immigrants. It is striking how few of the Americans celebrated in this book were not native-born: Albert Einstein, Emma Goldman, and Lucky Luciano. Each of them made his or her way by dissidence, an overt challenge to the rules and ethics of the new country. It would be interesting to see, in a similar book that might be written a century hence, whether the new Asian and Hispanic Americans might feature more prominently. In any event, they are redefining the planet's first multiethnic democracy, creating a global Americanism of what had been an essentially European and African mix. That hackneyed phrase "the melting pot" is precisely the wrong metaphor to capture the way in which American culture managed to preserve so many of the distinctive cultural traditions of its immigrants. The result has been more of a long-simmering stew, in which the individual components retained their distinctive shapes and textures while producing a common flavor. A central reason for this, and for the remarkable American refusal to establish a European form of class system, has been the way in which America insisted almost from its birth on the primacy of the individual. Enshrined in its system of property ownership as well as in the Constitution, the almost endless availability of land meant that most Americans until the 1890s could realistically and easily expect to become property owners. The right to own land by homesteading remains to this day in Alaska, but for most of the United States, the twentieth century was a long experiment in how the cherished traditions of individualism and self-reliance, property ownership and local self-government could survive the closing of the frontier. In some ways, they have not. The signal difference between America in 1900 and in the year 2000 is that the role of the federal government has swollen to dwarf almost every other source of power and wealth. In 1901, the federal government's revenue was $588 million, barely 3 percent of the GDP. By century's end, the government's income had grown three thousand-fold, and even in a time of peace and prosperity was routinely taking 20 percent of the national wealth. A small standing army had become a vast global force. And yet the costs of central government in the United States remained strikingly low by comparison with most other advanced countries, less than half of the usual rate in Europe. The balance of power between citizens and the nation-state had shifted heavily, but not overwhelmingly so. Local communities in different states could impose different rules on crime, the death penalty, gun ownership, alcohol consumption, local taxes and education systems, to a degree extraordinary almost anywhere else on earth. America has thus remained a land in which the concept of the individual retains a real as well as a symbolic force. Herbert Hoover overstated the case, but he was not altogether wrong, in a speech in 1928, when he suggested "We were challenged [at the end of World War I] with a peace-time choice between the American system of rugged individualism and a European philosophy of diametrically opposed doctrines -- doctrines of paternalism and state socialism." The cult of the individual has reinforced the American resistance both to labels of class and to ideologies, and created a two-party political system without an organized socialist movement. And while being a deeply materialist society, America has also been consistently wary of believing in those great impersonal economic and social forces that have underpinned most ideological positions, but in whose tides individuals become the pawns of history. The one exception to this has been the belief in the great impersonal force of America itself, its mission to expand into and dominate its continent while also acting as a beacon and a model for the world. "We speak of the American Way of Life as though it involved the ground rules for the governance of heaven," John Steinbeck suggested. "We are able to believe that our government is weak, stupid, overbearing, dishonest and inefficient, and at the same time we are deeply convinced that it is the best government in the world, and we would like to impose it on everyone else." Americanism has been the one ideology to have flourished, although more as a comfortable assumption than as a cause or rallying cry. It proved particularly agreeable to the national temperament because it was so undemanding. By imposing so few constraints upon the citizen, it sustained the constitutional and legal primacy of the individual and the right laid down by the Founding Fathers to "life, liberty, and the pursuit of happiness." That is the prime reason why this book seeks to describe and explain the American century through the lives and careers of a handful of individual Americans. It is not a country to be understood by looking simply at its economic history, its political struggles, or its diplomacy. It has never been a nation-state in the European sense, a singular actor on history's stage with an agreed-upon or imposed consensus on the national interest. The president does not even have the legal right to declare war without the authorization of Congress, which is itself designed to be at least as responsive to the views of individual voters and campaign contributors as to the disciplines of party. If I have come to one profound conclusion about the United States, after half a lifetime studying, traveling, working, and living in it, it is that the motto on the national coinage is unusually revealing: E Pluribus Unum, "from the many, one." And the most agreeable aspect of this, for the historian as for the country itself, is that the Pluribus tend to be far more important, more revealing, and incomparably more interesting than the Unum. This is the story of some of them. Excerpted from America Reborn: A Twentieth-Century Narrative in Twenty-Six Lives by Martin Walker All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.