Cover image for Trojan gold
Trojan gold
Peters, Elizabeth.
Personal Author:
Publication Information:
New York : Avon Books, 2000.

Physical Description:
363 pages ; 18 cm
General Note:
"A Vicky Bliss mystery."
Format :


Call Number
Material Type
Home Location
Item Holds
X Adult Mass Market Paperback Central Closed Stacks
X Adult Mass Market Paperback Popular Materials-Mystery

On Order



A Picture Is Worth A Thousand Words

But the photograph art historian Vicky Bliss has just received gives rise to a thousand questions instead. A quick glance at the blood-stained envelope is all the proof she needs that something is horribly wrong.

The picture itself is familiar: a woman adorned in the gold of Troy. Yet this isn't the famous photograph of Frau Schliemann--no, this picture is contemporary. The gold, as Vicky and her fellow academics know, disappeared at the end of World War II.

Now this circle of experts is gathered for a festive Bavarian Christmas. All of them--including the mysterious John Smythe and a very determined killer...

Author Notes

Barbara Mertz was born on September 29, 1927 in Astoria, Illinois. She received a bachelor's degree in 1947, a master's degree in 1950 and doctorate in Egyptology in 1952 from the University of Chicago. She wrote a few books using her real name including Temples, Tombs and Hieroglyphs (1964), Red Land, Black Land (1966), and Two Thousand Years in Rome (1968). She also wrote under the pen names Barbara Michaels and Elizabeth Peters.

She made her fiction debut, The Master of Blacktower, under the name Barbara Michaels in 1966. She wrote over two dozen novels using this pen name including Sons of the Wolf, Someone in the House, Vanish with the Rose, Dancing Floor, and Other Worlds.

Her debut novel under the pen name Elizabeth Peters was The Jackal's Head in 1968. She also wrote the Amelia Peabody series and Vicky Bliss Mystery series using this name. She died on August 8, 2013 at the age of 85.

(Bowker Author Biography)

Reviews 1

Booklist Review

Audacious art historian Vicky Bliss returns in her fourth titillating escapade. Together with her sometime lover, master art forger Sir John Smythe, and her whimsical boss, museum curator Dr. Anton Z. Schmidt, Vicky romps through the scenic Bavarian Alps in a fantastical quest to recover the vanished gold of Troy. En route to adventure, the intrepid trio encounters competition and danger in the guise of an affable group of professional antiquarians. A delectable blend of humor, romance, and suspense. MF. [OCLC] 86-26486



Trojan Gold Chapter One Fire stained the night. The sky above the dying city was an obscene, unnatural crimson, as if the lifeblood of its people were pouring upward from a million wounds. As he fought through the inferno he missed death by inches not once but a dozen times. The conquerors were already in the city. Another enemy army was closing in from the west; but the horde of refugees, of whom he was one, fought their way westward with a desperate, single-minded intent. Throughout history, always the barbarian hordes had come from the east. Unlike the others, he was not concerned with his own survival, except insofar as it was necessary in order to ensure the survival of something that meant more to him than his own life. This city would fall to the barbarians as other imperial cities had fallen--Rome, Constantinople--and the battle and its aftermath would add more wreckage to the monstrous mound of shattered beauty--dead children and mutilated women and torn flesh, burning books, headless statues, slashed paintings, shattered crystal.... One thing at least he would save. How he would do it he did not know, but he never doubted he would succeed. He knew the city, knew every street and building, though many of the landmarks had vanished in pillars of whirling flame and heaps of smoldering rubble. He would get there first. And in the lull between the flight of the vanquished and the triumph of the conquerors, he would find his chance. He was more than a little mad. Perhaps only a madman could have done it. That's how I would begin if I were writing a thriller instead of a simple narrative of fact. Exactly how he accomplished it will never be known; but it may have been something like that. I only wish my part of the story had started with such panache--the death throes of a mighty metropolis, the fire and the blood and the terror.... What am I saying? Of course I don't really wish that. But I could wish for a slightly more dramatic start to this tale than a stupid petty argument with my boss's secretary over a stupid petty bit of office routine. I love my work, and I don't really hate Mondays. I hated this Monday morning, though, because I had a hang-over. I am not a heavy drinker--I know, that's what everybody says, but in my case it's true. I make it a rule not to overindulge, in any fashion, on a work night. There were reasons--not good reasons, but reasons--why I had broken the rule that Sunday. They have no bearing on this story and they are nobody's business but my own. Suffice it to say that I was late to work and not happy to be there. If I had been in my normal sunny morning mood, I probably would not have overreacted when I saw what Gerda had done. Gerda is, as I have mentioned, my boss's secretary; and my boss is Herr Doctor Anton Z. Schmidt, director of the National Museum in Munich. The National is small but what's there is "cherce," to quote one of my favorite film characters. The building and the basic collections had been contributed to the city back in the eighteen hundreds by a Bavarian nobleman who was as eccentric as he was filthy-rich, which is one of the reasons why our present collections are a bit unusual. For example, we have the most extensive collection of antique toys in Europe. We have a gem room, a medieval-art section, and a costume room. The noble Graf von und zu Gefenstein also collected ladies' underwear, but we don't display that collection, fascinating as it is to students of costume. At least the people who request access to it say they are students of costume. The point of all this, in case you are wondering, is that our staff isn't large. Although Gerda has the title of Secretary to the Director, she types all our letters and takes care of most of the office work for the staff. No problem for Gerda; she is inhumanly efficient. She is also very nosy. Since I was late, I wasn't surprised to see that Gerda had taken advantage of my tardiness to mess around with my things. I wasn't surprised, but I was irate. If I had told her once I had told her a hundred times to leave my desk alone. Those heaps of debris are sacred to me. I know where everything is. If people start tidying up I can't find anything. Gerda had stacked everything. She is a great stacker--nice neat piles, sorted by size instead of content, every corner squared. She had also replaced my desk blotter. The new one lay there pristine and dead; gone was the old one, with its vital store of information-telephone numbers, shopping lists, addresses of shops, and notes on books I wanted to read.... And smack in the center of the nice new blotter was my mail. She had opened every letter and every parcel. The envelopes were stapled to the letters, which meant that in order to avoid tearing the latter, I would have to pry off the staples, breaking half my nails in the process. I kicked the nearest filing cabinet--Hopping and swearing. I went behind the screen that concealed the really important objects in my office--the sink and hot plate and coffee maker--and plugged in the last-named article. I fully intended to kill Gerda, but I figured I had better have a cup of coffee first. Otherwise I might stumble on the stairs and break a leg before I got my hands around her throat... Trojan Gold . Copyright © by Elizabeth Peters. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Trojan Gold by Elizabeth Peters All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.