Cover image for The Folkways years 1959-1973
Title:
The Folkways years 1959-1973
Author:
Memphis Slim, performer.
Personal Author:
Publication Information:
Washington, D.C. : Smithsonian Folkways Recordings, [2000]

â„—2000
Physical Description:
1 audio disc (66 min.) : digital ; 4 3/4 in.
General Note:
Primarily blues for piano, voice and piano, or for voice and small ensemble.

Most selections previously released.

Compact disc.

Includes detailed program notes in English on insert.
Language:
English
Contents:
Joggie boogie (3:24) -- I left that town -- Harlem bound / Peter Chatman (2:15) -- Key to the highway / C. Segar-W. Broonzy (2:54) -- Chicago rent party / Peter Chatman (3:53) -- Stewball (3:32) -- The dirty dozens / Rufus Perryman (2:48) -- Beer-drinking woman / Peter Chapman (2:28) -- Walking blues (3:08) -- Pinetop's boogie woogie / C. Smith (4:09) -- San Juan blues / Peter Chatman (2:19) -- Prison bound / Leroy Carr (3:23) -- If the rabbit had a gun / Memphis Slim (2:57) -- Backwater blues / Bessie Smith (3:41) -- You name it / Memphis Slim (2:13) -- M & O blues / Walter Davis, Jr. (3:35) -- Every day I have the blues / Peter Chatman (2:23) -- Just a dream / W.L. Broonzy (4:10) -- Midnight special / H. Ledbetter (1:47) -- The bells (2:33) -- Mean old Frisco / Arthur Crudup (3:19) -- The gimmick / Memphis Slim (3:49).
UPC:
093074012826
Format :
Music CD

Available:*

Library
Call Number
Material Type
Home Location
Status
Central Library R&B .M533 F Compact Disc Central Library
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Summary

Summary

These 21 tracks, selected from the recordings Memphis Slim did for Folkways, tend to be in solo piano or sparsely accompanied arrangements, as one would figure since Folkways was a traditionally oriented label. Still, it doesn't sound like a forced or awkward attempt to steer the pianist toward an outdated approach. It's just on the quiet and restrained side, and not different from numerous recordings Memphis Slim did for more commercially minded labels throughout his career. Although half of the material is just Slim alone at the piano (sometimes singing, sometimes not), it does actually show him in a variety of contexts. Willie Dixon accompanies him on bass on a few numbers; Jazz Gillum does the vocal and harmonica for "Key to the Highway" (which is actually a track on which Memphis Slim was the sideman, not the featured artist); Matt Murphy plays electric guitar on a few songs; Pete Seeger joins Memphis Slim and Dixon on "Midnight Special"; and there are actually drums by Jump Jackson on a couple of tunes. It's assured piano blues whatever the situation, not among his very best recordings, but certainly respectable. Unfortunately, the liner notes, quite detailed in most respects, do not give the dates of recordings for the individual tracks; from the sound of things, most of these date from 1959 and the early 1960s, although the title indicates a timespan of 1959-1973. Three of the cuts were previously unreleased, including "Every Day I Have the Blues," the atypical organ instrumental "The Gimmick," and the piano instrumental "The Dirty Dozens." ~ Richie Unterberger


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