Cover image for Medieval folklore : an encyclopedia of myths, legends, tales, beliefs, and customs
Title:
Medieval folklore : an encyclopedia of myths, legends, tales, beliefs, and customs
Author:
Lindahl, Carl, 1947-
Publication Information:
Santa Barbara, Calif. : ABC-CLIO, [2000]

©2000
Physical Description:
2 volumes : illustrations ; 27 cm
Language:
English
ISBN:
9781576071212
Format :
Book

Available:*

Library
Call Number
Material Type
Home Location
Status
Central Library GR35 .M43 2000 V.1 Adult Non-Fiction Non-Fiction Area-Reference
Searching...
Central Library GR35 .M43 2000 V.2 Adult Non-Fiction Non-Fiction Area-Reference
Searching...
Clarence Library GR35 .M43 2000 V.2 Adult Non-Fiction Reference material
Searching...
Clarence Library GR35 .M43 2000 V.1 Adult Non-Fiction Reference material
Searching...

On Order

Summary

Summary

This award winning, definitive work is an A-Z guide to the mundane and supernatural lore of the Middle Ages.

* Includes over 300 A-Z entries

* Exhaustive bibliographic guides with each entry

* Over 150 illustrations

* Extensive indexes of motifs and tale types


Author Notes

Carl Lindahl is professor of English at the University of Houston, Houston, TX.

John McNamara is professor of English at the University of Houston, Houston, TX.

John Lindow is professor of Scandinavian studies at the University of California, Berkeley, Berkeley, CA.


Reviews 3

Booklist Review

ABC-CLIO has recently published two other encyclopedias of folklore, Mary Ellen Brown and Bruce A. Rosenberg's Encyclopedia of Folklore and Literature (1998) and Thomas A. Green's Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art (1997). What distinguishes Medieval Folklore from these others is the editors' strong belief that folklore can be known only through the culture of the time in which it existed. In this set, which covers 500 to 1500 C.E., the stress is on information that is actually available on medieval folklore; earlier and later versions of legends, tales, and so on are related only where necessary to provide background. Readers may want to consult the two encyclopedias mentioned above for earlier or more recent accounts. Another refreshing precept is that folklore is not a product of "poor folks" but may represent other cultural groups, such as royalty and clergy. The 306 entries are written mostly by scholars from leading universities in the U.S. and Great Britain. Length ranges from just under a page to more than 10 pages for in-depth articles with subentries, such as Ballad and Folktale. The encyclopedia's geographic range is Europe, with main focus on England, Ireland, Scotland, and Wales as well as the largest cultural areas defined by language, history, and traits. There are entries on Arabic Islamic, Finno-Ugric, French, German, Hungarian, Welsh, and other traditions; however, medieval Africa, East Asia, and South Asia are excluded. Theories and methods are not stressed. Entries show how tales change over time and in different centuries. For example, British stories of outlaw heroes "spanned a period of centuries" and included Anglo-Saxon Hereward (eleventh century), Scottish William Wallace (thirteenth century), and English Robin Hood (fourteenth century). They combined "long lived patterns with the needs and nuances of immediate context." Each of these heroes is pitted against an authority representative of the time in which he lived and should be studied in that context. References to other entries follow each essay, along with sometimes extensive suggestions for further reading that include descriptions and evaluations of the sources, helpful for experts and most useful for beginners. A^-Z entries are followed by a general index as well as an "Index of Tale Types," based on Antti Arne and Stith Thompson's Tale Types, (3d ed., 1961), and an "Index of Motifs," based on Thompson's Index of Motifs (1955^-58). These are helpful but not comprehensive, because the Arne and Thompson systems are not used consistently by the contributors. Medieval Folklore distinguishes itself from the earlier folklore encyclopedias by its emphasis on strict medieval interpretations. Brown and Rosenberg, for example, cover literary figures from many eras, including medieval. The set under review does not treat biographies, with the exception of a few writers and saints and four historical rulers. However, it is strong on terminology. For example, flyting, a form of verbal combat, is mentioned only briefly in one of the other works and not at all in the other one but has a two-page entry here. Green's work is strong in its own right in methods of inquiry and topics such as ethnomusicology and ethnopoetics. Medieval Folklore is strongest in determining how words, tales, and customs were used at the time and over time. For example, we have all come to know the narrative of Red Riding Hood as fiction, but it may have been told as a true story in Latin in the eleventh century! The editors claim there has never before been an encyclopedia of medieval folklore. At the very least, the work under consideration appears to be the only one readily available and accessible to the average reader. It is recommended for libraries serving beginning and moderately advanced students of the folklore of the Middle Ages in Europe.


Library Journal Review

Editors Lindahl (English, Univ. of Houston), John Namara (English, Univ. of Houston), and John Lindow (Scandinavian studies, Berkeley) are convinced that "no matter how exciting our [modern] fantasies about the Middle Ages may be, the real thing was even more engaging." Attempting to define the folk cultures of the medieval world "in their own light and on their own terms," the encyclopedia makes no claims to comprehensiveness. Rather, it covers representative areas thoroughly, adding See also references and substantial recommendations for further reading and study. The book concentrates primarily on the British Isles, from 500 to 1500 C.E., but other active cultures of the time also receive significant treatment, especially insofar as they interacted with Western Europe. The editors use traditional tools of folklore study, reflected by the indexing of more than 300 entries by motif and tale type. This is the first work that treats medieval folklore exclusively rather than as an adjunct to another topic, and it is an excellent source for both amateurs and more serious scholars.DKatherine Kaigler-Koenig, Ellis Sch., Pittsburgh (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Choice Review

McNamara, Lindahl (both Univ. of Houston), and Lindow (Univ. of California, Berkeley) assembled more than 100 experts to create this work. Although encyclopedias of folklore or the middle ages include relevant materials, the editors rightly point out that this book is the first of its kind, a rare occurrence in reference publishing nowadays. Scope is restricted roughly to Europe, 500-1500 CE. Religion figures prominently in the selection of topics, but less than one might expect; the editors reasonably concluded that saints' legends (although some entries treat saints) and other religious forms would overwhelm other entries and have been treated adequately in other reference works. But there is no mistaking this for anything but an academic encyclopedia: each of the 306 entries is signed, has a bibliography, and invariably was written by the leading scholar on the topic (e.g., Eli Yassif on Jewish tradition, and Lindahl, himself the doyen of medieval folklore, on folklore and its relevance to study of the medieval period). See also references and a detailed subject index are included. Recommended as a model topical encyclopedia for all levels, beginning folklorist or medievalist to expert. D. S. Azzolina; University of Pennsylvania


Google Preview