Cover image for Fulfillingness' first finale
Fulfillingness' first finale
Wonder, Stevie.
Personal Author:
Publication Information:
New York : Motown, [2000]

Physical Description:
1 audio disc : digital ; 4 3/4 in.
General Note:
"Limited edition no. 03412"--Container.

"Originally released on Tamla T332, July 22, 1974"--Insert.

Compact disc.
Smile please -- Heaven is 10 zillion light years away -- Too shy to say -- Boogie on reggae woman -- Creepin' -- You haven't done nothin' -- It ain't no use -- They won't go when I go -- Bird of beauty -- Please don't go.
Format :
Music CD


Call Number
Material Type
Home Location
Crane Branch Library BP 611 V.618 Compact Disc Audio Visual
Audubon Library BL:3876 Compact Disc Open Shelf
Central Library R&B .W8726 FU Compact Disc Central Library
Kenilworth Library R&B .W8726 FU Compact Disc Audio Visual
Frank E. Merriweather Library R&B .W8726 FU Compact Disc Branch Audiobook CD
West Seneca Library R&B .W8726 FU Compact Disc Audio Visual

On Order



After the righteous anger and occasional despair of the socially motivated Innervisions, Stevie Wonder returned with a relationship record: Fulfillingness' First Finale. The cover pictures his life as an enormous wheel, part of which he's looking ahead to and part of which he's already completed (the latter with accompanying images of Little Stevie, JFK and MLK, the Motor Town Revue bus, a child with balloons, his familiar Taurus logo, and multiple Grammy awards). The songs and arrangements are the warmest since Talking Book, and Stevie positively caresses his vocals on this set, encompassing the vagaries of love, from dreaming of it ("Creepin'") to being bashful of it ("Too Shy to Say") to knowing when it's over ("It Ain't No Use"). The two big singles are "Boogie on Reggae Woman," with a deep electronic groove balancing organic congas and gospel piano, and "You Haven't Done Nothin'," an acidic dismissal of President Nixon and the Watergate controversy (he'd already written "He's Misstra Know-It-All" on the same topic). As before, Fulfillingness' First Finale is mostly the work of a single man; Stevie invited over just a bare few musicians, and most of those were background vocalists (though of the finest caliber: Minnie Riperton, Paul Anka, Deniece Williams, and the Jackson 5). Also as before, the appearances are perfectly chosen; "Too Shy to Say" can only benefit from the acoustic bass of Motown institution James Jamerson and the heavenly steel guitar of Sneaky Pete Kleinow, while the Jackson 5 provide some righteous amens to Stevie's preaching on "You Haven't Done Nothin'." It's also very refreshing to hear more songs devoted to the many and varied stages of romance, among them "It Ain't No Use," "Too Shy to Say," "Please Don't Go." The only element lacking here, in comparison to the rest of his string of brilliant early-'70s records, is a clear focus; Fulfillingness' First Finale is more a collection of excellent songs than an excellent album. ~ John Bush

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