Cover image for The melody at night, with you
Title:
The melody at night, with you
Author:
Jarrett, Keith, performer.
Personal Author:
Publication Information:
München : ECM ; [Place of publication not identified] : Manufactured and marketed by Universal Classics Group, [1999]

℗1999
Physical Description:
1 audio disc : digital ; 4 3/4 in.
General Note:
ECM: ECM 1675; 314 547 949-2.

Jazz.

Compact disc.
Contents:
I loves you Porgy (5:44) -- I got it bad and that ain't good (7:05) -- Don't ever leave me (2:42) -- Someone to watch over me (4:59) -- My wild Irish rose (5:15) -- Blame it on my youth (3:32) -- Meditation (3:41) -- Something to remember you by (7:11) -- Be my love (5:33) -- Shenandoah (5:46) -- I'm through with love (2:56).
UPC:
731454794923
Format :
Audiobook on CD

Available:*

Library
Call Number
Material Type
Home Location
Status
Item Holds
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JAZZ .J37 M Compact Disc Central Library
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COMPACT DISC (#1205) Compact Disc Branch Audiobook CD
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YE:2796 Compact Disc Open Shelf
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CD #754 Compact Disc Audio Visual
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On Order

Summary

Summary

This is a strangely moving and disturbing document in the long discography of Keith Jarrett: a solo piano album recorded in his rural New Jersey home studio in late 1997 at a time when he was reportedly suffering from chronic fatigue syndrome. In stark contrast to his other solo albums, this one consists of short, simple, straightforward interpretations of ballads, songs in the public domain, and one very pretty original ("Meditation"), all taken at funereal tempi with hardly any virtuoso flourishes. Scattered amidst the assortment of standards like "Someone to Watch Over Me," "I Got It Bad and That Ain't Good," and "I Loves You Porgy" are nostalgic throwbacks like the hoary old "My Wild Irish Rose" (he plays the tune absolutely straight) and even the Mario Lanza hit "Be My Love." Sad as it is to say under the circumstances, these performances lack color, contrast and life; and while you pull for Jarrett to summon the energy to make music again, the results are touching for awhile but soon pall. Also in contrast to Manfred Eicher's usual sonic standard at ECM, the sound is dull and lacking in luster, though some listeners might find that it gives the album a certain homey charm. ~ Richard S. Ginell