Cover image for Alice in Wonderland
Alice in Wonderland
Carroll, Lewis, 1832-1898.
Personal Author:
Publication Information:
New York : North-South Books, 1999.
Physical Description:
103 pages : color illustrations ; 30 cm
A little girl falls down a rabbit hole and discovers a world of nonsensical and amusing characters.
General Note:
"A Michael Neugebauer book."
Program Information:
Accelerated Reader AR MG 7.4 5.0 52290.
Added Author:
Format :


Call Number
Material Type
Home Location
Item Holds
X Juvenile Fiction Central Closed Stacks
X Juvenile Fiction Open Shelf
X Juvenile Fiction Oversize
X Juvenile Fiction Open Shelf
X Juvenile Fiction Open Shelf
X Juvenile Fiction Open Shelf

On Order



""""And what is the use of a book,"" thought Alice, ""without pictures?"""" Certain to please even Alice herself, this new version of her famous adventures in Wonderland is brimming with wonderfully whimsical pictures by internationally acclaimed artist Lisbeth Zwerger. Her imaginative illustrations of the strange denizens of Wonderland--""from the Mad Hatter and March Hare to the Queen of Hearts and Cheshire Cat--""capture the inspired nonsense of Carroll's classic tale.

Author Notes

Charles Luthwidge Dodgson was born in Daresbury, England on January 27, 1832. He became a minister of the Church of England and a lecturer in mathematics at Christ Church College, Oxford. He was the author, under his own name, of An Elementary Treatise on Determinants, Symbolic Logic, and other scholarly treatises.

He is better known by his pen name of Lewis Carroll. Using this name, he wrote Alice in Wonderland and Through the Looking Glass. He was also a pioneering photographer, and he took many pictures of young children, especially girls, with whom he seemed to empathize. He died on January 14, 1898.

(Bowker Author Biography)

Reviews 4

Publisher's Weekly Review

An edition of Alice's Adventures in Wonderland by Lewis Carroll contains all of Arthur Rackham's original artwork from the 1907 edition (published after Sir John Tenniel's illustrations). Pen-and-inks dot the text; full-page paintings, such as one sepia-toned frame showing Alice, in a delicate rose-patterned dress, addressing the hookah-smoking Caterpillar, plus a sewn-in satin bookmark make this an elegant gift choice. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Gr. 4-7. Weever illustrates Carroll's classic in a traditional style reminiscent at times of such previous illustrators as Tenniel and Rackham, but quite different from Anthony Browne's more surreal rendition [BKL N 1 88]. Using ink drawings washed with delicate watercolors, the artist creates a series of paintings, many small vignettes, and some full-page plates that share a summery brightness in the quality of light and a suitably dreamlike aura. Using his daughter as model, the artist portrays the well-loved Alice with a captivating combination of fondness and freshness. With its full-color artwork on nearly every page and its handsome book design, this new edition of Alice will charm readers, who will respond to the lyrical quality in its illustrations. --Carolyn Phelan

Library Journal Review

Academic audiences will need little persuasion to see this volume as a relevant addition to any collection not already holding a copy of the 1969 Maecenas Press edition of the same work. However, general readers will find much to contemplate here, as some may still see Dalí as the "melting clock guy" and will be surprised to find that these gestural, high-energy gouaches were painted by the same artist who produced all of those finely wrought oil paintings with their asymmetrical use of volumes of sky and sand. Unlike more straightforward pairings of literature with surrealism, such as Max Ernst's illustrations for René Crevel's Babylon, the images accompanying Carroll's text do not so much explicate the story as extend it, providing both a narrative-inspired and narrative-independent dream sequence that simultaneously meanders among and augments the text's many symbols. The introduction by Burstein (president emeritus, Lewis Carroll Soc. of North America) and Thomas Banchoff (emeritus, Brown Univ.) provides a valuable grounding in the artist's interests and obsessions at the time the gouaches were created. VERDICT A worthy purchase for public and academic libraries.-Jenny Brewer, Helen Hall Lib., League City, TX © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Review

Gr 4-Up-McGraw provides a unique visual interpretation of Carroll's classic tale. As in Natasha Wing's Hippity Hop, Frog on Top (1994; o.p.) and Edward Lear's The New Vestments (1995; o.p., both S & S), his gouache illustrations are marked by bold, rich colors and a collage-style layout. His work suggests the influence of early 20th-century abstract, fantasy, and surrealist painters, as well as that of contemporary illustrator Brian Wildsmith. At times, the trip through Wonderland appears nightmarish. The images of Alice with the bottle of poison in front of her face and the executioner as a masked club card clutching an ax are particularly jarring. The story can be read on many levels. McGraw has chosen to portray the deeper, darker side of Alice's adventures. This is definitely a sophisticated and special interpretation that will appeal to a very limited, mature audience.-Heide Piehler, Shorewood Public Library, WI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.




Table of Contents

Down the Rabbit-hole
The Pool of Tears
A Caucus-race and a Long Tale
The Rabbit Sends in a Little Bill
Advice from a Caterpillar
Pig and Pepper
A Mad Tea-party
The Queen's Croquet-ground
The Mock Turtle's Story
The Lobster-Quadrille
Who Stole the Tarts?
Alice's Evidence
To all child-readers of "Alice's Adventures in Wonderland"
An Easter Greeting to every child who loves "Alice"