Cover image for Willie Bobo
Willie Bobo
Bobo, Willie, 1934-1983, performer.
Publication Information:
New York, N.Y. : Verve, [1997]

Physical Description:
1 audio disc : digital ; 4 3/4 in.
General Note:

Title from container.

Previously released material.

Compact disc.

Program notes by Jesse "Chuy" Varela on insert.
Grazing in the grass (5:24) -- Lisa (6:12) -- Black coffee (2:42) -- The look of love (4:16) -- Dreams (3:23) -- Evil ways (2:39) -- Night song (2:43) -- Mercy, mercy, mercy (2:34) -- Roots (3:16) -- Spanish grease (2:17) -- Shot gun/Blind man, blind man (3:11) -- Stuff (2:39) -- Night walk (3:05) -- Fried neck bones and some homefries (3:01) -- Sham time (5:46).
Format :
Music CD


Call Number
Material Type
Home Location
Item Holds
JAZZ .B6635 W Compact Disc Central Library

On Order



Whatever the meaning of the word "talkin," this is still a most valuable release because it succinctly sums up Willie Bobo's Verve recordings, most of which have yet to see the light of the laser. By this time, Bobo had followed Mongo Santamaria into the marketplace as an energetic exponent of the Latin boogaloo, even scoring a minor hit with "Spanish Grease." But Bobo went even further than Mongo toward an accommodation with the '60s scene, adding the R&B-oriented electric rhythm guitar of Sonny Henry, dropping the piano, incorporating strings and even an occasional graceful vocal now and then. While there are a few covers of '60s standards here, like "The Look of Love" and "Grazing in the Grass" -- and he had the great sense to seek out and record a hip-shaking version of Eddie Harris' "Sham Time" -- Bobo's biggest contribution on these tracks was in providing the inspiration for the Latin rock boom to come. "Evil Ways" is almost an exact blueprint for Carlos Santana's career-launching hit version; "Spanish Grease" reappeared uncredited six years later as Santana's "No One to Depend On," and Santana also played Bobo's lowdown "Fried Neck Bones and Some Homefries" in the band's early days. With Bobo's galvanic congas and timbales swinging at all times, few CDs by a single artist capture the ambience of late-'60s jazz radio in the evening as well as this one. ~ Richard S. Ginell