Cover image for The force of character : and the lasting life
Title:
The force of character : and the lasting life
Author:
Hillman, James.
Personal Author:
Edition:
First edition.
Publication Information:
New York : Random House, 1999.
Physical Description:
236 pages ; 25 cm
Language:
English
ISBN:
9780375501203
Format :
Book

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Central Library BF724.85.S45 H535 1999 Adult Non-Fiction Non-Fiction Area
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Anna M. Reinstein Library BF724.85.S45 H535 1999 Adult Non-Fiction Open Shelf
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Audubon Library BF724.85.S45 H535 1999 Adult Non-Fiction Open Shelf
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Summary

Summary

In his bestsellingThe Soul's Code, James Hillman    restored passion and meaning to the concept of identity, arguing that each of us is born with an innate character, the "daimon" or "spirit" that calls us  to what we are meant to be. Now, inThe Force of Character, Hillman brings the idea of character full circle, offering a revolutionary new vision of life's most feared and misunderstood chapter: old age.      "Aging is no accident," Hillman writes. "It is necessary to the human condition, intended by the soul." We become more characteristic of who we are simply by lasting into later years; the older we become, the more our true natures emerge. Thus the final years have a very important purpose: the fulfillment and confirmation of one's character.        Contrary to the current genetic determinism that sees increased longevity as a wasted aberrance created by civilization,The Force of Characterpresents an explosive new thesis: The changes of old age, even the debilitating ones, have purposes and values organized by the psyche. Memory for recent events may falter, offering more place for long-term recollections. A heart condition in later life brings an opportunity to remove blockages from constricted relationships, while changes in sleep patterns allow the old to experience the profound elements of nighttime that we usually overlook. As Hillman says, "Aging makes metaphors of biology."    In this empowering and original work, James Hillman resurrects the ancient, widespread, and socially effective idea of the old person as "ancestor," a model for the young, the bearer of a society's cultural memory and traditions. America disregards old people who aren't young-acting and young-looking. We don't realize that "oldness" is an archetypal state of being that can add value and luster to things we treasure, places we revere, and people's character. When we open our imaginations to the idea of the ancestor, aging can free us from convention and transform us into a force of nature, releasing our deepest beliefs for the benefit of society.  For all who read it,The Force of Characterwill be a seminal,  life-affirming experience.


Author Notes

James Hillman was born in Atlantic City, New Jersey on April 12, 1926. He attended the School of Foreign Service at Georgetown University for two years before joining the Navy's Hospital Corps in 1944. He studied English literature in Paris at the Sorbonne and graduated with a degree in mental and moral science from Trinity College in Dublin. In 1953, he moved to Zurich and enrolled at the C. G. Jung Institute. In 1959, he became the director of studies at the institute and stayed in that position for the next 10 years. He wrote over 20 books including Suicide and the Soul, Re-Visioning Psychology, and The Soul's Code. He died due to complications of bone cancer on October 27, 2011 at the age of 85.

(Bowker Author Biography)


Reviews 4

Publisher's Weekly Review

Our culture treats aging like a disease to be cured, but in this provocative volume, iconoclastic psychologist Hillman, former director of the Jung Institute, describes aging as the process through which character reveals itself. Extending a theory he introduced in his bestselling The Soul's Code, Hillman describes character as a force that shapes our genetic inheritance and all our traits, including seeming irrelevancies, into a unique whole. Applying ancient thought in a galvanizing way, Hillman draws on Plato and Aristotle to develop the idea that there is a form or a paradigm that makes each of us a recognizable individual through all the changes we go through in our lives. While modern psychology, he contends, strains out seemingly subjective qualities like modesty or bravery or timidity, favoring abstractions like "ego" and generalizing profiles, Hillman argues that such qualities are "the ultimate infrastructure" of a body and a life. He describes how the aging tend to shift from a focus on maintaining the health of the body to one on what is important for character. "In later years," he writes, "feelings of altruism and kindness to strangers play a larger role, as if psychological and cultural factors redirect, even override, genetic inheritance and its aim of propagation." Hillman maintains that the debilities of age allow us to better savor the irreducible complexities of character. He also describes a sweetening and softening of the old, including the adoption of concerns of charity over profit. Many of the views here may strike readers as romantic. Still, as always, Hillman breathes new life into a venerable concept, and in so doing helps us to rediscover the soulful possibilities of aging. Author tour; simultaneous audio. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved


Choice Review

Hillman argues that old age represents the fulfillment of character--i.e., the distinctive qualities of an individual--suggesting it as an antidote to the morbid idea of aging, which he believes is reinforced by the current focus on biology and the physical changes associated with the aging process. Drawing on Jungian theory, Hillman delineates the process of character development in later life. His central argument is that old people have the capacity to understand life through the physical and psychological changes they experience: as age enhances one's character, one has more to "leave" or pass on after death. Unfortunately, this provocative book suffers from intellectual superficiality: Hillman relies on persuasive argument rather than a more substantive analysis of what character is and how it relates to other aspects of aging. Paired with more scholarly sources on aging, the book has some value in raising philosophical issues for upper-division undergraduates, graduate students, and faculty in psychology and gerontology. For large collections or those supporting coursework in aging. H. L. Minton; University of Windsor


Booklist Review

As former director of the Jung Institute in Zurich, Hillman's emphasis on psyche, the soul, or, to use an unambiguously secular term, character, comes naturally. Old age is a time of finishing one's character, he says, and we give up the work and satisfaction of such finishing when we instead fixate on physiology, on all the tangible ways we differ from our younger selves. From that basic understanding, Hillman undertakes, in the rest of a literate, philosophical, and optimistic book, to contravene "conventional ideas about aging" and "convert much of what plagues later years into intelligible insight." He divides the essay into three parts corresponding to major aging concerns. "Lasting" considers both living long and oldness (long-lasting) as a positive value. "Leaving" takes up the progressive loss of youthful traits and increase of dysfunctions; Hillman argues that such oft-derided aspects of old age as repetitive speech, sagging muscles, waking in the night, becoming muddled, short-term memory lapses, crankiness, and even heart failure can be tools for fully realizing one's particular character. "Left" discusses the legacy of psychological influence that persists after a person's death. Perspicacity distinguishes the entire book, as Hillman quotes and cites poets and philosophers more than scientists, and the ancients as much as the moderns. Rather than happy-face self-help literature, this is, like Job and Ecclesiastes, wisdom literature. --Ray Olson


Library Journal Review

Hillman, philosopher, psychologist, and author of more than 20 books, including The Soul's Code: Character, Calling, and Fate, has written an essay on aging. According to Hillman, aging is not a process that causes us to decline and become weaker; instead, the aging process strips us of the unimportant, thus exposing and confirming our true character. The book is divided into three main sections. "Lasting" discusses longevity and analyzes the concept of "old." "Leaving" is the largest section and attempts to show how the physical decline of an aging body contributes to the exposure of character. "Left" looks at character as fate as well as defining character in relation to personality. The text wanders, and ideas are not very well defended, but Hillman sheds new light on the aging process, showing growth where many see only decline. Recommended for older readers looking for a better understanding of the aging process.ÄElizabeth Caulfield Felt, Washington State Univ. Lib., Pullman (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Excerpts

Excerpts

Longevity Moving, and being himself, Slow, and unquestioned, And inordinately there, O stoic!  --D. H. Lawrence, "Tortoise Family Connections" In our competitive societies, "lasting" has come to mean outlasting. "I've outlived my father and both grandfathers!" "According to my doctor, I should have been dead three years ago." "My insurance company is losing money on me. I've beat my pension plan and cashed in on Social Security, far more than I ever put in." Surely goodness and mercy shall follow me all the days of my life, because my life has outlasted the expectancy curve. Not only have I defeated my genetic inheritance, my childhood schoolmates, and the actuaries, I've held off death itself. Life: a contest with all others and with death, so that living longer becomes a victory, repeating each year on my birthday that famous passage from St. Paul: "Death is swallowed up in victory.... O death, where is thy sting?" Our experience of aging is so embedded in numbers of years left to live, as given by longevity tables, that we can hardly believe that for centuries late years were associated not with dying but with vitality and character. The old were not mainly thought of as limping toward death's door, but were regarded as stable depositories of customs and legends, guardians of local values, experts in skills and crafts, and valued voices in communal council. What mattered was force of character proven by length of years. Mortality was associated with youth: stillbirth and death in infancy; battle wounds, duels, robberies, executions, and piracy; the occupational hazards of farming, mining, fishing, and of childbirth; family feuds and jealous rages; epidemics and plagues that carried off populations in the prime of life. Cemeteries were dotted with the short graves of children. The intimate coupling of longevity and mortality, that link which monogamously marries the archetype of old with the idea of death, takes hold of our minds only in the nineteenth century, with the advance of demographics. In France, positivist philosophy promoted the statistical study of populations, which moved death from the realm of the private and spiritual to that of sociology, politics, and medicine. The statistics on life span gave evidence of a falling death rate, which was read to indicate the progress of civilization. Society as a whole could prove its improvement by advancing longevity figures, and longevity could be advanced by new medical methods (vaccination, pasteurization, sterilization) and programs of public health (potable water; sewage treatment; ventilation). Demographics took an even firmer grip when Emile Durkheim, one of the fathers of sociology, analyzed suicide statistics, showing that each district in France had a suicide rate that hardly varied from decade to decade. A predictable number of people in any given district could be expected to commit suicide in the coming year. When the incidence of suicide dissolves into the sociology of class, occupation, heredity, religion, age, and so on, then the act of suicide becomes a fact of sociology quite apart from the psychology of the individual who commits it. The statistical fact becomes a societal force, dooming a definite percentage in each district to die by their own hands. Data become destiny. The life expectancy curve carries a force of its own. If you place yourself on it as a female teenager, say, you may have a life expectancy of at least seventy. At sixty, you find your expected longevity has risen; it may now be seventy-eight, or more. Once you arrive there, the statistical tables may place your life term at eighty-six. And so on. Even if you reach one hundred, actuarial statisticians speak of the "conditional probability" that there are a few more months or years ahead. Statistics con- firm that the longer you last, the longer you will last, so that with each day of aging you may expect another day on the "actuarial curve to infinity." The curve cannot predict when your longevity will end; instead, it seems to bear you interminably forward. Rather than carrying you toward death and revealing the bare fact of your mortality, the curve functions as a statistical annunciation of immortality! If "lasting" means more than outlasting statistical expectations, then what is it that lasts? What is the "it" that persists and endures? What could possibly last through all the events of a long life, remaining constant from start to finish? Neither our bodies nor our minds stay the same; they cannot avoid change. What does seem to hold true all along and to the end is an enduring psychological component that marks you as a being different from all others: your individual character. That same you. But what does "same" mean? I have changed so much and am so different, and yet despite all changes something continues to assure me of being the same. I could lose my social identity, my physical configuration, and my personal history, yet something will remain the same, outlasting these radical vicissitudes. This book maintains that the idea of character provides this lasting core. If sameness is the philosopher's term for what we experience as our character, we will have to discover more about this deep principle "sameness"--what it is and how it works. No small job, since philosophers have been thinking about sameness ever since Plato made the Same and the Different two of the most basic ideas to enter into the existence of things, form our thinking about them, and even make them possible.1 Philosophers play with the riddle of sameness. Take, for instance, your favorite pair of wool socks. You get a hole in a heel and darn it. Then you get a hole in the big toe--and you darn that, too. Soon the darned holes are more of the sock than the original wool. Eventually, the whole darned sock is made of different wool. Yet it's the same sock. In relation to its looks and in relation to its partner on your other foot, it is still the same sock. They go out together and lie together in the drawer; and even in relation to itself, its identity, it is the same sock, though it is different. Here philosophers can apply Plato's archetypal ideas of Sameness and Difference. The sock is entirely different from the original as far as the wool goes, but its shape has remained the same. It never becomes a different sock, despite the radical material alteration. Its material is different; its form is the same. By "form," philosophers mean the look of the sock, by which you recognize it as a sock. (Tube socks raise conceptual problems!) When can a sock not look like a sock and still be a sock? Philosophers also mean by "form" the sock's function as a match to its partner and to your foot (form following function). A third meaning interests us most: form as the active principle governing the way the new wool integrates into the old sock. Form is thus visible shape, and the shaping force of the visible. Do you see that we are getting closer to the notion of character? A human body is like that sock, sloughing off its cells, changing its fluids, fermenting utterly fresh cultures of bacteria as others pass away. Your material stuff through time becomes altogether different, yet you remain the same you. Not one square inch of visible skin, not one palpable ounce of bone is the same, yet you are not someone different. There seems to be an innate image that does not forget your basic paradigm and that keeps you in character, true to yourself. The idea of DNAseems too tight to hold the psychic dimensions of our unique image. To embrace our complexity we need a larger idea. Some Greek philosophers and thinkers of the medieval church attributed this consistency in the midst of alteration to the idea of form. Some further claimed that form individualizes. What causes each person and each thing to be different from other persons and things is the active force of form. No two forms can be alike. We are each maintained in our specific individual image by the principle of form. To use one of William James's suggestive terms, we are each an "each." As "each"es, we are unique because each of us has, or is, a specific character that stays the same. It is most important here to grasp that we are unique qualitatively. You have your style, your history, a set of traits, and a destiny. You are essentially different from me by virtue of the lasting sameness of each of our individualized characters. If the difference between you and all others were defined by physics, logic, politics, economics, and law, we would each be a numerical "one" without any necessary characteristics. The law says, "All are equal under the law"; politics says, "One person, one vote"; physics says, "No two bodies can occupy the same place at the same time"; economics puts all eaches into categories--consumers, workers, owners, employers. When each one is interchangeable with any other one, individuality requires nothing more than a different ID number. Since uniqueness depends on the qualitative differences forming the consistent sameness of your individuality, the idea of character is necessary to keep us different from one another, and the same as ourselves. Let's go back to the sock. If what outlasts the wool is the form, then a preoccupation with physical decay--with where the sock is wearing thin--misses a crucial point. Sure, the sock is showing holes, and stitching up its weak places keeps it functional. But our minds might more profitably be thinking about the mystery of this formal principle that endures through material substitutions. Surely the lasting strength of character counts as much as the durability of wool. Sometimes the stitchings and darnings don't take. Medicine watches carefully for rejection after transfusions, organ transplants, and bone grafts. The formal principle that guarantees sameness despite the introduction of exotic material is named by medicine the immune system. This system accepts or rejects replacements in accord with its own innate code. The new materials must be integrated into the integrity of the person. Or, as they might have said in church debates nine hundred years ago, the material must be accommodated to the form. It must fit my innate image. The new part--kidney, hip, or knee--must become my knee. The new wool must become me. What converts this "it" into "me"? Modern psychology, regardless of school, understands the assimilation of events into a "me" to be a function of character. The schools of psychology use other words for character, such as "personality," "ego," "self," "behavioral organization," "integrative structure," "identity," "temperament." These substitute terms fail to characterize the styles of assimilation that are the hallmarks of individuality. We each respond to the world differently, handling our lives in a particular style. The word "character" implies a bundle of traits and qualities, habits and patterns; it requires descriptive language such as we find in character references, letters of recommendation, primary school report cards, scripts and novels, performance criticism, obituaries. "Ego," "self," "identity" are bare abstractions, telling us nothing of the human being they supposedly inhabit and govern. At best, these words refer to the unifying sameness of people while neglecting their unique differences. It is refreshing to discover that some of the oldest and most basic ideas of philosophy--Same and Different, Form and Matter--are actually at work in our daily lives, even in our bodies. I find it a delight that these old-fashioned woolly principles are immediately practical and can be discussed as bodily facts. Why must we be exhorted to build character and strengthen character when character is already a given, the staying power that keeps us who we are and holds our bodies to their form? Imagine the body as an ancient philosopher, the body as a place of wisdom--an idea already announced in the book titles of two medical specialists, Walter Cannon and Sherwin Nuland. Cannon in the 1930s and Nuland in the 1990s both say the body's physiology knows what it is doing. There is a wisdom at work. The idea of character makes more understandable this governing wisdom. Moreover, if we regard character as more than a collection of traits or an accumulation of habits, virtues, and vices, but rather as an active force, then character may be the forming principle in the body's aging. Aging then becomes a revelation of the body's wisdom. I am emphasizing form in the organization of matter for two reasons. First, to counter the hustlers of materialism, who ask us to buy the idea that we are complex pieces of biotechnology, best compared with the newest computer chips. Whatever form we show results from underlying biogenetic impulses. Form can be reduced to matter; it obeys matter's laws and is shaped by genetic material. Since matter does the forming, there is no need for a separate idea of form. A succinct, well-written--and fantastic--passage from one of the world's leading cognitive scientists represents a host of similar statements in similar books. The mind is a system of organs of computation, designed by natural selection to solve the kinds of problems our ancestors faced in their foraging way of life.... The mind is what the brain does; specifically, the brain processes information, and thinking is a kind of computation.... The various problems for our ancestors were subtasks of one big problem for their genes, maximizing the number of copies that made it into the next generation.2 Why do I call this fantastic? Because this account of foraging ancestors, genes facing problems, and natural selection as deus ex machina leaves the big questions begging. Moreover, the statement is set down axiomatically, not as myth or as reductive simplification, but as self-evident truth, and that allows Pinker to go on blithely saying that psychology is engineering. To reduce psychology to engineering brutalizes the meaning of form. My shape is more than how I'm put together. We all know that the way to last is to stay in shape, but "staying in shape" means more than working out. Do diet, exercise, and bed before midnight satisfy the needs of your shape? The first meaning of "shape" is "create," which relies upon a force that is invisible and yet makes each creature visible in its own style. The blanket term "information processing" covers over the history of subtle thought carried in the idea of form. My second reason for insisting upon form is to keep a psychological viewpoint when addressing psychological questions. After all, life to the one who lives it is harassed by psychological perplexities for which biochemistry and brain physiology offer little comfort. Why live, why live long and with the probability of biological impairment are questions irrelevant to these sciences. Even should they remove the impairment and prolong the years, the "why" questions remain which no "how" answers can satisfy. Excerpted from The Force of Character: And the Lasting Life by James Hillman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Table of Contents

A Preface for the Readerp. xiii
A Preface from the Writerp. xxiii
A Preface to the Bookp. xxviii
I Lasting
1. Longevityp. 3
2. The Last Timep. 29
3. Oldp. 40
II Leaving
4. From "Lasting" to "Leaving"p. 53
5. Repetitionp. 63
6. Gravity's Sagp. 68
7. Waking at Nightp. 72
8. Muddled Agitationp. 78
9. Drying upp. 81
10. Memory: Short-Term Loss, Long-Term Gainp. 84
11. Heightened Irritabilityp. 94
12. Partingp. 98
13. Eroticsp. 103
14. Anesthesiap. 114
15. Heart Failurep. 119
16. Returnp. 125
Interlude: The Force of the Facep. 135
III Left
17. From "Leaving" to "Left"p. 155
18. Character Philosophizedp. 165
19. The Character of Virtues, or Character Moralizedp. 173
20. Character Imaginedp. 182
21. Grand Parentingp. 187
22. The Old Scoldp. 192
23. The Virtues of Characterp. 196
24. Finishp. 199
Notesp. 203
Bibliographyp. 213
Indexp. 223

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