Cover image for Belgrave Square
Belgrave Square
Perry, Anne.
Personal Author:
[Large print edition].
Publication Information:
Thorndike, Me. : Thorndike Press, [1992]

Physical Description:
632 pages (large print) ; 23 cm
General Note:
"Thorndike large print"--P. [4] of cover.
Format :


Call Number
Material Type
Home Location
Item Holds
X Adult Large Print Large Print

On Order


Author Notes

Anne Perry was born Juliet Hume on October 28, 1938 in Blackheath, London.

Sent to Christchurch, New Zealand to recover from a childhood case of severe pneumonia, she became very close friends with another girl, Pauline Parker. When Perry's family abandoned her, she had only Parker to turn to, and when the Parkers planned to move from New Zealand, Parker asked that Perry be allowed to join them. When Parker's mother disagreed, Perry and Parker bludgeoned her to death. Perry eventually served five and a half years in an adult prison for the crime.

Once she was freed, she changed her name and moved to America, where she eventually became a writer. Her first Victorian novel, The Cater Street Hangman, was published in 1979. Although the truth of her past came out when the case of Mrs. Parker's murder was made into a movie (Heavenly Creatures), Perry is still a popular author and continues to write. She has written over 50 books and short story collections including the Thomas Pitt series, the William Monk series, and the Daniel Pitt series. Her story, Heroes, won the 2001 Edgar Award for Best Short Story. Her title's Blind Justice and The Angel Court Affair made The New York Times Best Seller List.

(Bowker Author Biography)

Reviews 3

Booklist Review

Perry has added a twist to the usual Victorian mystery by having her detective, Police Inspector Thomas Pitt, assisted by his well-born wife, Charlotte. Though the amalgamation sometimes weighs down the actual detecting, the presence of Charlotte adds a certain elegance to the series. This is especially welcome this time, given that the plot begins on the tawdry side. When a low-life money-lender, William Weems, is murdered, aristocrat Lord Sholto Byam begs a lodge brother in the police department to help distance himself from the case. As the investigation continues, Weems' upper-crust connections (as a blackmailer) suggest more and more people as suspects. But it is Byam's hidden homosexuality and a grisly last-page murder/suicide that are the keys to the solution. Although the question of who killed Weems is what propels the story, it is the details of Victorian society and the intimate peeks at the Pitts' home life that decorate it. A series that is sure to keep finding fans. ~--Ilene Cooper

Publisher's Weekly Review

In her 12th mystery featuring Victorian police inspector Thomas Pitt and his well-born wife, Charlotte, Perry once again weaves social history and a well-plotted puzzle to moving effect. Here the pair investigate the murder of a back-street usurer. (June) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

The masterful Perry ( Bethlehem Road , LJ 6/1/90) again re-creates Victorian London, where Inspector Pitt strives to solve the murder of a usurer with sinister connections to several distinguished gentlemen. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



1   PITT STOOD on the river steps, the water slurping from the wakes of the barges as they passed close in shore on their way up from the Pool of London. It was lunchtime. In one hand he had a little pot of jellied eels from the stall near Westminster Bridge, and in the other a thick slice of bread. The summer sun was bright and hot on his face and the air was salt and a little sharp. Behind and above him he could hear the carts and carriages clopping along the Embankment taking gentlemen to the City for business, or to their clubs for pleasure, and ladies to make their afternoon calls, swap visiting cards and gossip, and make arrangements for the endless social whirl of the season.   The terror and the outrage of the Whitechapel murders had died down, although the police were still viewed as a failure for not having caught the worst murderer in London's history, whom the newspapers had called "Jack the Ripper." Indeed the commissioner had resigned. The Queen mourned in Windsor, as she had done for the last twenty-eight years, or as some said sulked, but altogether the outlook was fair, and improving. Personally Pitt had never been happier. He had a wife he loved and whose companionship he enjoyed, and two children who were healthy, and it was a keen pleasure to watch them grow. He was good at his work and it provided him with sufficient money to have a comfortable home, and even the occasional luxury, if he were careful between times.   "Inspector!" The voice was urgent and breathless and the feet loud on the steps. "Inspector Pitt--sir!" The constable lumbered down noisily, clattering his boots on the stairs. "Inspector Pitt, ah!" He stopped and gasped in satisfaction. "Mr. Drummond sent me ter find yer. 'E needs ter see yer, important like, as quick as yer can."   Reluctantly Pitt turned around and looked at the hot and uncomfortable young man, pink-faced above his tunic with its bright buttons, his eyes filled with anxiety in case he should not have carried out his duty rapidly enough. Micah Drummond was the most senior man in Bow Street and unmistakably a gentleman, and Pitt was an inspector at last gathering some of the credit he deserved.   Pitt ate the last of the eels, stuffed the carton in his pocket and threw the crust of bread onto the water for the birds. Immediately a dozen appeared and swooped down for it, their wings flashing in the sun.   "Thank you, Constable," he acknowledged. "Is he in his office?"   "Yes sir." He seemed about to add something more, then changed his mind. "Yes sir," he repeated, following Pitt up onto the Embankment.   "All right, you can go back to patrol," Pitt directed him, and set out with a long stride towards Bow Street. It was close enough to be faster walking than looking for a cab free to pick up a fare at this unlikely spot, and on a day when the air was so mild and people were out driving for pleasure.   He strode into the station to the visible relief of the desk sergeant, and went straight up to Drummond's office and knocked.   "Yes?" Drummond's voice was sharp with expectation.   Pitt went in and closed the door behind him automatically. Drummond was standing by the window, as immaculately dressed as always, with the effortlessness of those born to good taste without ostentation, but his long, lean face was tense and anxiety was written in the angle of his body, and the tightness of his shoulders.   "Ah Pitt! Good." He smiled with a flash of warmth, and then the concern replaced it instantly. "I've told Parfitt to take over your fraud case, I've got something more important. It's delicate--" He hesitated, seemed to consider something and then discard it, which was unlike him. Pitt had found him direct, without flattery or evasion, and always without that manipulation which marked so many lesser men. It was indicative of the degree of pressure he now felt that the right words should be so difficult for him to find.   Pitt waited in silence.   Drummond came to the point. "Pitt, there is a case I want you to handle." They had worked together with mutual respect, even friendship. He allowed that to guide his speech now. "A very important man has just called me, in the name of ... friendship." He hesitated only an instant over the word, but Pitt noticed it with surprise, and saw the faintest of color in his cheeks.   Drummond moved away from the window overlooking the street and stood behind the large, leather-topped desk.   "He has asked me to preempt the local police," he went on, "and possibly the newspapers, by handling the investigation. You have more skill than anyone else in dealing with cases like this. In fact I have had it in mind to promote you to political cases from now on--and those that look like becoming political. I know you refused promotion before because you didn't want to sit behind a desk ..." He tailed off, looking at Pitt's face.   Pitt would have helped him if he could, but he had no idea what the situation involved, or whom, or why it should cause Drummond to exhibit such an uncharacteristic loss of composure and obvious unease.   "I'll tell you as we go." Drummond shrugged and walked over, taking his hat from the stand, and opened the door. Pitt followed with a simple nod of assent.   In the street below it took only a moment to hail a hansom cab. As soon as Drummond had given the driver instructions and they were both seated he began his explanation, not looking at Pitt, but staring straight ahead of him, his hat balanced on his knees.   "Today I received a call on the telephone from Lord Sholto Byam, whom I know slightly. We have friends in common." His voice was curiously on edge. "He was in some distress because he had just heard of the murder of a man of his acquaintance, a most unsavory man." He breathed in and out slowly, still without looking at Pitt. "And for reasons he will explain to us, he fears he himself may come under suspicion for the crime."   Questions leaped to Pitt's mind. How had Lord Byam heard of the murder? It could not yet be in the newspapers. How did he know a man of such a nature? And why should he be suspected? But more powerful than these was his awareness of Drummond's acute discomfort, almost embarrassment. The conciseness of his account suggested a prepared speech, and he had gone straight through it without deviation or a glance at Pitt to see his response.   "Who is the victim, sir?" he said aloud.   "A man called William Weems, a petty usurer from Clerkenwell," Drummond replied.   "Where was he found?"   "In his home, in Cyrus Street, shot through the head." Drummond winced as he said it. He hated guns and Pitt knew it.   "We're going west," Pitt pointed out. Clerkenwell was to the east.   "We're going to see Lord Byam," Drummond answered. "In Belgravia. I want you to know all you can about it before you go to Clerkenwell. It will be hard enough to take over another man's investigation without going in ignorant of what you face or why you are there."   Pitt felt his first really sharp misgiving. Now he could no longer put off the questions.   "Who is Lord Sholto Byam, sir, apart from being one of your acquaintances?"   Drummond looked less uncomfortable. Now he was in the realm of ordinary fact.   "The Byams are a very distinguished family, generations of service to the Board of Trade and in the Foreign Office. Money, of course. The present Lord Byam is in the Treasury, especially concerned with foreign loans and trade alliances. A brilliant man."   "How does he come to know a petty usurer in Clerkenwell?" Pitt asked with as much tact in his voice as he could manage. The question sounded ridiculous even so.   A bleak smile flickered across Drummond's face and died again.   "I don't know. That is what we are going to learn in Belgravia."   Pitt remained silent for a few moments, his mind filled with questions and uncertainties. The cab was moving at a brisk trot, threading its way up Eccleston Street and across Eaton Square to where it changed into Belgrave Place, passing carriages with matched pairs and coats of arms on the doors. This was the beginning of the high season, and everyone who was anyone was out and about.   "Is it in the newspapers yet?" Pitt asked finally.   Drummond knew what he was reaching towards and smiled with self-mocking humor.   "I doubt it will be. What is one usurer more or less? It is not a spectacular murder, simply a shooting in a back office in Clerkenwell, by person or persons unknown." He shifted his position a trifle. "I suppose the use of a gun is unusual. Few people have them. But nothing else is worthy of comment."   "Then how does Lord Byam come to know of it so rapidly?" Pitt had to say it.   Again Drummond stared ahead of him.   "He has friends in the police--"   "I can imagine he might in Belgravia." Pitt could not let it go so blindly. "But in Clerkenwell?"   "Apparently."   "And why do they suppose that he should be interested in the murder of a usurer? Why this man?"   "I don't know," Drummond said unhappily. "I can only assume someone knew of Byam's connection with the man, and chose to forewarn him."   Excerpted from Belgrave Square by Anne Perry All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.