Cover image for Dancing with cats
Dancing with cats
Silver, Burton.
Personal Author:
Publication Information:
San Francisco : Chronicle Books, 1999.
Physical Description:
96 pages : color illustrations ; 25 cm
Added Author:
Format :


Call Number
Material Type
Home Location
Item Holds
SF446.5 .S56 1999 Adult Non-Fiction Non-Fiction Area
SF446.5 .S56 1999 Adult Non-Fiction Central Closed Stacks

On Order



While researching their groundbreaking book, Why Cats Paint , Burton Silver and Heather Busch uncovered another phenomenon that seemed to merit further investigation: people who dance with their cats, or, more accurately, cats who dance with their people. It turns out that thousands of people today are rediscovering the ancient practice of cat dancing, tapping into this remarkable method of channeling feline energy and bonding with their pets. Some whisper to horses; others dance with cats. Both are manifestations of humankinds continual striving toconnect with their animal companions on a higher spiritual level. Dancing with Cats presents scores of delightful and inspiring photographs of people and cats engaging in their favorite routines, as well as moving testimonies of the personal transformations brought about through this uniquely joyous form of communion. A brave leap forward in the history of human-feline relations, Dancing with Cats gives people and cats reason to rejoice, jump up in the air...and dance!

Author Notes

Burton Silver has written several books on cats, including Why Cats Paint. He lives in New Zealand but travels extensively to lecture on feline energy-field dynamics.
Heather Busch is a New Zealand--born artist and photographer, internationally acclaimed for her work coproducing Why Cats Paint. She has been running cat dancing therapy workshops for years.



Introduction WE will probably never know for sure why cats dance with us. We do know that some kind of energy is released in the process that can have a profound effect on human beings and probably on cats as well. It seems that by synchronizing our movements, no matter how briefly, with those of the cat, we momentarily bring our energy fields together, creating a whole new vitality which feeds back into and invigorates the two original fields. The greater the unity of movement, the more intense the dynamic. Of course, we don't know what cats ultimately gain from the experience, but the human gain is well documented. First there are the physiological effects. Cat dancers report a variety of physical sensations that range from "pleasant tingling and lightheadedness" to "whole body spasm and uncontrolled muscle quiver." Such effects make it seem likely that the feline energy system is influencing the human system on a neuro-muscular level. The psychological effects are, however, more difficult to explain. Dancers universally claim strong positive emotions are triggered by synchronized interaction with their cats. Whenever we do anything in unison with others it usually engenders some feelings of unity and togetherness which result in heightened perceptions of personal worth. But there is something more powerful occurring here. Not only do dancers talk of "feeling alive for the first time," but they also say the feeling lasts for days. Some even claim major personality shifts, stating that they no longer suffer from depression and have become more outgoing, assertive, and generous. Few people are blessed with the innate ability to communicate quickly on a deep level with a wide variety of cats--people such as Arijá Davies, for instance, who is featured throughout this book and is able to dance with a cat she has never met before after only a brief acquaintance. Most of us must be prepared to put in several hours of pre-dance work with our cats. This may include noncontact stroking, mutual nuzzling and rubbing, prone mirroring, and occasional washing imitations before we get any results at all. Unless, of course, we are lucky enough to own a cat who initiates the dance itself by rushing about in order to provoke us into joining it in an energy building experience. The sad thing is that most people do not recognize this display for the invitation it is. Instead of gladly taking the opportunity to dance with their cat, they dismiss it as some kind of dysfunctional feline behavior. Building a successful relationship with your cat which will result in fruitful dance experiences is largely dependent on your own mental and spiritual preparation. You need to be free of skepticism and totally committed to the interaction. Cats are able to detect any ambivalence on your part and will refrain from dancing with you until you have liberated yourself from the negativity of self-conscious doubt. It is precisely because of their lack of self-consciousness that children are able to form dance relationships with cats more quickly. The fact that cats dance more easily with us when there is musical accompaniment may have more to do with the way music releases us into the dance than the cats' actual enjoyment of it. However, some cats do seem to prefer certain kinds of music and it is worth experimenting to find out what music your cat likes best. You can do this by noticing whether it nods its head or swishes its tail in time to the music. Moreover, if you have no objection to your cat taking performance-enhancing drugs, you might like to try making catnip or valerian available before a dance session. There are two main methods people use to initiate a dance rapport with their cats. Some begin by holding their cat in their arms while gently moving to their favorite music. Once your cat starts to purr, which is its way of modulating energy, you know that its vibratory levels are being raised in readiness for alignment with yours. At this point you can place it on the ground and begin to sway and move around it in time to the music. Others, using a technique called mirroring, mimic their cat's every move as a means of bringing their energy levels into sympathetic contact. With both these methods, there comes a point where the cat reciprocates and synchronizes its movement with yours in a joyous explosion of energy release. Our worldview has changed radically in the last fifty years. Relativity and quantum theory have enabled us to see all animals and plants not as complex machines, but rather as intricate networks of energy fields which coexist in some kind of dynamic interplay with our cellular systems. Dancing with cats clearly demonstrates that these energies are able to link up and provide not only a new vitality, but also, on a deeper level, a way of exploring new spiritual insights that will guide us in the third millennium. Chapter One FOR Ralph, the actual dance itself always begins with The Invitation. "I come right down to the cat's level and begin purring really loudly. Then I push one foot out behind like a tail and flick it from side to side in the feline `let's go' signal. At the same time, I reach out for Petipa's paw, stop purring, and begin to hum something that seems just right for the moment. It could be one of Handel's oratorios or a sprightly chakra cha cha. The faster it is, the higher Petipa leaps." PETIPA responds with vigor equal to Ralph's robust song and flamboyant gestures. Once the energy level is raised, Ralph feels that his postures become imbued with an unconscious spiritual significance which Petipa affirms by countering with her own complementary moves. A hopping arabesque from Ralph may provoke a series of elegant stalking leaps from Petipa, while a fluttering of fingers may be countered with tiny aerial flurries. Poignant moments of unconcerned fur licking punctuate the patterns of the dance. WHEN Ralph dances with two cats, the energy fields can become confused. Instead of power being released through well-controlled movements, one cat tends to make sudden mad dashes and leaps. Cats who do this on their own are often good dancers. Copyright © 1999 Origination Trust. All rights reserved.

Table of Contents

Forewordp. 7
Prefacep. 8
Introductionp. 10
Ralph and Petipap. 12
Arija and Gingerp. 18
Arija and Nijinskatp. 20
Daphne and Minstralp. 26
Fred and Fluffp. 28
Helen and Bootsp. 30
Jane and Sootyp. 36
Joy, Pinkle and Tonkp. 38
Jill and Tonkp. 46
Sue and Tommyp. 48
Sue and Zootp. 52
Selena and Zootp. 56
Selena and Oscarp. 58
Enid and Elgarp. 62
Enid and Archiep. 66
Marvin and Missyp. 68
Max and Wikyp. 70
Arija and Wikyp. 76
Toby and Toffeep. 78
Bob, Rose and Felixp. 84
Ivan, Spike, et al.p. 86
Bibliography and Acknowledgmentsp. 96