Cover image for Giving you the best that I got
Title:
Giving you the best that I got
Author:
Baker, Anita, performer.
Personal Author:
Publication Information:
New York, N.Y. : Elektra, [1988]

â„—1988
Physical Description:
1 audio disc : digital ; 4 3/4 in.
General Note:
Elektra: 60827-2 (on container: 9 60827-2).

Popular and jazz vocals.

Compact disc.

Analog recording.

Lyrics printed on insert.
Language:
English
Contents:
Priceless / Garry Glenn (4:47) -- Lead me into love / Steve Lane & Larry Prentiss (4:44) -- Giving you the best that I got / Anita Baker, Skip Scarborough & Randy Holland (4:18) -- Good love / Gary Taylor (5:38) -- Rules / Maggie Ryder, Phil Nicholl & Graham Lamb (3:50) -- Good enough / James McBride & Anita Baker (4:47) -- Just because / Michael O'Hara, Sammy McKinney & Alex Brown (5:09) -- You belong to me / Graham Lyle, Terry Britten & Billy Livsey (3:50).
UPC:
7559608272

075596082723
Format :
Music CD

Available:*

Library
Call Number
Material Type
Home Location
Status
Audubon Library JAZZ .B167 G Compact Disc Open Shelf
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Summary

Summary

The sizeable following that Anita Baker acquired with Rapture proved quite receptive to the only slightly less appealing Giving You the Best That I Got -- an album that's quite similar to its predecessors. Though not quite on a par with The Songstress or Rapture, Best is far superior to most of 1988's uninspired R&B releases. Instead of tampering with Rapture's consistently romantic and mellow soul/pop approach, Elektra brought back that album's producer, Michael J. Powell, and kept her at the top of the charts with such sleek yet earthy fare as "Just Because" (whose harmonies bring to mind producers Jimmy Jam & Terry Lewis, but lack the hip-hop elements they're quick to employ), "Priceless," the haunting "Good Love," and the title song. Much of Baker's music has contained jazz overtones, but on the Brazilian-influenced, slightly bossa nova-ish "Good Enough," Sarah Vaughan's influence becomes even more apparent -- and indicates that she is making a tremendous mistake by not recording outright jazz. ~ Alex Henderson


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