Cover image for The best American sports writing of the century
The best American sports writing of the century
Halberstam, David.
Publication Information:
Boston : Houghton Mifflin, [1999]

Physical Description:
776 pages ; 23 cm
General Note:
Biographical notes (p. 763-772).

Notable sports writing of the century (p. 773-776).
The silent season of a hero / Gay Talese -- The last American hero / Tom Wolfe -- What do you think of Ted Williams now? / Richard Ben Cramer -- The day Bobby blew it / Brad Darrach -- Sport for art's sake / Heywood Broun -- The Olympic army / Westbrook Pegler -- Louis knocks out Schmeling / Bob Considine -- Game called / Grandland Rice -- All the way to the grave / Frank Graham -- Next to godliness ; Miracle of Coogan's Bluff ; Jim and his baubles ; The Baby was always a boy-- one of a kind ; And all Dizzy's yesterdays / Red Smith -- One strike is out / Stanley Woodward -- Sal Maglie--a gracious man / Murray Kempton -- Obit on the Dodgers / Dick Young -- If you're expecting one-liners / Jim Murray -- Oh, no! Not another boring interview with Steve Carlton / Diane K. Shah -- The LaMotta nuptials / Ira Berkow -- "A very solid book" / Mike Royko -- Eckie / Ring Lardner -- Lethal lightning / Jimmy Cannon -- Brownsville bum / W.C. Heinz -- Mr. Rickey and the game / Gerald Holland -- The rocky road of Pistol Pete ; The ghost of the gridiron / W.C. Heinz -- Lone wolf of tennis / Dick Schaap -- "The Haig": rowdy rebel of the fairways / John Lardner -- Racing's angriest young man / Jimmy Breslin -- Hub fans bid kid adieu / John Updike -- The fight to live / Al Stump -- A rough time on the road / Stan Fischler -- The longest silence / Thomas McGuane -- The Kentucky Derby is decadent and depraved / Hunter S. Thompson -- Centre court / John McPhee -- Butkus / Arthur Kretchmer -- Gone for good / Roger Angell -- There was only one Casey / Wells Twombley -- Pain ; No más / Tom Boswell -- Medora goes to the game / George Plimpton -- The rabbit hunter ; The boxer and the blonde / Frank Deford -- The September song of Mr. October / David Remnick -- A brother's keeper / Mike Lupica -- Pure heart / William Nack -- The making of a goon / Johnette Howard -- The power and the glory / Paul Solotaroff -- Tangled up in blue / Peter Richmond -- The chosen one / Gary Smith -- Into thin air / Jon Krakauer -- Resurrecting the champ / J.R. Moehringer -- The champ and the chump / Murray Kempton -- Muhammad Ali then and now / Dick Schaap -- Ego / Norman Mailer -- Weird site for a fight / Jim Murray -- "Lawdy, lawdy, he's great" / Mark Kram -- My dinner with Ali / Davis Miller.
Added Uniform Title:
Best American sports writing 1056-8034.

Format :


Call Number
Material Type
Home Location
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PS509.S65 B48 1999 Adult Non-Fiction Central Closed Stacks
PS509.S65 B48 1999 Adult Non-Fiction Open Shelf
PS509.S65 B48 1999 Adult Non-Fiction Open Shelf

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Pulitzer Prize-winning historian David Halberstam selects the fifty best pieces of sports writing of this century. The Best American Sports Writing of the Century showcases the best sports journalists of the twentieth century, from Jimmy Cannon, Red Smith, William Mack, Gary Smith, and Frank Deford to A. J. Liebling, Tom Wolfe, and Hunter S. Thompson, and includes such classics as "What Do You Think of Ted Williams Now?" by Richard Ben Cramer, "Louis Knocks Out Schmeling" by Bob Considine,and "The Rocky Road of Pistol Pete" by W. C. Heinz. This outstanding collection captures not only the century's greatest moments in baseball, boxing, horseracing, golf, and tennis, but some of the finest writing of our time. Guest editor David Halberstam is the author of The Reckoning, The Summer of Forty-Nine, The Breaks of the Game, and, most recently, The Children. Series editor Glenn Stout has written biographies of Joe DiMaggio, Ted Williams, and Jackie Robinson.

Author Notes

GLENN STOUT is the author of Young Woman and the Sea and Fenway 1912 .

Reviews 3

Publisher's Weekly Review

Stout, editor of the Best American Sports Writing series since its inception nine years ago, and Halberstam, author most recently of Playing for Keeps, a biography of Michael Jordan (Forecasts, Jan. 18), have compiled a strong collection that will send readers on a captivating trip through the diversity of styles and subjects that developed as sports became big business and big news. Theres the direct address of Bob Considine (Listen to this buddy, for it comes from a guy whose palms are still wet, from Louis Knocks Out Schmeling) and the unique voice of Tom Wolfe (Ggghhzzzzzzzeeeeeong! from The Last American Hero, about racecar driver Junior Johnson). Although there are pieces about mountain climbing, tennis and chess, fully half of the selections are about two sports: baseball and boxing. The book begins with a Best of the Best section led by Gay Taleses 1966 profile of Joe DiMaggio, The Silent Season of a Hero. In the next two sections (which encompass deadline articles, columns, features and longer works), the strongest pieces, following Taleses lead, are penetrating profiles of the famous and difficult (e.g., Richard Ben Cramer on Ted Williams)as well as the largely forgotten (a run-of-the-mill boxer named Bummy Davis). The final section is a special six-piece tribute to man who himself claimed to be the best of the best Muhammad Ali. (May) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Making the choices for the annual edition of this series is daunting enough; picking the century's best seems impossible. However, what's here is universally excellent. There's late Chicagoan Mike Royko's jingoistic review of a book by a reviled New York Met; Al Stump's now-infamous, still disturbing account of baseball legend Ty Cobb's last days; Gay Talese's revealing mid-sixties profile of recently deceased icon Joe DiMaggio; and a 1975 remembrance of Casey Stengel by Wells Twombly that reveals more about the baseball manager than a half-dozen biographies. Other highlights include Hunter S. Thompson's predictably outrageous take on the Kentucky Derby; an insightful portrait of boxer Billy Conn by Frank Deford; and Jimmy Breslin's 1960 profile of jockey Billy Hartack. In addition, a section on Muhammad Ali offers some great writing by Dick Schaap, Murray Kempton, Norman Mailer, Jim Murray, and Davis Miller. Biographical sketches of each contributor as well as a list of the century's other notable sportswriters are included. This wonderful, delightfully eclectic volume is a must for every library. --Wes Lukowsky

Library Journal Review

Character may or may not determine winners and losers, but it definitely drives good writing about sports. Guest editor Halberstam and series editor Glenn Stout have largely favored memorable writing over spectacular events. The opening two essaysÄGay Talese's chilling profile of the retired Joe DiMaggio and Richard Ben Kramer's 1986 tribute to Ted WilliamsÄshow that the two batting rivals were no match in the rest of life, where DiMaggio's heroism ended and Williams's carried on. W.C. Heinz's heartbreakingly restrained profile of Bummy Davis makes a hardboiled epic out of a neighborhood fighter's life and final stubborn act; Red Smith, the last dean of American sports columnists, gets five pieces here; Jimmy Cannon, John Updike, Heywood Hale Broun, and Ring Lardner briefly have their say; Ira Berkow covers the broken-nosed well-wishers at Jake LaMotta's Vegas wedding; John McPhee is courtside at Rod Laver's Wimbledon; and chess champion Bobby Fischer's pouty antics fill Brad Darrach's 1972 portrait. Muhammad Ali merits six essays, by Murray Kempton, Norman Mailer, Mark Kram, and others. This book, which represents a writer's century of sports, leaves wide room for argument (e.g., include the drab Mike Lupica but not the peerless A.J. Liebling?), but it gives a lot of pleasure, too. Recommended.ÄNathan Ward, "Library Journal" (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



1966 Gay Talese The Silent Season of a Hero FROM Esquire "I would like to take the great DiMaggio fishing," the old man said. "They say his father was a fisherman. Maybe he was as poor as we are and would understand." - ERNEST HEMINGWAY, The Old Man and the Sea IT WAS NOT quite spring, the silent season before the search for salmon, and the old fishermen of San Francisco were either painting their boats or repairing their nets along the pier or sitting in the sun talking quietly among themselves, watching the tourists come and go, and smiling, now, as a pretty gift paused to take their picture. She was about 25, healthy and blue-eyed and wearing a turtleneck sweater, and she had long, flowing blonde hair that she brushed back a few times before clicking her camera. The fishermen, looking at her, made admiring comments, but she did not understand because they spoke a Sicilian dialect; nor did she understand the tall gray-haired man in a dark suit who stood watching her from behind a big bay window on the second floor of DiMaggio's Restaurant that overlooks the pier. He watched until she left, lost in the crowd of newly arrived tourists that had just come down the hill by cable car. Then he sat down again at the table in the restaurant, finishing his tea and lighting another cigarette, his fifth in the last half hour. It was 11:30 in the morning. None of the other tables was occupied, and the only sounds came from the bar, where a liquor salesman was laughing at something the headwaiter had said. But then the salesman, his briefcase under his arm, headed for the door, stopping briefly to peek into the dining room and call out, "See you later, Joe." Joe DiMaggio turned and waved at the salesman. Then the room was quiet again. At 51, DiMaggio was a most distinguished-looking man, aging as gracefully as he had played on the ball field, impeccable in his tailoring, his nails manicured, his 6-foot-2 body seeming as lean and capable as when he posed for the portrait that hangs in the restaurant and shows him in Yankee Stadium, swinging from the heels at a pitch thrown 20 years ago. His gray hair was thinning at the crown, but just barely, and his face was lined in the right places, and his expression, once as sad and haunted as a matador's, was more in repose these days, though, as now, tension had returned and he chain-smoked and occasionally paced the floor and looked out the window at the people below. In the crowd was a man he did not wish to see. The man had met DiMaggio in New York. This week he had come to San Francisco and had telephoned several times, but none of the calls had been returned because DiMaggio suspected that the man, who had said he was doing research on some vague sociological project, really wanted to delve into DiMaggio's private life and that of DiMaggio's former wife, Marilyn Monroe. DiMaggio would never tolerate this. The memory of her death is still very painful to him, and yet, because he keeps it to himself, some people are not sensitive to it. One night in a supper club, a woman who had been drinking approached his table, and when he did not ask her to join him, she snapped: "All right, I guess I'm not Marilyn Monroe." He ignored her remark, but when she repeated it, he replied, barely controlling his anger, "No - I wish you were, but you're not." The tone of his voice softened her, and she asked, "Am I saying something wrong?" "You already have," he said. "Now will you please leave me alone?" His friends on the wharf, understanding him as they do, are very careful when discussing him with strangers, knowing that should they inadvertently betray a confidence, he will not denounce them but rather will never speak to them again; this comes from a sense of propriety not inconsistent in the man who also, after Marilyn Monroe's death, directed that fresh flowers be placed on her grave "forever." Some of the older fishermen who have known DiMaggio all his life remember him as a small boy who helped clean his father's boat, and as a young man who sneaked away and used a broken oar as a bat on the sandlots nearby. His father, a small mustachioed man known as Zio Pepe, would become infuriated and call him lagnuso , lazy, meschino , good-for-nothing, but in 1936 Zio Pepe was among those who cheered when Joe DiMaggio returned to San Francisco after his first season with the New York Yankees and was carried along the wharf on the shoulders of the fishermen. The fishermen also remember how, after his retirement in 1951, DiMaggio brought his second wife, Marilyn, to live near the wharf, and sometimes they would be seen early in the morning fishing off DiMaggio's boat, the Yankee Clipper , now docked quietly in the marina, and in the evening they would be sitting and talking on the pier. They had arguments, too, the fishermen knew, and one night Marilyn was seen running hysterically, crying, as she ran, along the road away from the pier, with Joe following. But the fishermen pretended they did not see this; it was none of their affair. They knew that Joe wanted her to stay in San Francisco and avoid the sharks in Hollywood, but she was confused and torn then - "She was a child," they said - and even today DiMaggio loathes Los Angeles and many of the people in it. He no longer speaks to his onetime friend, Frank Sinatra, who had befriended Marilyn in her final years, and he also is cool to Dean Martin and Peter Lawford and Lawford's former wife, Pat, who once gave a party at which she introduced Marilyn Monroe to Robert Kennedy, and the two of them danced often that night, Joe heard, and he did not take it well. He was possessive of her that year, his close friends say, because Marilyn and he had planned to remarry; but before they could she was dead, and DiMaggio banned the Lawfords and Sinatra and many Hollywood people from her funeral. When Marilyn Monroe's attorney complained that DiMaggio was keeping her friends away, DiMaggio answered coldly, "If it weren't for those friends persuading her to stay in Hollywood, she would still be alive." Joe DiMaggio now spends most of the year in San Francisco, and each day tourists, noticing the name on the restaurant, ask the men on the wharf if they ever see him. Oh, yes, the men say, they see him nearly every day; they have not seen him yet this morning, they add, but he should be arriving shortly. So the tourists continue to walk along the piers past the crab vendors, under the circling sea gulls, past the fish-'n'-chip stands, sometimes stopping to watch a large vessel steaming toward the Golden Gate Bridge, which, to their dismay, is painted red. Then they visit the Wax Museum, where there is a life-size figure of DiMaggio in uniform, and walk across the street and spend a quarter to peer through the silver telescopes focused on the island of Alcatraz, which is no longer a federal prison. Then they return to ask the men if DiMaggio has been seen. Not yet, the men say, although they notice his blue Impala parked in the lot next to the restaurant. Sometimes tourists will walk into the restaurant and have lunch and will see him sitting calmly in a corner signing autographs and being extremely gracious with everyone. At other times, as on this particular morning when the man from New York chose to visit, DiMaggio was tense and suspicious. When the man entered the restaurant from the side steps leading to the dining room, he saw DiMaggio standing near the window, talking with an elderly maitre d' named Charles Friscia. Not wanting to walk in and risk intrusion, the man asked one of DiMaggio's nephews to inform Joe of his presence. When DiMaggio got the message, he quickly turned and left Friscia and disappeared through an exit leading down to the kitchen. Astonished and confused, the visitor stood in the hall. A moment later Friscia appeared and the man asked, "Did Joe leave?" "Joe who?" Friscia replied. "Joe DiMaggio!" "Haven't seen him," Friscia said. "You haven't seen him! He was standing right next to you a second ago!" "It wasn't me" Friscia said. "You were standing next to him. I saw you. In the dining room." "You must be mistaken," Friscia said, softly, seriously. "It wasn't me." "You must be kidding" the man said angrily, turning and leaving the restaurant. Before he could get to his car, however, DiMaggio's nephew came running after him and said, "Joe wants to see you." He returned, expecting to see DiMaggio waiting for him. Instead, he was handed a telephone. The voice was powerful and deep and so tense that the quick sentences ran together. "You are invading my rights. I did not ask you to come. I assume you have a lawyer. You must have a lawyer, get your lawyer!" "I came as a friend," the man interrupted. "That's beside the point," DiMaggio said. "I have my privacy. I do not want it violated. You'd better get a lawyer...." Then, pausing, DiMaggio asked, "Is my nephew there?" He was not. "Then wait where you are." A moment later DiMaggio appeared, tall and red-faced, erect and beautifully dressed in his dark suit and white shirt with the gray silk tie and the gleaming silver cuff links. He moved with his big steps toward the man and handed him an airmail envelope unopened that the man had written from New York. "Here," DiMaggio said. "This is yours." Then DiMaggio sat down at a small table. He said nothing, just lit a cigarette and waited, legs crossed, his head held high and back so as to reveal the intricate construction of his nose, a fine sharp tip above the big nostrils and tiny bones built out from the bridge, a great nose. "Look," DiMaggio said, more calmly, "I do not interfere with other people's lives. And I do not expect them to interfere with mine. There are things about my life, personal things, that I refuse to talk about. And even if you asked my brothers, they would be unable to tell you about them because they do not know. There are things about me, so many things, that they simply do not know...." "I don't want to cause trouble," the man said. "I think you're a great man, and ..." "I'm not great," DiMaggio cut in. "I'm not great," he repeated softly. "I'm just a man trying to get along" Then DiMaggio, as if realizing that he was intruding upon his own privacy, abruptly stood up. He looked at his watch. "I'm late," he said, very formal again. "I'm 10 minutes late. You're making me late." The man left the restaurant. He crossed the street and wandered over to the pier, briefly watching the fishermen hauling their nets and talking in the sun, seemingly very calm and contented. Then, after he turned and was headed back toward the parking lot, a blue Impala stopped in front of him and Joe DiMaggio leaned out the window and asked, "Do you have a car?" His voice was very gentle. "Yes," the man said. "Oh," DiMaggio said. "I would have given you a ride." Joe DiMaggio was not born in San Francisco but in Martinez, a small fishing village 25 miles northeast of the Golden Gate. Zio Pepe had settled there after leaving Isola delle Femmine, an islet off Palermo where the DiMaggios had been fishermen for generations. But in 1915, hearing of the luckier waters off San Francisco's wharf, Zio Pepe left Martinez, packing his boat with furniture and family, including Joe, who was one year old. San Francisco was placid and picturesque when the DiMaggios arrived, but there was a competitive undercurrent and struggle for power along the pier. At dawn the boats would sail out to where the bay meets the ocean and the sea is rough, and later the men would race back with their hauls, hoping to beat their fellow fishermen to shore and sell it while they could. Twenty or 30 boats would sometimes be trying to gain the channel shoreward at the same time, and a fisherman had to know every rock in the water, and later know every bargaining trick along the shore, because the dealers and restaurateurs would play one fisherman off against the other, keeping the prices down. Later the fishermen became wiser and organized, predetermining the maximum amount each fisherman would catch, but there were always some men who, like the fish, never learned, and so heads would sometimes be broken, nets slashed, gasoline poured onto their fish, flowers of warning placed outside their doors. But these days were ending when Zio Pepe arrived, and he expected his five sons to succeed him as fishermen, and the first two, Tom and Michael, did; but a third, Vincent, wanted to sing. He sang with such magnificent power as a young man that he came to the attention of the great banker, A. P. Giannini, and there were plans to send him to Italy for tutoring and the opera. But there was hesitation around the DiMagglo household and Vince never went; instead, he played ball with the San Francisco seals and sports writers misspelled his name. It was DiMaggio until Joe, at Vince's recommendation, joined the team and became a sensation, being followed later by the youngest brother, Dominic, who was also outstanding. All three later played in the big leagues, and some writers like to say that Joe was the best hitter, Dom the best fielder, Vince the best singer, and Casey Stengel once said: "Vince is the only player I ever saw who could strike out three times in one game and not be embarrassed. He'd walk into the clubhouse whistling. Everybody would be feeling sorry for him, but Vince always thought he was doing good." After he retired from baseball Vince became a bartender, then a milkman, now a carpenter. He lives 40 miles north of San Francisco in a house he partly built, has been happily married for 34 years, has four grandchildren, has in the closet one of Joe's tailor-made suits that he has never had altered to fit, and when people ask him if he envies Joe he always says, "No, maybe Joe would like to have what I have." The brother Vincent most admired was Michael, "a big earthy man, a dreamer, a fisherman who wanted things but didn't want to take from Joe, or to work in the restaurant. He wanted a bigger boat, but wanted to earn it on his own. He never got it." In 1953, at the age of 44, Michael fell from his boat and drowned. Since Zio Pepe's death at 77 in 1949, Tom at 62, the oldest brother - two of his four sisters are older - has become nominal head of the family and manages the restaurant that was opened in 1937 as Joe DiMaggio's Grotto. Later Joe sold out his share, and now Tom is the co-owner with Dominic. Of all the brothers, Dominic, who was known as the "Little Professor" when he played with the Boston Red Sox, is the most successful in business. He lives in a fashionable Boston suburb with his wife and three children and is president of a firm that manufactures fiber cushion materials and grossed more than $3,500,000 last year. Continue... Excerpted from The BEST AMERICAN SPORTS WRITING of the Century Copyright © 1999 by Houghton Mifflin Company Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Table of Contents

Glenn StoutDavid Halberstam
Forewordp. xiii
Introductionp. xix
The Best of the Best
Gay Talese
The Silent Season of a Herop. 3
Tom Wolfe
The Last American Herop. 23
Richard Ben Cramer
What Do You Think of Ted Williams Now?p. 58
Brad Darrach
The Day Bobby Blew Itp. 90
Columns and Writing on Deadline
Heywood Broun
Sport for Art's Sakep. 131
Westbrook Pegler
The Olympic Armyp. 135
Bob Considine
Louis Knocks Out Schmelingp. 138
Grantland Rice
Game Calledp. 140
Frank Graham
All the Way to the Gravep. 144
Red Smith
Next to Godlinessp. 147
Miracle of Coogan's Bluffp. 150
Jim and His Baublesp. 153
The Babe Was Always a Boy -- One of a Kindp. 156
And All Dizzy's Yesterdaysp. 162
Stanley Woodward
One Strike Is Outp. 165
Murray Kempton
Sal Maglie . . . A Gracious Manp. 170
Dick Young
Obit on the Dodgersp. 174
Jim Murray
If You're Expecting One-Linersp. 178
Diane K. Shah
Oh, No! Not Another Boring Interview with Steve Carltonp. 181
Ira Berkow
The LaMotta Nuptialsp. 184
Mike Royko
"A Very Solid Book"p. 187
Features and Longer Pieces
Ring Lardner
Eckiep. 191
Jimmy Cannon
Lethal Lightningp. 199
W. C. Heinz
Brownsville Bump. 204
Gerald Holland
Mr. Rickey and the Gamep. 219
W. C. Heinz
The Rocky Road of Pistol Petep. 236
The Ghost of the Gridironp. 253
Dick Schaap
Lone Wolf of Tennisp. 265
John Lardner
"The Haig": Rowdy Rebel of the Fairwaysp. 276
Jimmy Breslin
Racing's Angriest Young Manp. 289
John Updike
Hub Fans Bid Kid Adieup. 304
Al Stump
The Fight to Livep. 318
Stan Fischler
A Rough Time on the Roadp. 340
Thomas Mcguane
The Longest Silencep. 343
Hunter S. Thompson
The Kentucky Derby Is Decadent and Depravedp. 355
John McPhee
Centre Courtp. 372
Arthur Kretchmer
Butkusp. 400
Roger Angell
Gone for Goodp. 422
Wells Twombly
There Was Only One Caseyp. 451
Tom Boswell
Painp. 455
No Masp. 461
George Plimpton
Medora Goes to The Gamep. 466
Frank Deford
The Rabbit Hunterp. 478
The Boxer and the Blondep. 499
David Remnick
The September Song of Mr. Octoberp. 525
Mike Lupica
A Brother's Keeperp. 542
William Nack
Pure Heartp. 548
Johnette Howard
The Making of a Goonp. 564
Paul Solotaroff
The Power and the Goryp. 574
Peter Richmond
Tangled Up in Bluep. 593
Gary Smith
The Chosen Onep. 611
Jon Krakauer
Into Thin Airp. 630
J. R. Moehringer
Resurrecting the Champp. 668
The One and Only
Murray Kempton
The Champ and the Chumpp. 699
Dick Schaap
Muhammad Ali Then and Nowp. 702
Norman Mailer
Egop. 713
Jim Murray
Weird Site for a Fightp. 738
Mark Kram
"Lawdy, Lawdy, He's Great"p. 741
Davis Miller
My Dinner with Alip. 747
Biographical Notesp. 763
Notable Sports Writing and Sports Writers of the Centuryp. 773