Cover image for Black rubber dress : a Sam Jones mystery
Black rubber dress : a Sam Jones mystery
Henderson, Lauren, 1966-
Personal Author:
First American edition.
Publication Information:
New York : Crown Publishers, 1999.

Physical Description:
293 pages ; 23 cm
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"Wickedly funny . . ."-- New York Times Book Review
"Sharply intelligent. . . . Hipper than hip."-- Denver Rocky Mountain News

Sexy, savvy sculptor-turned-sleuth Sam Jones attracts trouble like she does men. When her sculpture Thing III is unveiled at a swank reception in the atrium of a London bank, a dead body crashes the party. From there, events take a distinctly dangerous turn. Our rubber-clad heroine hardly suspects that in a few days she'll be embroiled in a hot affair with a BMW-driving, Kensington-dwelling stockbroker--the shame of it!

Forced to hang out with a pair of spoiled, anorexic rich girls and their unsavory entourage of "friends" as she unravels the facts behind the murder, Sam finds herself unwillingly pulled into a twisted world of drugs, blackmail, and trust funds--one that seems to spell disaster for high society's darlings. By the end of the week even the usually tough-as-nails Sam is running scared. She needs to get to the bottom of it all--before she turns up dead herself.

From the Trade Paperback edition.

Author Notes

Lauren Henderson was born & bred in London, where she worked as a journalist, a club bartender, & at other poorly paid jobs before going to Tuscany on holiday & never returning home.

(Bowker Author Biography)

Reviews 2

Booklist Review

Henderson's first novel introduces a genuinely original heroine with the sass of V. I. Warshawski. That's not to say, of course, that British artist Sam Jones is without flaws. Although she may occasionally snort coke, drink too much, wear a black rubber dress, and favor sex without commitment, Sam's endearingly self-deprecating personality and big heart make it worth overlooking a few major vices. After the unveiling of a commissioned piece of her sculpture at a conservative bank, Sam hooks up with a crowd of spoiled, rich, young people--far from her usual type. Drawn into the fray by a handsome stockbroker, she soon finds herself completely out of her element, not to mention her funky London neighborhood. When a member of her new "gang" is found dead under Sam's sculpture, and a bank security guard utters a cryptic message before dying, the artist turns sleuth. The girl in the black rubber dress is definitely a winner, and she makes a perfect British counterpart to Janet Evanovich's Stephanie Plum. (Reviewed March 15, 1999)0609804383Jenny McLarin

Library Journal Review

Samantha "Sam" Jones, a London sculptress, revels in the ironies of life. Her recent sale of a colossal mobile to a merchant bank temporarily places her among a group of spoiled rich folk, including an anorexic, a drug-addicted banker's daughter, a hunky corporate financier, and others. Sam's wonderfully sardonic narrative serves as satiric commentary, especially as she and said hunk have their way with each other. Meanwhile, Sam ponders the suspicious import of a security guard's dying words, then investigates a murder involving her sculpture. A topnotch first novel. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



From Chapter 1 "I can't do this any more," Hawkins said with an air of manly resolution. He was sitting on the end of the futon, his back to me, pulling on his shoes. One of the shoelaces was in a tangle and he dragged on it as viciously as if he were garrotting me.          "Well, my cervix'll be glad to hear that," I said from a semi-recumbent position on a pile of pillows. "It's not what it was. I think it needs a rest cure."          He turned a look of loathing on me, his jaw set. "Why do you always have to make a joke of everything?"          "Please. I hate rhetorical questions."          He tied the other shoelace and stood up.          "I mean it, Sam," he said seriously. "I can't do this any more."          "Is Daphne beginning to suspect?" I found the name of Hawkins' girlfriend exquisitely amusing for some perverse reason.          "It's not that so much as the guilt." He was looking around for his jacket.          "Maybe you should try not to enjoy it so much. Then you'd feel less remorse."          The glance of loathing returned. "If that's all you can think of to say. . . ."          He started rummaging around on the bed, presumably hoping to find his jacket buried in the mess of duvet and blankets. Instead he uncovered a part of me by mistake; he stared at it, unwillingly fascinated, for several moments before throwing the covers back over it as heavily as if he were attempting to tamp out a fire.          "One of the reasons I like you is that you make me feel such a scarlet woman," I observed. "A temptation to be resisted as long as you can possibly bear it."          "That's because you are," he snapped. He had now found his jacket, which was a shame, because it was a nasty brown leather blouson which did nothing for him whatsoever. "And this is positively the last time I give in to it. You."          "That's what you always say."          His eyes narrowed with rage. Hawkins' blue eyes were his one claim to handsomeness. Around them was one of those solid, unpretentious faces, Spencer Tracy crossed with a knocked-about prizefighter, which would be craggy in later life and gave you the impression of total reliability. Which was ironic, considering his profession.          "Well, this time I mean it." Despite himself, his voice softened. "Can't you just try to understand how difficult it is for me, Sam? I've been living with Daphne for four years now. And it's not as if you'd take me in if I left her."          "God, no. I'm not cut out for domesticity. Besides, it would ruin both our careers at one go."          "Exactly." He looked very hangdog.          "Oh, piss off, Hawkins," I said impatiently. "Most men would be bloody grateful for what you've got. You can try to shag what's left of my brains out when the mood takes you and then pop home to Daphne and a nice home-cooked shepherd's pie--"          "How the hell do you know what Daphne cooks?"          "Anyone called Daphne knows how to do shepherd's pie. It wasn't even a guess."          "God, you piss me off!" Hawkins glared at me, arms folded across his broad chest in best macho style. For a moment I thought he was going to have his way with me again, and I braced myself against the headboard in anticipation; but he limited himself to swearing violently and then swung over the side of my sleeping platform, on to the ladder which led down to the main studio. I scrambled out of bed and hung over the edge, shouting:          "It was you who came round here, remember? I didn't even ask you!"          "I wouldn't come back even if you begged me!"          "Yeah, yeah. Same time next week, then?" I yelled vindictively.          He made what sounded like a snarl and slammed the door behind him. It would have rocked on its hinges if I hadn't put on the extra-strong ones. Men often seemed to leave me this way. I attributed the phenomenon to my winning charm.          Well, I was awake now. I should be; it was three in the afternoon. I got out of bed without bothering to huddle under the covers first. There were only a few months of the year warm enough for me to wander naked round my studio--a tacked-on warehouse extension in Holloway, and even less glamorous than that description makes it sound--so I might as well make the most of it. Pushing aside the big screen, painted with colourful and rather rudely cavorting people, which stood at the foot of my bed, I rifled through the contents of my clothes rail, pausing for a moment at my little blue linen suit: it would be perfect for this evening, which was precisely why I wasn't going to wear it. People might take me for an off-duty merchant banker.          I looked across the platform for a moment at the Thing, a large silvery mobile which hung smugly from the central steel joist in the ceiling. Attempts had been made by Duggie, my agent, to call it something more saleable, but I had resisted them. To me it would always be the Thing; its personality wasn't good enough for it to deserve a more poetic moniker. It was demanding, pushy and it positively revelled in attention, which was why it had become a mobile in the first place. It loved hanging above people's heads, in the most literal sense being looked up to, while it basked happily, feeling admired and superior.          It was because of the admiration provoked by the Thing that I was now facing a clothes decision. An American couple had commissioned one like it, but on a larger scale. I had wanted to call the second one Thing II, but this time Duggie had stood firm, and it now answered to "Undiscovered Planet." The husband of the couple was otherwise known as Mr. Big of Consolidated Drilling; he had shown the mobile to a mate of his, a.k.a. Mr. Big at an investment bank called Mowbray Steiner, who happened to be looking for something to hang in the bank's front hall and wanted this to be slightly more original than ceramic flying ducks. So he placed an order for "Floating Planet," which he had requested on a scale that made its forebears look the size of ball bearings. Duggie predicted that all the smartest five-mile-high marble atria would be wearing one next season. Excerpted from Black Rubber Dress: A Sam Jones Novel by Lauren Henderson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.