Cover image for Kid Rodelo
Kid Rodelo
L'Amour, Louis, 1908-1988.
Personal Author:
[Large print edition].
Publication Information:
Thorndike, Me. : G.K. Hall, 1999.

Physical Description:
176 pages (large print) ; 25 cm.
Format :


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X Adult Large Print - Floating collection Floating Collection - Large Print

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Rodelo had done time, but he was no criminal. Harbin and his gang were, and they'd just escaped from prison. Now they had a bundle of stolen gold and were headed to Mexico. But first they had to survive fifty miles of desert heat, shifting sands, and a band of treacherous, bounty-hunting Yaqui Indians. They knew the only man who could get them through was Rodelo . . .

Author Notes

Born in Jamestown, North Dakota on March 22, 1908, Louis L'Amour's adventurous life could have been the subject of one of his novels. Striking out on his own in 1923, at age 15, L'Amour began a peripatetic existence, taking whatever jobs were available, from skinning dead cattle to being a sailor. L'Amour knew early in life that he wanted to be a writer, and the experiences of those years serve as background for some of his later fiction. During the 1930s he published short stories and poetry; his career was interrupted by army service in World War II. After the war, L'Amour began writing for western pulp magazines and wrote several books in the Hopalong Cassidy series using the pseudonym Tex Burns.

His first novel, Westward the Tide (1950), serves as an example of L'Amour's frontier fiction, for it is an action-packed adventure story containing the themes and motifs that he uses throughout his career. His fascination with history and his belief in the inevitability of manifest destiny are clear. Also present and typical of L'Amour's work are the strong, capable, beautiful heroine who is immediately attracted to the equally capable hero; a clear moral split between good and evil; reflections on the Native Americans, whose land and ways of life are being disrupted; and a happy ending. Although his work is somewhat less violent than that of other western writers, L'Amour's novels all contain their fair share of action, usually in the form of gunfights or fistfights.

L'Amour's major contribution to the western genre is his attempt to create, in 40 or more books, the stories of three families whose histories intertwine as the generations advance across the American frontier. The novels of the Irish Chantry, English Sackett, and French Talon families are L'Amour's most ambitious project, and sadly were left unfinished at his death. Although L'Amour did not complete all of the novels, enough of the series exists to demonstrate his vision.

L'Amour's strongest attribute is his ability to tell a compelling story; readers do not mind if the story is similar to one they have read before, for in the telling, L'Amour adds enough small twists of plot and detail to make it worth the reader's while. L'Amour fans also enjoy the bits of information he includes about everything from wilderness survival skills to finding the right person to marry. These lessons give readers the sense that they are getting their money's worth, that there is more to a L'Amour novel than sheer escapism. With over 200 million copies of his books in print worldwide, L'Amour must be counted as one of the most influential writers of westerns in this century. He died from lung cancer on June 10, 1988.

(Bowker Author Biography) Louis L'Amour, truly America's favorite storyteller, was the first fiction writer ever to receive the Congressional Gold Medal from the United States Congress in honor of his life's work, & was also awarded the Medal of Freedom. There are over 260 million copies of his books in print worldwide.

(Publisher Provided)

Reviews 1

Library Journal Review

Prolific writer L'Amour published this brief tale in 1966, and it was adapted into a film later that same year. In it, the wrongly imprisoned Kid Rodelo joins three other outlaws recently escaped from Yuma prison. They carry with them a fortune in gold but too little water to face the dreaded Camino Del Diablo desert route. Their flight to freedom is dogged by bloodthirsty Yaki Indians and complicated by the addition of a guarded yet refined young woman. Western fans will not be disappointed. Narrator Edoardo Ballerini's gruff delivery accentuates the action. VERDICT Recommended to fans of traditional Westerns, and, at just four hours, this is also an easy point of entry for those curious about L'Amour's work.-Mark John Swails, Johnson Cty. Community Coll., Overland Park, KS (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



Chapter One THE YUMA DESERT, east of the Colorado River mouth, was like the floor of a furnace; but of the four riders, three were Yaqui Indians and accustomed to the heat, as were the buzzards swinging in lazy circles above them. The fourth rider did not mind the heat. He was dead. The part of the desert they were now crossing was hard sand. Before them and on their right were sand dunes. Four days earlier the dead man had ridden his horse to death in those dunes. Obsessed by the desire to escape, to reach the boat awaiting him on Adair Bay, he had not realized until too late how hard he had ridden the animal. To attempt the escape across the desert, dotted here and there by low-growing creosote or burro bush, was madness if he traveled by day. Yet there was no time to stop. It was the Yaquis, hungry for the fifty dollars his carcass would bring, who arranged his schedule. It was run or die, and so he ran . . . and died anyway, for they caught up with him short of his goal. Nobody escaped across the Yuma Desert. The Yaqui in the battered cavalry hat could have told him that, for he had collected bounty on seventeen bodies, and it made a nice living. The Yaquis knew nothing about the boat on Adair Bay, and cared less. At Yuma Prison, Tom Badger did know about the boat. He had been the escaped prisoner's only confident, had known of the plans, and had known that the boat was to appear at a certain place on the shore each evening for two weeks. The men handling the boat were well paid, and they knew only that one man, perhaps two or more, would appear out of the desert. They were to pick those men up, ask no questions, and sail them to Mazatlan. Tom Badger had intended to make the break with Isacher, but Isacher was alone when the chance came and he accepted the chance. Badger had been left behind, but he did not blame his cell mate. In his place he would have done the same thing. Now he waited. . . . Had Isacher made it? Suddenly he heard the bell toll. One . . . two . . . three . . . four! The prison gate had opened and closed. Badger sat up, scratching. Somebody had come in, and at this hour? It was not quite six in the morning. Outside he heard a voice, some distance off and near the gate. It was plain enough, even at the distance, for in this clear air sounds carry. "They brought in another one." "Who is it?" "Who d'you think? Only one man's escaped from here in six months." Isacher! Tom Badger held himself very still, his mind suddenly clear. Isacher was dead, and there were days to go before the boat would leave Adair Bay. Isacher had been clear about that, and had planned to arrive on the first of the fourteen days the boat would spend in the bay. Those other thirteen days were simply insurance against any delay or mistake in timing. Whoever was in that boat could know nothing of Isacher's failure. Therefore if one or more men should arrive at Adair Bay, the boat would pick them up and take them to Mazatlan. Isacher had failed, but his death left the door open. Badger's thoughts were interrupted by a jangle of keys and tramping feet. Doors opened and he heard the guards turning the convicts out for the day's work. Miller came in with the day man and began unlocking the leg-irons that chained them to the floor. Gopher looked up, whining, "I just can't make it today. I-" "Shut up!" Tom Badger looked down irritably. Joe Harbin was all right, but Gopher could do nothing but whine. "Get your boots on!" The jailer was impatient. He was a hard man who allowed no leeway for any of them. Miller, on the other hand, was a good guard and a fair one. If a con did not make it hard for Miller, he was inclined to give him any breaks the rules would allow. "I can't-" The jailer nudged Gopher with a boot. "On your feet!" "Please!" The jailer raised the keys to strike, but Miller interposed. "Lay off him. He took ten lashes yesterday." "And now he's askin' for ten more." "Get your boots on, son," Miller said. "Go let the Doc have a look at you." Slowly, painfully, Gopher pulled on his boots and got to his feet, lining up in the prison corridor with the others. As they marched down the corridor he stared into the cells of the less troublesome prisoners. In each of them he saw men who were freshly shaved making up comfortable bunks. At least, they were comfortable compared to the hard stone floor on which he had slept in the maximum security cell. Halted briefly, the three saw Danny Rodelo. He was stripped to the waist while the doctor checked him over. Miller watched for a moment. "Doc?" "Just a minute, guard. I have to check this man for release. He's going out today." "Lucky stiff," somebody muttered, and Miller glanced around at the faces of the convicts, but there was no indication who had made the comment, and he did not press the question. Rodelo was lucky to get out, any man was. In the case of Dan Rodelo, however, it had just been bad luck that ever got him in. He was, as all the prisoners knew, no criminal at all. Rough, yes . . . and tough. He was a man who would make it the hard way if necessary, and anybody who bought a piece of his action bought trouble. Rodelo had done his time standing up. Never a complaint, never an argument. He did his work every day, and every day's work was a good one. "All right, Rodelo." Dr. Wilson took up his bag and stepped into the corridor. "What is it, Miller?" "This man-he claims he's sick." Dr. Wilson glanced at Gopher. "Oh, it's you, is it?" Lifting the man's shirt he looked at the scrawny back, laced with the marks of the lashes. "Healing all right." Dan Rodelo pulled on his shirt while the others watched. He tucked it under his belt and reached for a necktie. Joe Harbin stared at him angrily, then started to speak, but Tom Badger nudged him sharply and Joe closed his mouth. "You're fit enough," Wilson said to Gopher. "You'd better keep working or that back will stiffen up." "You mean I've got to work?" "Everybody works in here, son. Stay out of trouble and one of these days you'll walk out of here just like Rodelo is. If you make trouble you'll just get one lashing after another, and when you get out you'll be ready for the bone yard. Take it from me-I see them all." Dan Rodelo stood watching them go, then stepped out into the corridor and walked along to the warden's office. He was aware of the stares of envy from those he left behind, but he knew few of them, and had little in common with any of them. He stopped suddenly. Three Yaquis were bringing in a body. Despite himself, he stared at the dead face. He knew the man . . . knew him simply because there was only one man it could be. There was little about the cadaver he looked upon that resembled the man he had known by sight. There had been rumors about Isacher. He had relatives back East who had money, and there was a story that some cash had been spread around. It was still a mystery as to how he had crashed out. The prison clerk opened the door to the warden's office. "Isacher's body, sir, for your identification." "Can't you identify him?" "Regulations, sir. It is required that you see the body." The warden came to the door and looked down at the dead man. A slender, attractive man in his late fifties, his military bearing indicating his background, the warden had no liking for the task. "I'd never recognize him," he commented. "He must have gone through hell." "Have you seen that desert to the south? I don't think there's anything like it anywhere else in North America. He was probably half dead from thirst when they shot him." The warden turned away. "They always do shoot them, don't they?" "A dead man can't drink their water, sir, and down there water is almighty scarce." "All right, get him out of here. See that he's properly buried." As an afterthought, he added, "And be sure you can locate the grave. His family may want the body, although I doubt it." The Yaqui in the cavalry hat stepped forward. "Oro?" "Pay him," the warden said. "Here . . . I'll sign that." He signed the voucher, then glanced up at the clerk. "I will sign," he said, "but I will be damned if I approve. No matter what they were guilty of, it simply isn't right to have them hunted down and killed." The clerk was cynical. "That's how these Yaquis live, sir. I mean the outfit that hang around the fort." He paused. "I've often thought we should recruit them, sir, train them into good soldiers. They have the makings." "Bloodthirsty savages." "Some of them." The Indian took his money and turned away, and as he did so he saw Dan Rodelo. For an instant their eyes held, the Yaqui recognizing the dislike showing in Rodelo's eyes, and letting his own gaze travel down over Rodelo's outfit. For a convict, which the Yaqui knew he was, he was dressed very well. The new boots were polished and shining. The Indian pointed at them. "I have." He looked up at Rodelo. "You see. Someday I have." "Sorry," Rodelo replied, "I'm going out the gate. I am free." Rodelo walked past the Yaqui and stopped in front of the warden's desk. Something in Rodelo recognized the warden for what he was, and almost instinctively he stood at attention. "Well, Rodelo?" The warden studied him for a moment. "You were in the Army?" "Yes, sir. The Fifth Cavalry, sir." The clerk came to the desk with a brown paper sack and placed it before Rodelo. Dan glanced down . . . the sack contained his possessions, and they were very few. He put them in his pockets without comment, then belted on the holster and gun belt that came with the sack. The warden took a five-dollar gold piece from a drawer and handed it to Rodelo. "Here's your discharge money. I am glad to see you leaving here, Rodelo, and I hope you do nothing to bring you back." "I've had enough, sir." He hesitated. "It was nothing criminal, when it comes to that." "I know. I checked your record." The warden seemed reluctant to let him go. "Rodelo, these are trying times. Any time of transition is sure to develop situations that are difficult to handle, but remember that our country is changing. We cannot live by the gun any longer. "We have settlers coming from the East every day, we have businessmen wanting to invest. We must learn to settle our disputes without gunplay, and we must leave the apprehension of criminals to the law." "I know, sir." "I hope you do Rodelo, for I think you're a good man. Stay out of trouble." He looked directly into Rodelo's eyes. "And stay away from bad company." Dan Rodelo backed off a step, then did an about-face and walked out of the office. He was tight inside with apprehension. Did the warden know something? Yet how could he? Nevertheless . . . The guard who walked beside him signaled for the gate to be opened as they approached it. They paused there briefly. "I'm glad to see you out of here, Dan," the guard said. "Thanks, Turkey. I won't say I'll miss it." Dan Rodelo nodded his head toward the east. "I've got a good horse waiting for me over there." He turned back. "Want to do something for me?" He took the five-dollar gold piece from his pocket. "This is for you if you'll tell Joe Harbin I gave it to you." "Is that all?" "That's all." Turkey stood in the open gateway watching Rodelo walk down the hill, then he glanced at the gold piece, shrugged, and put it in his pocket. Now what did all that mean? For a moment he considered reporting it to the warden, but on second thought it seemed too trivial. He stepped back and the gates closed behind him. Thoughtfully, he walked back to the prison yard. Joe Harbin, he knew, would be in the quarry. A prisoner, Turkey was thinking, who could give away five dollars for nothing must be a man who had money-or expected to come into some. And that might be just what he wanted Harbin to know. IT WAS HOT. Dan Rodelo paused and wiped his hand across his forehead. It was going to be a long walk to the ghost mining town toward which he was headed, and he would be better off to wait until after sundown. He wanted to avoid Yuma, with its curious stares for anyone who came down the hill from the Territorial Prison. It had been a year since they had seen him, and only a glimpse then. He wanted no one remembering him in future years as a man who had done time in Yuma. He turned off the road and came to the shade of an abandoned adobe, where he sat down to wait for the coolness of the evening. Taking his six-shooter from its holster, he tried the balance of it and checked the loads. The cartridge belt held only eleven loops that were carrying shells. He would need ammunition, and he would need a rifle. He holstered his pistol and, tilting his hat over his eyes, settled back to rest. It was very hot, but there was a faint breeze from off the river. As he dozed he remembered the Yaqui in the beat-up old cavalry hat, and for a moment felt a twinge of chill. What was it they said caused that? It was when somebody stepped on your grave. -- Excerpted from Kid Rodelo by Louis L'Amour All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.