Cover image for Mariko Mori
Title:
Mariko Mori
Author:
Mori, Mariko, 1967-
Personal Author:
Publication Information:
Chicago, Ill. : Museum of Contemporary Art ; London : Serpentine Gallery, [1998]

©1998
Physical Description:
ix, 94 pages : illustrations (some color) ; 27 cm
General Note:
Essays by curators of four exhibitions of the artist's work to be held in the U.S. and London between May 1998 and March 1999.
Language:
English
Added Author:
ISBN:
9780933856578
Format :
Book

Available:*

Library
Call Number
Material Type
Home Location
Status
Central Library NX584.Z9 M672 1998 Adult Non-Fiction Non-Fiction Area
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Summary

Summary

The futuristic, sci-fi like scenarios created by the artist Mariko Mori in her photographs and video installations often include Mori herself, dressed in outlandish costume, and are intriguing and imaginative works which combine elements of Japanese popular culture, such as Japanimation, as well as fashion, cyberspace, and video art. Mori, who studied fashion in Tokyo and art in London and New York, has become one of the freshest young artists working in the '90s, and this book, which is the first on her work, comprehensively catalogs her upcoming exhibitions. Recent video work by Mori has included such works as Nirvana (shown at the '97 Venice Biennale), in which the artist depicts herself making symbolic Buddhist hand-gestures as she floats above the Dead Sea. Still another piece is a video in which Mori, in futuristic space wear, rolls a crystal ball through an airport to the haunting melodies of a Japanese song. These works involve a surrealistic interplay of imagery which suggests something akin to the art of Yayoi Kusama, the costs of funk icon George Clinton, science fiction, and the film works of Matthew Barney.


Reviews 1

Library Journal Review

These three inexpensive volumes present the work of some of today's most interesting and accessible art photographers. Emotions & Relations collects the work of five relatively established photographers who first came to know each other while in art school and the 1970s and have since sometimes been grouped as the "Boston School." While most members share similar content (their friends and acquaintances as subjects) and technique (lush, painterly uses of color), each demonstrates a clear individual style. This catalog to an exhibition at the Hamburger Kunsthalle makes a fine case for both their grouping and their specific talents, offering two short essays on the show and the "school" and introductions to each artist preceding the separate portfolios. While all five‘Nan Goldin, David Armstong, Mark Morrisroe, Jack Pierson, and Philip-Lorca diCorcia‘have published monographs, this volume offers new insights for substantial art libraries and a concise and beautiful compendium for small and medium public libraries. The German Tillmans and Japanese Mori are younger but still have impressive museum credentials under their belts. Mori's book accompanies a show traveling from Los Angeles to Pittsburgh and Chicago. Her stylized photos, using herself as subject in a variety of over-the-top costumes, at first simply entertain and make the viewer happy. But her juxtapositions of contemporary urban life and surreal fantasy also impart more disturbing thoughts. Tillmans's book, his fourth, is the most comprehensive collection of his work and finally captures the full variety of styles‘from diaristic snapshots to painterly still lifes to off-the-wall fashion spreads. What unifies all this is an ability to see the ordinary and be astonished. Emotions & Relations belongs in nearly all libraries; Tillmans is a fine choice for medium and large public institutions; Mori will be at home in larger public and academic art collections.‘Eric Bryant, "Library Journal" (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


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